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The Authority: Role-Playing Game And Resource Book
The acclaimed comic series by Warren Ellis is now an anything-goes RPG! The Authority introduces "widescreen" super-heroics, where super-villains do not hold back; they fly across the world in droves, devastating cities beneath them ... until the Authority can act, changing things for the better. The Authority is a group of immensely powerful heroes with bold visions. They are masked adventurers with an agenda and no reason to maintain the status quo. The threats they face literally run off the charts, threatening nations, civilizations, and even humanity itself. This core rulebook covers Ellis's 12-issue run on the series, and contains all the rules and Tri-Stat System game material you need to create your own Authority campaign.
- GenresRole Playing Games
256 pages, Hardcover
First published June 28, 2004
2 people are currently reading
14 people want to read
About the author
Matt Forbeck
209 books312 followersI'm an award-winning, New York Times-bestselling author and game designer and happily married father of five, including a set of quadruplets. For more on my work, see Forbeck.com.
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September 25, 2015
The Lore
So, after much talk and promise, welcome to some non-Warhammer related tabletop content. Deciding to go with something decidedly different but still extremely dark, this time we're delving into the world of superheroes, specifically this extension of the Wildstorm Universe.
One of the several universes spawned in the Dark Age of the early 90s, Wildstorm has quite an interesting publisher despite its initially sub-standard content. Founded by the famed Jim Lee, it was a part of Image Comics before later breaking off. Consisting entirely of your grimdumb, dull ultraviolence and (surprisingly) Liefeldian artwork, it wasn't anything special until two men came along. The first of these was the legendary Alan Moore, working on the WildC.A.T.s and upping the quality of that series. The second came some years later, the venerable Warren Ellis, creator of Transmetropolitan among many famous indie works. Ellis turned the failing StormWatch into a cult classic, and after that comic sadly ended sparked up what was to become its famed spiritual successor: The Authority.
The Authority is effectively what you get when you combine the Suicide Squad with the Justice League. These are powerful heroes, defenders of earth consisting of people who are determined to change the world for the better. However, they are also those who operate as a semi-covert paramilitary operation, operating on the mantra of the end justifying the means, with many haunted by dark powers or pasts.
This is the group who almost certainly served as inspiration for the film Justice League: Gods and Monsters, and the sort of people who are simply villains trying to do the best they can to improve a dark world. The sort of people who, unlike Superman, would happily teleport into a dictator's office and snap his neck to end a bigger war. The sort of people who have seen how badly wrong humanity can go under its own steam, and can't be left to its own devices. This isn't an exaggeration either. Want to know how far this group went in the comics? They declared Tibet to be a protectorate of themselves, declared it a free state, and repeatedly annihilated China's attempts to take it back.
The reason for the group's actions are that, unlike other vigilantes, they attempted to first operate within the system as a part of StormWatch (the United Nations' metahuman taskforce). However, after corruption, red tape and interference from above hamstrung them, and the organisation was disbanded following most of its members being declared K.I.A. stopping an alien invasion, they went rogue. As a result of this, much of the lore within the book effectively comes down to recapping Ellis' initial run on the comic. It goes into great detail covering the three main arcs of home threats, alien threats and interdimensional threats. For added flavour it then goes into the Jenny Sparks: The Secret History of the Authority miniseries, with mixed results. While it gives some added details and ideas for GMs, and more narrative hooks for players to work with, but the quality is definitely less than that of the big series.
While simply listing the history and events of the comic might seem cheap, it actually works to its benefit in many regards. It gives a good impression of the sorts of scale, the exact sorts of threats the heroes and party are supposed to be fighting. There's no small scale stopping a store robbery, no immediate attempts to deal with street level crime, when the Authority gets involved it's because there is at least city scale devastation at risk. More often than not what they get involved in is usually planetary or continental actually, largely because of the collateral risk involved. Unlike Man of Steel or a few unfortunate comics of late, the Authority addresses that damage control and limiting civilian causalities is an absolute necessity, When two super-powered beings get to grips with one another, someone is almost certainly going to die in the crossfire, no matter how careful you are, and being cocky will likely just result in more deaths. It's in part for this reason that the comic goes into so much detail surrounding their initial engagement with a big threat in London, which focuses upon exactly this, and Apollo's later battle with an alien fleet.
