(FYI - this is a spoilery review of bits of the whole series, but isn't going to be much help if you're seeking a more complete breakdown of the book's plot. Sorry! And not sorry for the digressions, but I have helpfully marked where they are so they're easily skippable.)
I have super-loved the Morelli series, and it’s been an unexpected pleasure, given I can only take small doses of Dark Romance. I’ve suspended a lot of my ‘nope, don’t wanna’ personal romance reading preferences (i.e. rapist heroes, criminals doing murder and stuff, cheating and polyamory, characters unapologetically becoming MORE evil, victim blaming and shaming, pretending heroines aren’t in PTSD or Stockholm Syndrome or having a mental health break, or mentioning and disregarding it, heroines pretending it’s not economic/emotional/psychological/physical abuse because the guy is sexy and rich, inaccurately describing laziness and dithering as submissiveness, etc), because I pretty much fell in love with Mariano’s style. I think she’s put in some much appreciated efforts to show her heroine’s soft power, and has highlighted the problematic issues Mia has faced as a heroine who falls in love with her rapist, and manages to make me not care about it, and find ALL their sex scenes sexy. She’s played her mafia characters are violent killers whose business is money lending. She’s made it clear that human trafficking is evil and not part of the mafia business. There’s no hint that they’re dealing in drugs or stolen weapons, and they mostly just kill or maim each other or anyone who probably should have realised mafia involvement is super risky. In fact, I think the only characters (so far) who haven’t been super shady are Maria and Cherie. And I’m pretty sure Cherie’s shadiness is due for a reveal. Hopefully she’s a violent ninja assassin.
I am NOT ashamed of myself. Reading these books has been wonderfully dark-side cleansing, and my stern principles concerning appropriate behaviour remain uncorrupted.
There’s a lot of good writing from Mariano, and some not-so-good. At times, there isn’t a lot of plot. The series story arc is the Mia/Mateo relationship and it doesn’t completely carry the series page count. More external threats might have helped. Cutting a couple of books (or books worth of page count) would definitely have helped. At times, editing could have been a lot better. I usually skip past the misplaced, missing or duplicated wording, but it does come up. Across the series, I think the Adrian/Elise and Francesca/Salvatore books suffered because while they progressed the overall story arc, they didn’t seem to drop in the right places. And finally: while Mariano is clear-eyed on Mia and Mateo’s character flaws, she’s a little too in love with them as creations.
Mia is more interesting than your usual ‘normal girl heroine who is inexplicably the magnet for every alpha bad man’ but it’s sometimes a close call. She maintains a stubborn innocence and a stubborn blindness to Mateo’s villainy. Her ‘don’t kill anyone I like/have liked’ morality is … questionable. Again, there’s no point applying any normal reading rules to this series. If you got stuck on Mateo moving from non-consensual stuff to rape in the first book (and his other abusive to mildly toxic behaviours) you’re unlikely to have kept reading. I’ve enjoyed his wrongness. He could maybe have benefitted from more challenges to his supremacy, but he remained convincingly hot. And the dynamic with Adrian is just … weird. It’s frequently called out, but there’s this awkward ‘where’s your wife, she’s babysitting’ undertone that NEVER goes away. Elise in her own book was largely silent, and has remained so. I can’t completely work out what the point of giving her a protagonist role in the series was. Her only job is child minding so Mia can have plenty of sex, hang with her buddy Adrian, shop, look pretty so more alpha bad men can fall for her, and remind Mateo that he can’t kill everyone because its mean.
The first half of this book is more Mia/Mateo, and finishing the Meg arc, and then it switches to Vince. Vince, by any other metric, does not ‘deserve’ even half a book. He’s a surprising choice for romance protagonist, and a frustrating one because he has zero growth. Vince started out as a kind of nice boyfriend with mixed feelings about being a mafia criminal. He’s wrecked by Mateo’s successful power plays, and by his inability to support Mia when Mateo rapes her. Vince never really loses that sense of entitlement to Mia. He cannot escape feeling that she has unforgivably wronged him, but he still wants her and thinks he can get her back. This book follows a failed and final attempt to take her, but the obsession is still there. Even in the later Vegas books, it’s pointed out that he’s STILL sulking about his lack of access to his rape victim and his rape baby. And, doing so in front of his wife. Who has NO opinions when she’s not POV but is in the room when it comes up. It’s kind of interesting, because we’re not (thank goodness) expected to consider him redeemed and forgiven but simply as a character who has (for the most part) successfully made the attempt to get himself out of a criminal organisation, and mostly makes the healthy choice of staying away from his obsession.
I liked Carly. Possibly one of her best features is that she didn’t want to sleep with Mateo. It’s so refreshing that not everyone did. I’m not convinced that she’s getting a good romance. I get that Vince has some decent money and wants the same sort of things out of life that she does. He seems enough in love with her that they can be comfortable together, but we already know he’s only above average at sex stuff, so he could still die and no one would care. I’d be happy if he died. I’d be happy if Meg died too, and Elise, because she doesn’t do anything. I’d be DEVASTATED if Maria died. That woman deserves a proper fun early retirement to a pretty house by a beach somewhere, where she can have family visits and a devoted retired accountant lover. I’m dirty at Mia who only cares about the survival and happiness of hot young people. However, I’m pretty happy that Mariano keeps the annoying characters alive, on the basis that simply killing them off is easy. Even the characters who ‘win’ in these books deserve to be uncomfortable in their HEAs.
