மணிமேகலை ஒரு புரட்சிக் காவியம். மணிமேகலை சமுதாயப் புரட்சியை மக்களுக்கு அறிவுத்துவது. மணிமேகலை தமிழிலேயே, தமிழ்ப் புலவரால் எழுதப்பெற்றது. சிந்தாமணி, சிலப்பதிகாரம், மணிமேகலை, குண்டலகேசி, வளையாபதி என்பவை ஐம்பெரும் தமிழ்க் காப்பியங்கள். பல்லாண்டுகளாக இவற்றை ஐம்பெருங் காப்பியங்கள் என்று தமிழ்ப் புலவர்கள் வழங்கி வருகின்றனர். ஐம்பெருங்காப்பியங்களில், சிலப்பதிகாரம், சிந்தாமணி, வளையாபதி ஆகிய மூன்றும் சமண மதக் கொள்கையை வலியுறுத்தும் காவியங்கள். மணிமேகலையும், குண்டலகேசியும் புத்தமதக் கொள்கைகளைக் கூறும் காவியங்கள். சிலப்பதிகாரமும் மணிமேகலையும் கதைத் தொடர்புள்ளவை. தமிழிலேயே தோன்றிய காவியங்கள். மணிமேகலை பிற மதக் கொள்கைகளை வெளிப்படையாகக் கண்டிக்க&
Saathanaar or Seethalai Saathanaar (Tamil: சாத்தனார் or சீத்தலைச் சாத்தனார், cītalai cāttanār) was the Tamil poet who composed the epic Manimekalai. A total of 11 verses of the Sangam literature have been attributed to Saathanaar, including verse 10 of the Tiruvalluva Maalai.
Pronounced Saa-tha-naar, the name is derived from (Tamil: சாத்து, sāttu) meaning Buddhist monk. Applying this principle to the name Maturai Kulavāṇikan Cāttan, the author of Manimekalai, we see that the two appellations Madhurai and Kulavanikan were prefixed to his name in order to distinguish him from another poet of Madhurai with the same name and from a third who lived elsewhere.
Saathanaar hailed from a place known as Seerthandalai, later came to be known as Seethalai. He was a grain merchant at Madhurai and hence came to be called "Koolavanigan". He was a contemporary of Cheran Senguttuvan and was believed to have practiced Buddhism. He has sung in praise of the Pandyan king Chittira Maadatthu Thunjiya Nanmaran in the Sangam work of Purananuru.
Vaiyapuri Pillai sees him along with Ilango Adigal as developing two divergent strands of the Silampu legend that forms the basis for both Silapatikaram and Manimekalai. He is seen as an expert in both orthodox and heterodox systems of Indian philosophy and as an advocate of Buddhist philosophy. It is seen that Maṇimekalai was written after the Tirukkural was composed, because there are two verses from the Tirukkural quoted in Manimekalai.
Manimekhalaï is one of the most interesting characters written in mythology. While the epic itself is not free from reducing women’s ideals to being just a ‘chaste wife’ who should follow their husbands to the funeral pyre, the protagonist actually subverts this ‘ideal’ and chooses her own path. Silapathikaaram and Manimegalai are unique, and are in contrast to the Ramayana and the Mahabharatha. In the latter two Sanskrit works, a 'man’s world' is depicted with men driving everything, and woman, without meaningful agency, are caught in this whirlwind of (toxic) masculinity. However, the Tamil works feature a variety of female characters that demonstrate meaningful agency to navigate this 'man’s world'.
Manimegalai, in particular, is refreshingly unique to portray a young women (who was supposed to be a courtesan), who chooses monkhood and serves the downtrodden, all while battling with her feelings for the Prince she loved. This also is the only ancient epic I’ve read that talks extensively about poverty and particularly hunger and the agony of hunger. This epic venerates characters such as Aaputhiran and Manimekhalaï, because they wanted to feed others and made it their lives’ work. Philosophically, almost everything Manimekhalaï articulated resonated with me.
One of the five legendary works in Tamil - portrays women in the jaw dropping way (that physical beauty is the highest quality to be sought for in women) - women being made to feel guilt of rape while the guy flies as if he has done the most noble act - time again a woman has no other choice but to adorn/change/behave like a man to avoid advances
Religion - like every other religion the one that self-follows is the best- rest are shit
I can't believe this is considered a great work - No offence to the translator - I'm not wasting my time in the pursuit of original transcript.
மாதவிக்கும் கோவலனுக்கும் பிறந்தவள் மணிமேகலை. கணிகை பெண்களின் வம்சத்தில் பிறந்த மணிமேகலை தன்னை நேசித்த சோழ இளவரசன் உதயகுமரனை துறந்து, பின்னர் புத்தமத துறவியாக மாறி சாகவரம் பெறுகிறாள். மணிபல்லவத்தில் அட்சயபாத்திரத்தை கையில் ஏந்தி துன்புற்றோர் பசியை மணிமேகலை தீர்த்து, காவேரிப்பட்டிணத்தில் அறவண அடிகள் உதவியோடு புத்த நெறிகளை உணர்கிறாள். மணிமேகலை இல்லாநேரத்தில் இந்திர விழா நடத்த மன்னன் தவறியதால் மணிமேகலா தெய்வத்தின் கோபத்தால் புகார் நகர் கடலில் மூழ்குகிறது. சீத்தலை சாத்தனார் எழுதிய மணிமேகலையின் கதை வடிவம் இப்புத்தகம். முதல் புத்த காவியம் எளிதான உரைநடையில் :)
If you know to read Tamil, I suggest you read this book. Not as interesting as Silapadhikaram but it was good with too many short stories and sub-plots.
I enjoyed reading the story, but didn't really like the writing itself. The fact that the same simile is used to describe every woman in the story and it's used on almost every page got really annoying after about 30 pages. Considering how old this book is though, I can't complain too much
Manimekala by seethalai sathanar.but mr.n.sokkan has written in a novelform.this is good to understand even it has many characters.author could've make it more interesting.good attempt...
This entire review has been hidden because of spoilers.
He has done a nice job. It's a classical book wrote in the form of poem and he just wrote it in a story form to understand for the present generation people'.