The book is really giving you all you can to impress the big, main ideas behind each fight, each battle and each running conflict to allow you to create your own. It even suggests a few later ones building off of prior events as possible starting points. Not just the usual sort of throwaway ideas either, but some BIG impact stuff, like the idea of StormWatch's space station crash landing in America rather than being fired into the sun, unleashing thousands of facehuggers. Another is effectively what might happen if the rapture occurred, with more atop of all of that.
While the book impresses big ideas upon the reader and builds up a few concepts, it thankfully does actually provide plenty of material for people to build their own tales. What isn't devoted to the early series is impressing upon the reader some of the big events in the universe. This covers a varied number of subjects from what led to StormWatch's creation, the politics in play, and even the interstellar war between the Kherubim and Daemonites, WildC.A.T.s' main villains. This further extends into the planet's unique events, some of the stuff focusing upon certain individual nations, before then moving onto the series' own big threats at long last. Yeah, there's a lot to work with, a lot more than what's actually in the comics. Along with all of this, if players really what to go off of the beaten track, the GM is given full profiles for just about any and every character in the comics with a name. This means the likes of Lord Windsor, a character who lasted all of four pages in the comic, now has as fully fleshed out a profile as the big players. There's plenty of material here to really mold the setting or story to however you wish, showing you the exact points on where to go and how to expand upon concepts. It's basically more Horus Heresy than it is The End Times, offering you all the background information you need to create your own story rather than saying "yeah, do something else if you want."
If there is a problem to be cited with all of this, it's that the big characters of Apollo, Midnighter, Swift, the Engineer, Hawksmoor, the Doctor (no, not that one) and Jenny Sparks are left a little vague. Okay, most people want to create their own characters much of the time, but in the case of Apollo and the Doctor especially, what details you're given makes them seem very limited or shallow. A sad problem given that it doesn't properly reflect the greater depth the comic would later show beyond the initial run, especially with the former becoming a parent. Even when it does go into certain character ideas, it unfortunately tends to stick largely to tropes or basic concepts, such as the Aquaman archetype and the like. So, at times it really seems like the authors were seriously sticking to what they knew from the comic.
The issue of sticking purely to the comic's information is also carried over to its themes and certain subjects. While it emphasises big power, big impact and a global scale, it doesn't really do enough to build things up to that. It sticks to this scale from the very start and there's little here to ease other players into something truly massive, or how to think exactly in this way. It's hard enough to get certain people to adjust to the likes of Exalted where you're playing demigods who can leap over mountains, but being able to punch planets out of orbit? Yeah, that takes a lot of experience and a specific mindset. This can be just as bad for the GM as it is the players, and you can unfortunately all too easily find them thinking along the lines of traditional superhero antics such as stopping bank robberies or the like. As such, it's great for those who already have plenty of experience and a good understanding of this type of game, but offers little help for those trying to get there. Combined with the massive costs and some of the darker aspects, it's really not for the faint hearted.
However, above all else there is one critical problem with the RPG which was also at the core of the big series itself far too much of the time. The Authority sells itself upon the idea of changing the world for the bigger, the idea of having a big impact and being able to push for a better society and be about more than just punching people. For all of that however, there's very little here which doesn't focus purely upon fighting. This was an issue of the main comic itself, especially during the main series and always seemed secondary to the fights. For example, helping the world in the first arc came down to killing a superhuman army and crushing an empire. This wasn't really anything new, and the real changes came from quieter moments like helping with post-battle relief efforts and making contacts within certain government offices. Even the big moment there came down to basically manipulating events to ensure certain technology fell into the hands of the United Nations, but that's really about it. This is even more notable in the second arc with Sliding Albion, where liberating an entire planet boils down to killing off the core command infrastructure and that's about it.
For all the background the book offers on the universe, for all the details, information and wealth of minute facts to help GMs, there's nothing to help the core message. You're given a few general ideas at best, perhaps a few vague concepts, but there's no page which really stops to explain and give a solid bit of grounding to operate off of. It would certainly help to just have even a basic list of ideas, concepts and thoughts to work with, but so much just seems to be relying upon the GM being inventive and little else. Not a bad idea in some cases, but definitely not when it comes to the book's core theme. This is only made worse by how making the world better seems so oddly contradictory to the violent methods within the group and lack of grey morality. There's no ambiguity in the examples found here, with every villain being a full on bastard coated monstrous bastards with a bastard filling. This even extends to the army themselves, so there's never a moment where they're forced to use restraint or second guess anything. As a result of all this, it's sadly more a book which talks about its themes of changing the world while only making a few concessions towards that overall goal.
