Kenneth Rexroth was an American poet, translator, and critical essayist.
He is regarded as a central figure in the San Francisco Renaissance, and paved the groundwork for the movement. Although he did not consider himself to be a Beat poet, and disliked the association, he was dubbed the "Father of the Beats" by Time magazine.
Largely self-educated, Rexroth learned several languages and translated poems from Chinese, French, Spanish, and Japanese. He was among the first poets in the United States to explore traditional Japanese poetic themes and forms.
Rexroth died in Santa Barbara, California, on June 6, 1982. He had spent his final years translating Japanese and Chinese women poets, as well as promoting the work of female poets in America and overseas.
Although not marketed as such, this is a compilation of three books written in Kyoto and first published by small well-lighted presses in the 1970's, The Silver Swan, On Flower Wreath Hill, and The Love Poems of Marichiko. Each of these is strikingly beautiful in its own right, Marichiko, in addition to being the best literary hoax I'm aware of from the latter half of the twentieth century, also, along with W. S. Merwin's Finding the Islands, the most beautiful erotic verse produced by an American of the period. So three in one, all good, in an attractive 1979 New Directions edition which doesn't cost a bomb.
Rexroth's poems are enjoyable, especially his consideration mortality, flowers and the void. but the five stars are deserved by Marichiko, whose love poems he translated wonderfully.
Three books in one, which is great considering copies of his ‘On Flower Wreath Hill’ are rare and alone cost hundreds of dollars. True to form for Rexroth, the poems are short but the imagery is luscious and sensual, especially his ‘Marichiko’ verses.
‘(…) it’s a great pleasure to Walk through fallen leaves, but Remember, you are alive, As they were two months ago’