Having just finished reading first Anita Lasker-Wallfisch's harrowing account of her concentration camp incarceration and then Christopher Priest's The Prestige, Dahl's "Vengeance is Mine" came as light relief, and I found I was reading his shorgt stories with real pleasure. This was a book gifted on World Book Night 2014.
The title story from 1980 is a light-hearted one of two friends inventing a company to visit retribution on society journalists on behalf of those insulted. Although it proves lucrative, it also involves the pair having to relocate almost immediately. One wonders what happens to the rest of the thousand fliers they had printed!
Skin is a 1952 story of the demise of a talented young artist, and the very sought-after tattooed painting he did on the back of his friend and early benefactor.
Lamb to the slaughter dates from 1953, and recounts the reaction of a dutiful wife to her policeman husband's revelation that he intends to leave her. You may see there is a pattern forming here of dark tales of emotion and repressed emotions. William & Mary, a 1960 story, follows this with the
desire of a dying man for his brain to achieve immortality, and his downtrodden wife's reaction to his decision.
The 1953 The Great Automatic Grammatizer is a story which has been overtaken by the use of AI today, one hopes the conclusion is in error. Royal Jelly (1960) is another story involving science, and having had dealings with Royal Jelly I feel his valuation of it is rather high, and the effects of it more extreme than those I witnessed myself!
The 1949 tale The Sound Machine is the earliest of those retold here, and again deals with an aspect of science, this time the ability of some species to hear in a range outside that human's can hear normally, and whether animals and plants have feelings and emotions.
The 1953 story The Wish is concerned with a child's perception of the world and its dangers, the sort of childhood imaginations common to many.
The last story, the 1950's Poison is set in India and reveals a nasty streak of racialism in one of the central characters.
The book ends by advancing the first chapter of Dahl's 'not-autobiography' Boy, which leaves one wanting more of this fascinating man's background.