Still, as an adaptation in terms of lore and concepts, The Authority RPG and Resource Book is pretty damn good. When the main flaws stem more from the source material itself, it's hard to really mark something like this down. With its biggest sin being just sticking far too much to what was established by others, all the while offering more than enough information to people to put their own spin on things, this still remains a sold RPG. While in terms of overall lore it's one which should have GMs be very aware of its flaws and scope before starting, this is definitely pretty damn good. It might not push quite so far as Rogue Trader, but for the universe at hand and set on a single world it's hard to ask for more, really. Plus, it's easily one of the most beautiful looking RPG books about thanks to Bryan Hitch's work. I'd say more but, really, just look at a few of the images posted on here and they speak for themselves.
The Rules
So, now we've dealt with the lore in as spoiler free a manner as possible, (hopefully to encourage some of you to check out Warren Ellis' work on StormWatch and The Authority) we're here's a few thoughts on the rules. This not going to be too simple given that the rules and details themselves are fine, but the core system itself is fairly divisive among people. It's based upon the Tri-Stat System, a somewhat uncommon set compared with GURPS or traditional D20 RPGs, and no one seems to have a set opinion on it. Just Google it and you'll find people adamantly loving it, adamantly hating it, praising one area but disposing others, with no dominant group. True, this is hardly uncommon among most systems, but if you were to get eight RPG fanatics to read this thing, no one opinion would even begin to cross over with the other.
However, as this is opinion driven, I personally think that the system itself is serviceable. Certainly not outstanding, and lacking some of the more fun elements of Shadowrun and Dark Heresy, but it's not nearly as convoluted as Exalted or bad by any standard.
So, how does it work as a whole? Well, the Tri-Stat system itself proves to be oddly simplified, with characters having three primary stats covering all the usual groups. To compare with D&D, this means that Strength, Dexterity and Constitution are effectively all rolled into one stat (Body), Intelligence and some more scholarly aspects of Wisdom are rolled into another (Mind) and the other half are combined with Charisma to make one more (Soul). On the one hand, this does nicely streamline things in many regards and makes certain parts of the system far less clunky, easing people into RPGs as a whole. On the other though, it does remove too much depth and dynamic ideas for my personal liking. Linking in Strength and Constitution for example, that's all fine, but Dexterity as well seems to be going a bit far. It just doesn't allow for enough "sub-genres" for fighter to exist, even with the Less Capable Defect elements in play. That last Defect choice is what helps event out certain points, differing hard hitting glass cannons from slow but extremely strong tanks.
Say for example you had a very high body stat, to turn your guy into more of a juggernaut and free up some points to spend on other areas (because there are always points) you could turn Speed or Agility into a defect. This would mean he was strong, tough and all the rest, but would be slower by comparison. The effects vary, as it inflicts a -3 penalty on major widespread attributes like those mentioned, or a -6 to more specialised areas. How good this is really will vary from person to person, as it can seem quite extreme. The system covering these areas goes from an inept individual (1), a normal human (4), an Olympian (12), and then to basically a Super Saiyan (20).
As a whole, the system just seems to play things too safe, and you'll quickly realise this when the group runs into enemy encounters. Given their power levels, most checks by the players are usually going to be relatively easily passed, and the few times the system offered some serious challenges was thanks to large negative modifiers. The problem is that this works both ways, so when you end up with enemies on roughly the same level as the characters, it can just result in continual no-selling of attacks as they repeatedly pass on their defensive checks. Okay, this can encourage parties to be very original with their own rolls, but it also means that the more straight forwards battles can be a real slog at times.
So, with so many negative qualities in mind, does it really cover many good aspects if any? More than you'd expect. The foremost being that the system is actually extremely easy to get into and very streamlined. This isn't to say it's simple by any means, and there's still a learning curve to be had, but it means that games move forwards very quickly. There's none of the usual waiting or speed bumps you run into with the likes of Shadowrun or the other games cited above. You could have a character hacking into a computer system, someone interrogating another character, a third person on a firing range, and a forth trying to survive torture, and it would be smoothly running. You wouldn't run into those same sort of bits or elongated sequences where one character's story hijacks the entire session for half an hour.
