Why, on a wet and stormy night, did the old and very ill novelist Dan Braile decide to take a walk?When he doesn't come back his family are at first reluctant to call the police, despite the fact that he had claimed someone was trying to poison him. But they become steadily more tense as the evidence points towards a horrifying conclusion - and under the strain their united front begins to crack . . . 'A consummate professional in clever plotting, characterisation and atmosphere' Washington Post
Title: The Cup and the Lip Author: Elizabeth Ferrars Series: N/A Release Date: 1975 Publisher: HarperCollins Rating: 4 stars
Favourite character: Peter Least favourite character: Kate
Mini-Review: Okay so this was amazing as usual. I love Elizabeth Ferrars books, her writing is just... ugh, I love it. My reason for it not being 5 stars is because of the ending. Not the reveal of the whodunnit, that shocked me. No the romance subplot that was never followed through on. I feel cheated.
Fan Cast: Peter Harkness - Harry Lloyd Gina Marston - Ellie Bamber Max Rowley - Tom Burke Kate Rowley - Olivia Colman Juliet Weldon - Laura Carmichael Walter Weldon - Martin Freeman Helen Braile - Clare Holman Anna Weinstock - Celia Imrie Adrian Rolfe - Aaron Taylor-Johnson Daniel Braile - Bill Nighy Arthur - Harry Holland Cliff Paton - Anthony Boyle Rosie Paton - Simona Brown Detective Superintendent Crabtree - Alex Price
an exciting whodunit murder mystery, but unfortunately the ending/solution was unsatisfactory. the writing is not brilliant, but the story is well-paced
I've read three other books by Elizabeth Ferrars; Skeleton Staff, The Crime and the Crystal and Murder of a Suicide and for the most part enjoyed them. The Cup and the Lip was also entertaining. It moves along at a nice clip and kept me interested in what was happening. Author Dan Braile has a number of friends, fellow writers for the most part, up at his home, Gray Gables. He is to take part in a question and answer session with some of his compatriots and the local arts society. But Dan has been ill for awhile and friend Peter is asked to come up from London to replace him in the session. Strangely, Dan thinks he's being poisoned, maybe by one of his visitors so Peter gets involved in that mystery. After the function, Dan disappears and another acquaintance, Rolfe, shows up. As the group tries to find Dan and wonder whether they should call the police as well, a dead body is discovered. So there you go, many questions to be answered and they are all explored. Is Dan being poisoned? Is one of his guests the perpetrator? Why would someone want to poison him? Whose body is discovered? The book keeps you entertained and the ultimate solution was satisfying. I enjoyed. (3 stars)
A short and ultimately slight tale told by Ferrars in that smooth and lucid style that is characteristic of much of her writing. It involves one of her typical groups of middle-class, respectable people, literary types in this case, a suspected poisoning and an inexplicable disappearance on a wild and stormy evening. Most of the activity is confined to an old house and a nearby hotel and the cast of characters is an intimate one - a classic closed circle setup. Ferrars was always highly readable and it is never a chore to spend time on one of her books. That said, this brief novel feels a little lightweight, and the resolution is somewhat ambiguous.
Felt the woman in the story was very naive but was probably due to the date it was written (we have come a long way).. She was gullible to have gone along with the things she did. Otherwise liked the book and it read quickly.
An intriguing setup — a novelist convinced one of his friends is trying to poison him — pulls you in straight away. Ferrars builds the tension nicely through subtle digs, and quiet paranoia, before the story takes a darker turn when one of the group is suddenly killed. Two crimes is a nice twist. That said, the ending dragged a little for me. The final explanations went on longer than they needed to, taking some of the sting out of an otherwise clever twist. Still, it’s a thoughtful, character-driven mystery with that classic Ferrars touch — genteel settings, sharp observations, and just enough menace under the surface.