The commedia dell'arte was an improvised drama performed by masked players. How did the actors react to these demands and limitations? What force kept this form of theatre alive for more than two centuries and made Harlequin such a potent image? In this study of the commedia dell'arte, originally published in 1987, Professor Nicoll's concern is not to provide an historical survey of its origins or to trace the ascent and descent of Harlequin or any or any other character or 'mask', but rather to explore critically the answers to these and related questions. His arguments are based on the evidence of the play scenarios and contemporary documents as far as possible, and are illuminated by many illustrations that are either little-known or had not previously been reproduced.
John Ramsay Allardyce Nicoll was a Scottish literary scholar and teacher. He was educated at Stirling High School and the University of Glasgow, where he was the G.A. Clark scholar in English.
He became a lecturer at King's College London in 1920 and took the chair of English at East London College (later Queen Mary's College) in 1923. In 1933 he went to Yale University as professor of the history of drama and dramatic criticism and chair of the drama department. He established a strong graduate programme in theatre history. Around 1943–45 he performed war work at the British embassy in Washington. From 1945 to 1961 he headed the English Department at the University of Birmingham; from 1951 to 1961 he was also founding director of the Shakespeare Institute at Birmingham. He served as president of the Society for Theatre Research from 1958 to 1976.