The Big Hoax takes place in the banana republic of La Colonia a few years after World War II. A corrupt dictator snidely nicknamed Grand Puppet behind his back convinces his chief national playwright to turn his niece Melinda (whom he has forced into an incestuous relationship) into a star of stage, movies, and radio…
She will become known as the Intact Virgin, a woman of such pure and holy Catholic faith that she can perform miracles and heal the sick. She will inspire thousands of devout women to forego the pleasures of the flesh, which the dictator hopes will stem population growth among the poor…
However, Melinda Centurion is anything but chaste. She begins an ill-advised affair with a government official Pedro Reynoso-Artus, which then becomes known to the wicked Reiner von Fritz, a Nazi war criminal who escaped Germany with Hitler's secret hoard of gold…
The Great Puppet needs the gold to fight guerilla freedom fighters in the hills. Von Fritz wants Melinda for himself. A conspiracy is hatched…
Soon Melinda must turn to an unlikely source for help--the alcoholic disgraced cop Donald Reynoso, Pedro's half-brother… and they are both being tracked by a sadistic forked tongue killer known as The Iguana…
The plot gets rather complicated and violent, but the story remains tongue in cheek throughout. The playwright Milton Bates and an aging nightclub singer Tropico (who is still secretly in love with Donald) keep interrupting the flow of the story to provide flashbacks and comment on Melinda and Donald's predicaments.
There is a dollop of magical realism--a night of violence and despair that lasts 24 hours-- and a hopeful dream of political revolution.
I really enjoyed the flamboyant artwork from Roberto Mandrafina, which is presented in color for the first time; the original edition of this book was black and white.
I give the author Carlos Trillo props for the offbeat characters and imaginative nature of the story. However, the various elements of the plot never quite coalesced for me. It was noir; it was sex farce; it was political thriller; it was ode to the power of theater. It managed to be all these things and yet at the same time somehow less than the sum of these parts.