Extremely well written and difficult to put down. In this second of books in the series, Vanda continues the story of the lives of Al, Juliana, Max, Shirl, and others that began in the late 30s (Book 1) and now continues beginning in the '50s, during the height of the McCarthy era. The book describes the hatred and shame placed on anyone suspected of being gay, and the hardships the LGBT community faced, including loss of livelihoods, incarceration, beatings, ostracisation, and 'curing treatment' at the hands of mental institutions.
Set within that framework, we see Al's growth, development, and maturation, which started in Book 1 when she was a timid late teen, as a young woman in her twenties and early thirties. She slowly comes to the recognition and acceptance of her sexuality as a lesbian, amidst her increasing love and admiration for Juliana. We see Al continue to be disturbed by the press's and society's constant villainizing of the homosexual community--a community Al has found to be her 'home' and family. The book has many twists and turns as we watch Al skillfully learning the tricks of running a nightclub, being a talent scout, and using her abilities to help Juliana launch a professional career.
Al is the polar opposite of the enigmatic Juliana, who is so push-pull and self-centered. Everything revolves around her and her career, and she often treats Al as if she is her personal love toy that she can use at her bidding. In reality, she does admire Al for her keen abilities as a talent scout and does seem drawn to her. While I get Juliana's over-cautiousness, I find Juliana's character super unappealing and outright abusive of Al, and don't understand why she continues to be abused and hurt. I think the answer lies in the fact that she truly loves Juliana, despite Juliana's mostly unrequited love.
This series is very insightful, poignant, and a must-read for anyone interested in understanding the struggles of the LGBTQ community in 20th century America, and the forced hiding the LGBTQ community faced then is still seen today in so many places in the U.S. and world, where homophobia is very much alive.