No Tougher Duty” is an autobiography by Christian Bussler about his coming to terms as a United States Marine in Iraq. As part of a special unit, he deals with the lives of each soldier in the aftermath of the heaviest fighting during the occupation. Under the blinding sights and piercing sounds of a country torn asunder, he quietly wrestles against a familiar enemy. As he questions himself in the deafness of night, the author quilts a tale of the soldier bond with each other in the face of mayhem.
Like his father before him, Bussler is a Marine waiting to inscribe his emotions and thoughts into history. He is aware of his family’s sacrifice during the first Iraq war, but he is not enlisting solely because of his father’s footsteps. As he travels with the company’s spearheading into enemy territory, the author witnesses a brutal landscape fighting back the incursion with sand and fog. Bussler may not be aware of the landscape’s literary connection to Joseph Conrad’s reactive Africa, but his company was on alert for hours on end, wary of Iraqi guards in the sandstorm. The feeling of hopelessness pulls him close to his company, and the chance an enemy round shredding his men founds an existential connection between soldiers for life. Staying together in that moment means more to Bussler than fame and glory, and it establishes the theme for the rest of the novel.
As Bussler serves two more tours in Iraq, the fellowship of his men is put to the test by enemies old and new. The second trip, which puts Bussler into another expedition across a dam into enemy strongholds, pits his men against wary allies and potential enemies. Now in command of his men, Bussler must practice statecraft in order to keep the peace and his men away from indiscriminate, Azerbaijan bullets. He is not happy about the situation, especially when he suffers a significant wound that whisks him away from protecting his men to protecting his behind against military bureaucracy. Major Hagerty is Bussler’s do-nothing superior who may convene a court-martial should the major have his way. He interrogates Bussler on his conduct, in particular with the treatment of his men’s remains. Without understanding that he is obligated to properly care and transition fallen soldiers back home as a mortuary officer, Hagerty risks the indignation of a subordinate, and the discoloration of his face. Bussler sees this job description as tantamount and especially personal; anyone who caricatures his sending off a brother in arms will see the physicality he reserves for Iraqis.
But the greater adversary, ever elusive, has yet and should be of worthy focus. Although Bussler sees and deals with everyday in the bodies of his men, Death and his pale horse remains close by, waiting for his close encounter should Hagerty ever gets out of the way. As it is another fitting analogy, Bussler’s relationship with Death should be further explored in a second edition of “No Tougher Duty.”