*** SKIPPABLE DIGRESSION ***
It’s like Mateo is evil Arthur and Mia is damaged Guinevere and Adrian is sad Lancelot and Elise is Elaine. And Meg is a useless Morgan La Fey. And Vince is Mordred! Am I on to something here? I know the relationships between characters don’t quite work, and the central tension of Arthur and Guinevere’s childlessness is completely swapped out, but the parallels keep coming. It’s like instead of doing that angst, they decided they’d simply deal with the romantic tensions and do a PR job of turning it into an amusing anecdote, so no one ended up trying to burn Mia at the stake while Mateo pops off to have wars and seek the Grail.
Mateo’s father almost works as Uther, maybe? I can’t get a Merlin, though, or anyone who equates to Carly. Maybe Nimue if she was sent after Mordred because there isn’t a Merlin. Can mostly fit Francesca and Salvatore as Lot and Morgause, but I really fall apart if I try working out the Vegas people. Closest is probably Rafe as Gawain and Sin as Galahad, but without the whole dying a virgin because that was a Grail success requirement. Or is Sin Gawain and Rafe the Green Knight? Ohhh …
Arthurians forever! Now I need to find a modernised take that I meets a level of pickiness I cannot even BEGIN to articulate, and has good sexy times. It’s out there somewhere!
*** DIGRESSION COMPLETE! ***
Carly’s still got the big secret, that the start of her relationship with Vince was at Mateo’s instigation, and while Mariano has made the decision to not put that smoking gun on the table, it’s still there and it undercuts a ‘good’ future happiness. I like that actually, Vince doesn’t deserve untempered happiness. Unfortunately, Carly was an interesting enough character who deserved better. Still, maybe she’ll get to do a magic thing and imprison him in a tree someday.
She’s a sort of halfway point between an Elise and a Meg. Not as plot-remote as Elise. Not quite as icy as Meg, but still reserved and calculating, with a courtier’s charm. By the way, that Arthurian segue is partially in response to Meg’s Anne Boleyn analogy, because stuff you, Meg. I stopped liking the character enough to think her clever.
The event of Meg is interesting: she got a full on romance with Mateo, which ultimately seems to have been based on her ability to be sexy and amusing. She’s managed to ensure her survival, but she’s so clearly on the outer. There is zero mention of her in the Vegas books. I’d really liked her chill in her book, but I think that was when I thought there was an undercurrent of deeper feeling. That’s completely undone in later books: she stagnates. I can’t completely deny that she demonstrates remorse and has the redemptive moment that’s undercut/lacking in Vince’s story. It’s a bit grey for me whether Mateo was as much in love with her as he seemed to be at the end of her book, although ultimately what Mariano has gone for is an intense passion that burned out, leaving very little in its wake. This is NOT the stuff of agreed romance rules, and I’m ambivalent about it.
I do like the way her descent into the antagonist role is partly caused by Mia. Mia continues the sister wife set up because she doesn’t want Mateo to have an excuse to kill Meg. That she suspects he could find one is a perfect way of showing that she’s aware of Mateo’s villainy, but also serves to make her that little bit murkier as the supposed gentle heart of the series. Mateo continues occasionally having sex with Meg because she’s fun and sexy. He could have perhaps told her he no longer wanted her a lot sooner (and acted upon it, dammit) but since his main game is with Mia, Meg ends up as their pawn, and is incapable of seeing the full dynamic.
*** SKIPPABLE DIGRESSION ***
I also really like that the sister wife thing didn’t work. I would LIVE for a reverse harem story where the heroine decides she doesn’t want the whole boy band, just the sexiest one. I’m probably the only one, but I’d get a kick out of a scene where the heroine sweetly explains to the 3-4 other men that they were temporarily fun but she can’t see any future with a bunch of shallow stereotypes.
*** DIGRESSION COMPLETE! ***
Meg’s ‘crimes’ against the series protagonists cannot be compared to Vince’s, but she gets less happiness on the basis that she has less capacity for love. Carly’s capacity for love (as demonstrated by her devotion to her sister Laurel) seems greater than Meg’s. Meg clearly has affection for her daughter Lily, but not much is made of her relationship with her children. I can’t work out whether she’s in denial over Mia’s subtle and successful long game in usurping the ‘primary mother’ role … or too stupid to pick up on Mia’s tactics. Mia is a fantastically unreliable narrator, she’s very skilled at pretending things simply go her way ‘somehow’ without any conscious effort.
And this is the kind of thing I love in any series: the development of these convoluted character dynamics, and the freedom to take a book heroine and turn her into a villainous minor character. I’m ok that Mia and Mateo are the only characters happy enough in their relationship to qualify as a customary romantic HEA (ok, Francesca and Salvatore too).
I’m not overly horrified that Vince gets half a book and a qualified happy ending. I’d describe it as … pleasantly annoyed. It feels really unusual for an epic romance … which, in the most traditional sense, this isn’t. It’s not really what I’d categorise as erotica either – not enough kink variety in the sex scenes. They’re all hot though, and engaging enough that they don’t feel repetitive.
*** LAST DIGRESSION - I'M DONE! ***
There’s some similarity to the super old and trashy Juliette Belzoni series, the Marianne books which follow the romantic adventures of a woman who takes off after she kills her rapey husband, becomes Napoleon’s mistress, has a true love who only turns up occasionally, and enters into at least one new sex relationship per book. I’m a little nostalgic for those books, but they aren’t readily available now. They were already in the cheap bin at 2nd hand shops when I read them as a teen. Possibly they’re floating around on Ebay, but I’m pretty sure they’d make me impatient if I tried to collect and read them all. However, if Mariano were ever to do a modernised take, with tighter plotting and a limited number of heroes, I’m down for it.