The actual book itself brings up multiple examples and cites how to keep things balanced between players in session, and in the tests runs we've done it works fairly well. It's quite easy to shift about and rearrange the narrative to suit an ongoing story, and the mechanics are speedily handled enough to have a story built upon them without strangling character moments. This, combined with its rapid combat and fast sequences, means that it's surprisingly open to new players. Being open to any new person of any kind is always a bonus, and it goes hand in hand in this case with a staggering level of flexibility.
When pouting out that the book covers a vast array of characters and figures in the first part of this review, that also went into the stats. You have everything here started out and covered from the main team to an overweight politician. While that might seem very general and obvious, please take into account that this ranges from a man who can bench press Everest and cauterise the moon to someone who can barely shoot a pistol. Then keep in mind all of that is covered on this basic system, and it goes to even greater extremes. The Authority being statted out didn't just stop at its humanoid members, but also went into its several kilometer long flying headquarters, the Carrier, and it works. You could have practically anything covered under this system, and while it might not be perfectly covered, it's adaptable enough for you to take a stab at almost any nutso idea you want.
The flexability of the game is greatly assisted by a staggering number of skills and character attributes which are on offer to new players. These are the parts which really assist in the greater flexibility on offer and allow players to fully tailor characters as and how they wish. So, while you might get certain abilities and points you'd expect such as being fated to follow a certain path or being ultra accurate with certain weapons, you then have some of the truly insane stuff.
Want to have a skill in the domestic arts of housekeeping? It's got you covered.
Want to have a literal divine relationship to call upon or the ability to transform cities into personal mecha? Yep, it's in there.
Want to have force fields? The book has several pages devoted to sub-catagories of that ability.
Hell, that goes that for quite a few of them, from alternate forms to a stylised combat technique involving guns. Again, it's simple so don't expect it to be ultra-detailed as with other systems, but it's wide and varied enough for you to basically build whatever combination of hero archetypes you might want. A personal favourite was basically combining the abilities of Mister Fantastic with Nick Fury, elasticity, genius, personal army of S.H.I.E.L.D. agents and all.
In addition to such a variety of attributes, you then have the bonus of the exact nature of special attacks. These go on for several pages at a time, and the few which don't offer such a wide variety of points or ideas are always simple enough for the GM to develop house rules surrounding them. This can be especially helpful on the subjects of energy or damage absorption, or replicating the ever increasing power telekinesis has in all fiction. The overall point, however, is that it's really a system where freedom was their big emphasis without it ever over-complicating the game, and on that front it remains a definite success.
Click on the links to read in full
So, after much talk and promise, welcome to some non-Warhammer related tabletop content. Deciding to go with something decidedly different but still extremely dark, this time we're delving into the world of superheroes, specifically this extension of the Wildstorm Universe.
One of the several universes spawned in the Dark Age of the early 90s, Wildstorm has quite an interesting publisher despite its initially sub-standard content. Founded by the famed Jim Lee, it was a part of Image Comics before later breaking off. Consisting entirely of your grimdumb, dull ultraviolence and (surprisingly) Liefeldian artwork, it wasn't anything special until two men came along. The first of these was the legendary Alan Moore, working on the WildC.A.T.s and upping the quality of that series. The second came some years later, the venerable Warren Ellis, creator of Transmetropolitan among many famous indie works. Ellis turned the failing StormWatch into a cult classic, and after that comic sadly ended sparked up what was to become its famed spiritual successor: The Authority.
The Authority is effectively what you get when you combine the Suicide Squad with the Justice League. These are powerful heroes, defenders of earth consisting of people who are determined to change the world for the better. However, they are also those who operate as a semi-covert paramilitary operation, operating on the mantra of the end justifying the means, with many haunted by dark powers or pasts.
This is the group who almost certainly served as inspiration for the film Justice League: Gods and Monsters, and the sort of people who are simply villains trying to do the best they can to improve a dark world. The sort of people who, unlike Superman, would happily teleport into a dictator's office and snap his neck to end a bigger war. The sort of people who have seen how badly wrong humanity can go under its own steam, and can't be left to its own devices. This isn't an exaggeration either. Want to know how far this group went in the comics? They declared Tibet to be a protectorate of themselves, declared it a free state, and repeatedly annihilated China's attempts to take it back.
