Opera: Help Me Sing! by Mari Reiza, is a feminist, restorationist melodrama. Its primary character, Ivanka, is a Russian, living with her husband Alexey, in London. Their relationship is best summed up by a quotation from the book, “Had his money changed her, made her more valuable? Yet theirs was a story of misuse of wealth, of human limitation.” Ivanka, along with a trio of central characters -- Ferdinando, Igor, and Maria -- drive the story towards a satisfying and emotional conclusion.
Ivanka is slowly dying from cancer, and in the beginning, seems to have largely resigned herself to her fate. That is until she receives a letter addressed to J Maria Russo, one small part of the address was incorrect. For those who grew up under the American system of addresses and postal system, the British system will seem absolutely mind boggling -- how are you supposed to get around if everything is addressed in single and double digits, nothing in the hundreds or thousands? Russo is a gifted musician living in cultural and creative exile, and is soon awoken with Ivanka's visits and interventions.
Igor is Ivanka's oldest and best friend from Russia, and she considers him as part of her family. They have a long history, but Ivanka keeps her health a secret from him. Ferdinando is Ivanka's massage therapist, and he is initially kept in the dark concerning her marriage and family. Ivanka wants to play matchmaker for her two friends, hoping that they will complement and complete each other. It is these two that persuade her to take the incorrectly delivered letter to Russo. Ferdinando, especially, wants Ivanka to get to know him; Ferdinando is a fan of Russo's “Daughter of the Moon.”
The symbolism of the story is powerfully emotional and layered perfectly. Alexey, Ivanka's husband, is largely absent from the story, but his presence is felt in other ways, “...insisted on having Fer secretly yet thoroughly checked by one of her husband’s thugs.” Alexey represents the powerful, over-shadowing, masculine forces at work in the culture. But, those forces are resulting in sterility, and are in decline.
Ivanka, providentially given the McGuffin of the incorrectly directed letter, goes on a heroic journey to restore the cultural power of a failing musician. She initially refuses this call, but is prodded into action by Ferdinando, who also provides the comforts and emotional support of a mother-like figure. Igor, though a long-time friend, represents a connection to a painful past and something that she must struggle to work through. In the end, Ivanka is the muse that promotes the rebirth of culture, and upon completing her task, crosses the threshold never to return.
Opera: Help Me Sing! is intended for mature audiences. Having read many of Reiza's other works, this one is quite tame in its sexual content. In order to fully appreciate the book, one must have at least a passing knowledge of recent global events and cultural trends, or at least be willing to Google certain references. I have almost no complaints about the book, except that the action is slow to pick up steam and the beginning feels a bit dragged out. But, once it gets going, the book provides strong, emotional hooks that pull you from chapter to chapter. Overall, it is another excellent read from Reiza.