Li'L' Gal.

by Paul Laurence Dunbar

The Toronto co-publication (for Canadian markets) of the New Dodd, Mead, 1904 edition. It features photographic illustrations, and decorations throughout (including cover) by Margaret Armstrong.

Genres: Poetry

123 pages, Hardcover

First published January 1, 1904

About the author

Paul Laurence Dunbar (June 27, 1872 – February 9, 1906) was a seminal American poet of the late 19th and early 20th centuries. Dunbar gained national recognition for his 1896 Lyrics of a Lowly Life, one poem in the collection Ode to Ethiopia. In 2002, scholar Molefi Kete Asante listed Paul Laurence Dunbar on his list of 100 Greatest African Americans.

Dunbar was born in Dayton, Ohio to parents who had escaped from slavery; his father was a veteran of the American Civil War, having served in the 55th Massachusetts Infantry Regiment and the 5th Massachusetts Colored Cavalry Regiment. His parents instilled in him a love of learning and history. He was a student at an all-white high school, Dayton Central High School, and he participated actively as a student. During high school, he was both the editor of the school newspaper and class president, as well as the president of the school literary society. Dunbar had also started the first African-American newsletter in Dayton.

He wrote his first poem at age 6 and gave his first public recital at age 9. Dunbar's first published work came in a newspaper put out by his high school friends Wilbur and Orville Wright, who owned a printing plant. The Wright Brothers later invested in the Dayton Tattler, a newspaper aimed at the black community, edited and published by Dunbar.

His first collection of poetry, Oak and Ivy, was published in 1892 and attracted the attention of James Whitcomb Riley, the popular "Hoosier Poet". Both Riley and Dunbar wrote poems in both standard English and dialect. His second book, Majors and Minors (1895) brought him national fame and the patronage of William Dean Howells, the novelist and critic and editor of Harper's Weekly. After Howells' praise, his first two books were combined as Lyrics of Lowly Life and Dunbar started on a career of international literary fame. He moved to Washington, D.C., in the LeDroit Park neighborhood. While in Washington, he attended Howard University.

He kept a lifelong friendship with the Wrights, and was also associated with Frederick Douglass and Booker T. Washington. Brand Whitlock was also described as a close friend.[2] He was honored with a ceremonial sword by President Theodore Roosevelt.

He wrote a dozen books of poetry, four books of short stories, five novels, and a play. He also wrote lyrics for In Dahomey - the first musical written and performed entirely by African-Americans to appear on Broadway in 1903; the musical comedy successfully toured England and America over a period of four years - one of the more successful theatrical productions of its time.[3] His essays and poems were published widely in the leading journals of the day. His work appeared in Harper's Weekly, the Saturday Evening Post, the Denver Post, Current Literature and a number of other publications. During his life, considerable emphasis was laid on the fact that Dunbar was of pure black descent, with no white ancestors ever.

Dunbar's work is known for its colorful language and use of dialect, and a conversational tone, with a brilliant rhetorical structure.

Dunbar traveled to England in 1897 to recite his works on the London literary circuit. He met the brilliant young black composer Samuel Coleridge-Taylor who some of his poems to music and who was influenced by Dunbar to use African and American Negro songs and tunes in future compositions.

After returning from England, Dunbar married Alice Ruth Moore in 1898. A graduate of Straight University (now Dillard University) in New Orleans, her most famous works include a short story entitled "Violets". She and her husband also wrote books of poetry as companion pieces. An account of their love, life and marriage was depicted in a play by Kathleen McGhee-Anderson titled Oak and Ivy.

Dunbar took a job at the Library of Congress in Washington. In 1900, he was diagnosed with tuberculosis and moved to Colorado with his wife on the advice of his doctors. Dunbar died at age 33.

Reviews

[Surreysmum · Rating 2 out of 5]

[These notes were made in 1984:]. When I first saw the poetry in this book, I said, with a shiver of repulsion, "Ugh! Dreadful stuff!" So why'd I buy it - for $25, no less? Because of the Margaret Armstrong binding and decorations, of course. It is in good condition. My chief objection to the contents is the phonetic[ish:] dialect in which the poems are written. Although I know that Dunbar was Black himself, that particular emphasis (Moufs mus' be a wat'rin') in addition to the rather twee photographs seems patronizing and almost cutesy. Yet, once past that barrier, I found a certain musicality, a certain ear for a refrain (many of the poems are in some sort of song form) and a fairly pithy observation of certain universal human attitudes which make Dunbar far from the worst verse-maker I've ever read. There is, too, one poem in standard English -- just goes to prove he could do it. I suppose, in a way, he was trying to be the Burns of the American negroes (as they were then called). But the trouble is the strong association between the transcription of that dialect and racist put-downs constantly wrecks any pleasure a twentieth-century reader may derive from the real poetry behind. (But I do love the binding!)