The reason for the group's actions are that, unlike other vigilantes, they attempted to first operate within the system as a part of StormWatch (the United Nations' metahuman taskforce). However, after corruption, red tape and interference from above hamstrung them, and the organisation was disbanded following most of its members being declared K.I.A. stopping an alien invasion, they went rogue. As a result of this, much of the lore within the book effectively comes down to recapping Ellis' initial run on the comic. It goes into great detail covering the three main arcs of home threats, alien threats and interdimensional threats. For added flavour it then goes into the Jenny Sparks: The Secret History of the Authority miniseries, with mixed results. While it gives some added details and ideas for GMs, and more narrative hooks for players to work with, but the quality is definitely less than that of the big series.
While simply listing the history and events of the comic might seem cheap, it actually works to its benefit in many regards. It gives a good impression of the sorts of scale, the exact sorts of threats the heroes and party are supposed to be fighting. There's no small scale stopping a store robbery, no immediate attempts to deal with street level crime, when the Authority gets involved it's because there is at least city scale devastation at risk. More often than not what they get involved in is usually planetary or continental actually, largely because of the collateral risk involved. Unlike Man of Steel or a few unfortunate comics of late, the Authority addresses that damage control and limiting civilian causalities is an absolute necessity, When two super-powered beings get to grips with one another, someone is almost certainly going to die in the crossfire, no matter how careful you are, and being cocky will likely just result in more deaths. It's in part for this reason that the comic goes into so much detail surrounding their initial engagement with a big threat in London, which focuses upon exactly this, and Apollo's later battle with an alien fleet.
The book is really giving you all you can to impress the big, main ideas behind each fight, each battle and each running conflict to allow you to create your own. It even suggests a few later ones building off of prior events as possible starting points. Not just the usual sort of throwaway ideas either, but some BIG impact stuff, like the idea of StormWatch's space station crash landing in America rather than being fired into the sun, unleashing thousands of facehuggers. Another is effectively what might happen if the rapture occurred, with more atop of all of that.
While the book impresses big ideas upon the reader and builds up a few concepts, it thankfully does actually provide plenty of material for people to build their own tales. What isn't devoted to the early series is impressing upon the reader some of the big events in the universe. This covers a varied number of subjects from what led to StormWatch's creation, the politics in play, and even the interstellar war between the Kherubim and Daemonites, WildC.A.T.s' main villains. This further extends into the planet's unique events, some of the stuff focusing upon certain individual nations, before then moving onto the series' own big threats at long last. Yeah, there's a lot to work with, a lot more than what's actually in the comics. Along with all of this, if players really what to go off of the beaten track, the GM is given full profiles for just about any and every character in the comics with a name. This means the likes of Lord Windsor, a character who lasted all of four pages in the comic, now has as fully fleshed out a profile as the big players. There's plenty of material here to really mold the setting or story to however you wish, showing you the exact points on where to go and how to expand upon concepts. It's basically more Horus Heresy than it is The End Times, offering you all the background information you need to create your own story rather than saying "yeah, do something else if you want."
If there is a problem to be cited with all of this, it's that the big characters of Apollo, Midnighter, Swift, the Engineer, Hawksmoor, the Doctor (no, not that one) and Jenny Sparks are left a little vague. Okay, most people want to create their own characters much of the time, but in the case of Apollo and the Doctor especially, what details you're given makes them seem very limited or shallow. A sad problem given that it doesn't properly reflect the greater depth the comic would later show beyond the initial run, especially with the former becoming a parent. Even when it does go into certain character ideas, it unfortunately tends to stick largely to tropes or basic concepts, such as the Aquaman archetype and the like. So, at times it really seems like the authors were seriously sticking to what they knew from the comic.
The issue of sticking purely to the comic's information is also carried over to its themes and certain subjects. While it emphasises big power, big impact and a global scale, it doesn't really do enough to build things up to that. It sticks to this scale from the very start and there's little here to ease other players into something truly massive, or how to think exactly in this way. It's hard enough to get certain people to adjust to the likes of Exalted where you're playing demigods who can leap over mountains, but being able to punch planets out of orbit? Yeah, that takes a lot of experience and a specific mindset. This can be just as bad for the GM as it is the players, and you can unfortunately all too easily find them thinking along the lines of traditional superhero antics such as stopping bank robberies or the like. As such, it's great for those who already have plenty of experience and a good understanding of this type of game, but offers little help for those trying to get there. Combined with the massive costs and some of the darker aspects, it's really not for the faint hearted.
