What do you think?
Rate this book
Will You Still Be My Daughter?: A Fable for Our Times
"This is good," said the Daughter. "I can listen to your song and you can listen to mine. Together our melodies make a symphony. And, yes, Mother, even though I sing a different song than you do, I will still be your Daughter."
- GenresPicture BooksChildrens
32 pages, Hardcover
First published April 17, 2001
About the author
Carol Lynn Pearson
96 books125 followersFrom http://www.clpearson.com/about_me.htm
In fourth grade, in Gusher, Utah, I won four dollars in a school district essay contest on “Why We Should Eat a Better Breakfast.” And yes, this morning I had a bowl of my own excellent granola, followed by a hike in the hills near my home in Walnut Creek, California.
In high school I began writing in earnest. I have now in my files a folder marked “Poetry, Very Bad,” and another, “Poetry, Not Quite So Bad.” Writing served a good purpose for that very dramatic, insecure adolescent. Also at that time I began to keep a diary, which I still maintain and which has been indescribably useful to me both as a writer and as a pilgrim on the earth.
After graduating from Brigham Young University with an MA in theatre, teaching for a year in Utah at Snow College, and traveling for a year, I taught part-time at BYU in the English department and was then hired by the motion picture studio on campus to write educational and religious screenplays.
While performing at the university as Mrs. Antrobus in Thornton Wilder’s “The Skin of Our Teeth,” I met and fell in love with Gerald Pearson, a shining, blond, enthusiastic young man, who fell in love with me and my poems.
“We’ve got to get them published,” he said on our honeymoon, and soon dragged me up to the big city, Salt Lake City, to see who would be first in line to publish them. “Poetry doesn’t sell,” insisted everyone we spoke to, and I, somewhat relieved, put publishing on the list of things to do posthumously.
But not Gerald. “Then I’ll publish them,” he said. Borrowing two thousand dollars, he created a company called “Trilogy Arts” and published two thousand copies of a book called Beginnings, a slim, hard-back volume with a white cover that featured a stunning illustration, “God in Embryo,” by our good friend Trevor Southey, now an internationally known artist. On the day in autumn of 1967 that Gerald delivered the books by truck to our little apartment in Provo, I was terrified. I really had wanted to do this posthumously.
Beginnings
Today
You came running
With a small specked egg
Warm in your hand.
You could barely understand,
I know,
As I told you of Beginnings–
Of egg and bird.
Told, too,
That years ago you began,
Smaller than sight.
And then,
As egg yearns for sky
And seed stretches to tree,
You became–
Like me.
Oh,
But there’s so much more.
You and I, child,
Have just begun.
Think:
Worlds from now
What might we be?–
We, who are seed
Of Deity.
We toted a package of books up to the BYU bookstore, and asked to see the book buyer. “Well,” she said, “nobody ever buys poetry, but since you’re a local person, let me take four on consignment.” As they came in packages of twenty, we persuaded her to take twenty--on consignment. Next day she called and asked, “Those books you brought up here. Do you have any more of them?”
I had anticipated that the two thousand books, now stacked in our little closet and under our bed and in my Daddy’s garage, would last us years and years as wedding presents. But immediately we ordered a second printing. Beginnings sold over 150,000 copies before we gave it to Doubleday and then to Bookcraft.
Beginnings was followed by other volumes of poetry: The Search, The Growing Season, A Widening View, I Can’t Stop Smiling, and Women I Have Known and Been. Most of the poems from the earlier books now appear in a compilation, Beginnings and Beyond. The poems have been widely reprinted in such places as Ann Landers’ column, the second volume of Chicken Soup for the Soul, and college textbooks such as Houghton Mifflin’s Structure and Meaning: an Introduction to Literature. That first little volume of verse, and my husband’s determination, laid the foundation for my entire career.
Another characteristic of my husband was to have a profound effect on both
In fourth grade, in Gusher, Utah, I won four dollars in a school district essay contest on “Why We Should Eat a Better Breakfast.” And yes, this morning I had a bowl of my own excellent granola, followed by a hike in the hills near my home in Walnut Creek, California.
In high school I began writing in earnest. I have now in my files a folder marked “Poetry, Very Bad,” and another, “Poetry, Not Quite So Bad.” Writing served a good purpose for that very dramatic, insecure adolescent. Also at that time I began to keep a diary, which I still maintain and which has been indescribably useful to me both as a writer and as a pilgrim on the earth.
