While all art is unique, the challenges artists face are shared regardless of background, experience, and artistic medium. With decades of experience training and helping artists, the expert staff of the New York Foundation for the Arts have compiled a “best practices” approach to planning and organizing an art career. In this book, NYFA has identified common problems, examined specialized areas of business, finance, marketing, and law, and distilled these topics in such a way that readers can digest them and apply them to their own experience and practice.
Included are interviews, anecdotes, and in-depth case studies. The skills and guidelines in The Profitable Artist will also translate effectively to teaching and mentoring opportunities that artists may encounter as their career progresses. This invaluable guide appeals to all artists in all disciplines of the literary, media, performing, and visual arts, from recent art school graduates to established artists undertaking new arts businesses to artists seeking more from their careers at any stage of their career.
Pbbt. Just like pretty much every workshop ever given to artists. And then also, like every previous book written for the business of the arts. Maybe you don't know this stuff yet - in which case, it's great, read it. But if you're like me and you've been to every single freakin' workshop offered about how to, like, make a living as an artist or market yourself or whatever new thing they're offering - it's like - not really news. And I felt a little bit misled by the title. Because that's why I bought it. The Profitable Artist? Why, no one ever talks about the possibility of us actually making PROFITS - there's just survival, survival, survival. I guess I thought this book might have some new way to look at things, wherein we could, in fact, be profitable. Nope, same old, same old. And only a very select few can call that profitable. Nice idea this book. And really a good standard guide to making a career. But odds aren't good that it'll lead you to profits.
Tons of useful information! Some of it was review for me but it's always good to review the basics. I would recommend this book to any artist who feels like they have no idea where to start in terms of fundraising, grants, budgets, and more.
This is the sort of book I'm probably going to need to read more than once. A friend has suggested that maybe a team of writers/artists could get together and encourage each other to follow through on all the ideas/suggestions presented in the book. That is something to consider.
I brought this to an art studio's open studio night to show to the non-professionals. There was a lot of good information not just for fine artists but performers and writers and other creative types.
A very good handbook on all areas an artist absolutely must know and know well. Your career will thank you for sitting with this easy read for a few hours.
The Profitable Artist has good advice for anyone thinking of setting out on an artistic career. I found the chapters on networking and forming corporations especially enlightening.