However, above all else there is one critical problem with the RPG which was also at the core of the big series itself far too much of the time. The Authority sells itself upon the idea of changing the world for the bigger, the idea of having a big impact and being able to push for a better society and be about more than just punching people. For all of that however, there's very little here which doesn't focus purely upon fighting. This was an issue of the main comic itself, especially during the main series and always seemed secondary to the fights. For example, helping the world in the first arc came down to killing a superhuman army and crushing an empire. This wasn't really anything new, and the real changes came from quieter moments like helping with post-battle relief efforts and making contacts within certain government offices. Even the big moment there came down to basically manipulating events to ensure certain technology fell into the hands of the United Nations, but that's really about it. This is even more notable in the second arc with Sliding Albion, where liberating an entire planet boils down to killing off the core command infrastructure and that's about it.
For all the background the book offers on the universe, for all the details, information and wealth of minute facts to help GMs, there's nothing to help the core message. You're given a few general ideas at best, perhaps a few vague concepts, but there's no page which really stops to explain and give a solid bit of grounding to operate off of. It would certainly help to just have even a basic list of ideas, concepts and thoughts to work with, but so much just seems to be relying upon the GM being inventive and little else. Not a bad idea in some cases, but definitely not when it comes to the book's core theme. This is only made worse by how making the world better seems so oddly contradictory to the violent methods within the group and lack of grey morality. There's no ambiguity in the examples found here, with every villain being a full on bastard coated monstrous bastards with a bastard filling. This even extends to the army themselves, so there's never a moment where they're forced to use restraint or second guess anything. As a result of all this, it's sadly more a book which talks about its themes of changing the world while only making a few concessions towards that overall goal.
Still, as an adaptation in terms of lore and concepts, The Authority RPG and Resource Book is pretty damn good. When the main flaws stem more from the source material itself, it's hard to really mark something like this down. With its biggest sin being just sticking far too much to what was established by others, all the while offering more than enough information to people to put their own spin on things, this still remains a sold RPG. While in terms of overall lore it's one which should have GMs be very aware of its flaws and scope before starting, this is definitely pretty damn good. It might not push quite so far as Rogue Trader, but for the universe at hand and set on a single world it's hard to ask for more, really. Plus, it's easily one of the most beautiful looking RPG books about thanks to Bryan Hitch's work. I'd say more but, really, just look at a few of the images posted on here and they speak for themselves.
The Rules
So, now we've dealt with the lore in as spoiler free a manner as possible, (hopefully to encourage some of you to check out Warren Ellis' work on StormWatch and The Authority) we're here's a few thoughts on the rules. This not going to be too simple given that the rules and details themselves are fine, but the core system itself is fairly divisive among people. It's based upon the Tri-Stat System, a somewhat uncommon set compared with GURPS or traditional D20 RPGs, and no one seems to have a set opinion on it. Just Google it and you'll find people adamantly loving it, adamantly hating it, praising one area but disposing others, with no dominant group. True, this is hardly uncommon among most systems, but if you were to get eight RPG fanatics to read this thing, no one opinion would even begin to cross over with the other.
However, as this is opinion driven, I personally think that the system itself is serviceable. Certainly not outstanding, and lacking some of the more fun elements of Shadowrun and Dark Heresy, but it's not nearly as convoluted as Exalted or bad by any standard.
So, how does it work as a whole? Well, the Tri-Stat system itself proves to be oddly simplified, with characters having three primary stats covering all the usual groups. To compare with D&D, this means that Strength, Dexterity and Constitution are effectively all rolled into one stat (Body), Intelligence and some more scholarly aspects of Wisdom are rolled into another (Mind) and the other half are combined with Charisma to make one more (Soul). On the one hand, this does nicely streamline things in many regards and makes certain parts of the system far less clunky, easing people into RPGs as a whole. On the other though, it does remove too much depth and dynamic ideas for my personal liking. Linking in Strength and Constitution for example, that's all fine, but Dexterity as well seems to be going a bit far. It just doesn't allow for enough "sub-genres" for fighter to exist, even with the Less Capable Defect elements in play. That last Defect choice is what helps event out certain points, differing hard hitting glass cannons from slow but extremely strong tanks.
Say for example you had a very high body stat, to turn your guy into more of a juggernaut and free up some points to spend on other areas (because there are always points) you could turn Speed or Agility into a defect. This would mean he was strong, tough and all the rest, but would be slower by comparison. The effects vary, as it inflicts a -3 penalty on major widespread attributes like those mentioned, or a -6 to more specialised areas. How good this is really will vary from person to person, as it can seem quite extreme. The system covering these areas goes from an inept individual (1), a normal human (4), an Olympian (12), and then to basically a Super Saiyan (20).