After graduating from Brigham Young University with an MA in theatre, teaching for a year in Utah at Snow College, and traveling for a year, I taught part-time at BYU in the English department and was then hired by the motion picture studio on campus to write educational and religious screenplays.
While performing at the university as Mrs. Antrobus in Thornton Wilder’s “The Skin of Our Teeth,” I met and fell in love with Gerald Pearson, a shining, blond, enthusiastic young man, who fell in love with me and my poems.
“We’ve got to get them published,” he said on our honeymoon, and soon dragged me up to the big city, Salt Lake City, to see who would be first in line to publish them. “Poetry doesn’t sell,” insisted everyone we spoke to, and I, somewhat relieved, put publishing on the list of things to do posthumously.
But not Gerald. “Then I’ll publish them,” he said. Borrowing two thousand dollars, he created a company called “Trilogy Arts” and published two thousand copies of a book called Beginnings, a slim, hard-back volume with a white cover that featured a stunning illustration, “God in Embryo,” by our good friend Trevor Southey, now an internationally known artist. On the day in autumn of 1967 that Gerald delivered the books by truck to our little apartment in Provo, I was terrified. I really had wanted to do this posthumously.
Beginnings
Today
You came running
With a small specked egg
Warm in your hand.
You could barely understand,
I know,
As I told you of Beginnings–
Of egg and bird.
Told, too,
That years ago you began,
Smaller than sight.
And then,
As egg yearns for sky
And seed stretches to tree,
You became–
Like me.
Oh,
But there’s so much more.
You and I, child,
Have just begun.
Think:
Worlds from now
What might we be?–
We, who are seed
Of Deity.
We toted a package of books up to the BYU bookstore, and asked to see the book buyer. “Well,” she said, “nobody ever buys poetry, but since you’re a local person, let me take four on consignment.” As they came in packages of twenty, we persuaded her to take twenty--on consignment. Next day she called and asked, “Those books you brought up here. Do you have any more of them?”
I had anticipated that the two thousand books, now stacked in our little closet and under our bed and in my Daddy’s garage, would last us years and years as wedding presents. But immediately we ordered a second printing. Beginnings sold over 150,000 copies before we gave it to Doubleday and then to Bookcraft.
Beginnings was followed by other volumes of poetry: The Search, The Growing Season, A Widening View, I Can’t Stop Smiling, and Women I Have Known and Been. Most of the poems from the earlier books now appear in a compilation, Beginnings and Beyond. The poems have been widely reprinted in such places as Ann Landers’ column, the second volume of Chicken Soup for the Soul, and college textbooks such as Houghton Mifflin’s Structure and Meaning: an Introduction to Literature. That first little volume of verse, and my husband’s determination, laid the foundation for my entire career.
Another characteristic of my husband was to have a profound effect on both
Ratings & Reviews
Friends & Following
Create a free account to discover what your friends think of this book!
Community Reviews
Displaying 1 - 10 of 10 reviews
July 5, 2024
Nice little fable about an oak tree and its acorn that becomes a tree next to it, its daughter. The fable tells how the tree weathers strong winds and droughts, all the while growing and becoming stronger with deep roots. This book was a gift from Jessica’s mom to Jessica back in 2004, telling her on how proud she was of her. A very nice gift!
March 20, 2008
Very cute book. My mommy gave it to me and I love it!
April 11, 2008
I love this book. I gave it to my mother. It is short and sweet (story/picture book) about the tender relationship between mothers and daughters. It is a great mother's day gift, too!
Read
January 22, 2009Will You Still be My Daughter? (Fable for Our Times, 3) by Carol Lynn Pearson (2001)
August 26, 2009
This is a book about a mother/daughter relationship and it grows and changes through out the years. Even when you become a mother, you are still a daughter. I really like this sweet little story.
September 8, 2010
This would be a great Mother's day gift from a daughter.
October 4, 2013
this book is a 5+ .. my daughter lives out of state so i read it often .. it is a reminder of .. no matter where when or how .. she is my heart, daughter and friend .. L
July 29, 2016
Such a cute story! I loved it! I think it is one that every mother and daughter should read!
September 17, 2014
Short, but lovely story - would be a great gift for a mom or daughter, even better if given by either to their own mom/daughter.
April 30, 2015
This was a very neat book.
Displaying 1 - 10 of 10 reviews