As a whole, the system just seems to play things too safe, and you'll quickly realise this when the group runs into enemy encounters. Given their power levels, most checks by the players are usually going to be relatively easily passed, and the few times the system offered some serious challenges was thanks to large negative modifiers. The problem is that this works both ways, so when you end up with enemies on roughly the same level as the characters, it can just result in continual no-selling of attacks as they repeatedly pass on their defensive checks. Okay, this can encourage parties to be very original with their own rolls, but it also means that the more straight forwards battles can be a real slog at times.
So, with so many negative qualities in mind, does it really cover many good aspects if any? More than you'd expect. The foremost being that the system is actually extremely easy to get into and very streamlined. This isn't to say it's simple by any means, and there's still a learning curve to be had, but it means that games move forwards very quickly. There's none of the usual waiting or speed bumps you run into with the likes of Shadowrun or the other games cited above. You could have a character hacking into a computer system, someone interrogating another character, a third person on a firing range, and a forth trying to survive torture, and it would be smoothly running. You wouldn't run into those same sort of bits or elongated sequences where one character's story hijacks the entire session for half an hour.
The actual book itself brings up multiple examples and cites how to keep things balanced between players in session, and in the tests runs we've done it works fairly well. It's quite easy to shift about and rearrange the narrative to suit an ongoing story, and the mechanics are speedily handled enough to have a story built upon them without strangling character moments. This, combined with its rapid combat and fast sequences, means that it's surprisingly open to new players. Being open to any new person of any kind is always a bonus, and it goes hand in hand in this case with a staggering level of flexibility.
When pouting out that the book covers a vast array of characters and figures in the first part of this review, that also went into the stats. You have everything here started out and covered from the main team to an overweight politician. While that might seem very general and obvious, please take into account that this ranges from a man who can bench press Everest and cauterise the moon to someone who can barely shoot a pistol. Then keep in mind all of that is covered on this basic system, and it goes to even greater extremes. The Authority being statted out didn't just stop at its humanoid members, but also went into its several kilometer long flying headquarters, the Carrier, and it works. You could have practically anything covered under this system, and while it might not be perfectly covered, it's adaptable enough for you to take a stab at almost any nutso idea you want.
The flexability of the game is greatly assisted by a staggering number of skills and character attributes which are on offer to new players. These are the parts which really assist in the greater flexibility on offer and allow players to fully tailor characters as and how they wish. So, while you might get certain abilities and points you'd expect such as being fated to follow a certain path or being ultra accurate with certain weapons, you then have some of the truly insane stuff.
Want to have a skill in the domestic arts of housekeeping? It's got you covered.
Want to have a literal divine relationship to call upon or the ability to transform cities into personal mecha? Yep, it's in there.
Want to have force fields? The book has several pages devoted to sub-catagories of that ability.
Hell, that goes that for quite a few of them, from alternate forms to a stylised combat technique involving guns. Again, it's simple so don't expect it to be ultra-detailed as with other systems, but it's wide and varied enough for you to basically build whatever combination of hero archetypes you might want. A personal favourite was basically combining the abilities of Mister Fantastic with Nick Fury, elasticity, genius, personal army of S.H.I.E.L.D. agents and all.
In addition to such a variety of attributes, you then have the bonus of the exact nature of special attacks. These go on for several pages at a time, and the few which don't offer such a wide variety of points or ideas are always simple enough for the GM to develop house rules surrounding them. This can be especially helpful on the subjects of energy or damage absorption, or replicating the ever increasing power telekinesis has in all fiction. The overall point, however, is that it's really a system where freedom was their big emphasis without it ever over-complicating the game, and on that front it remains a definite success.
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July 4, 2017
I was astonished when I've found this book: how can you create something inside one of the most revolutionary superhero comics out there? Yet this book accomplishes this and more, using only the first issues of the comics! I love all-in-ones, and this gives you everything: the detailed world of the Authority, a very vast cadre of super powers at world-shattering levels, a very nice and detailed look on superheroes (better to say super powered beings in a world so gray). The book itself is lavishly equipped with tons of comic panels from the series, which is fantastic to get the look and feel for players who haven't read the series. My only complaint is the system: easy to manage at the beggining, but with each turn it complicates exponentially.
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