Winner of the MLA Prize for Independent Scholars and the APA's Florence L. Denmark Award for Contributions to Women and Aging
When the term “ageism” was coined in 1969, many problems of exclusion seemed resolved by government programs like Social Security and Medicare. As people live longer lives, today’s great demotions of older people cut deeper into their self-worth and human relations, beyond the reach of law or public policy. In Ending Ageism, or How Not to Shoot Old People , award-winning writer and cultural critic Margaret Morganroth Gullette confronts the the ways people aging past midlife are portrayed in the media, by adult offspring; the esthetics and politics of representation in photography, film, and theater; and the incitement to commit suicide for those with early signs of “dementia.”
In this original and important book, Gullette presents evidence of pervasive age-related assaults in contemporary societies and their chronic affects. The sudden onset of age-related shaming can occur anywhere—the shove in the street, the cold shoulder at the party, the deaf ear at the meeting, the shut-out by the personnel office or the obtuseness of a government. Turning intimate suffering into public grievances, Ending Ageism, Or How Not to Shoot Old People effectively and beautifully argues that overcoming ageism is the next imperative social movement of our time. About the cover This elegant, dignified figure--Leda Machado, a Cuban old enough to have seen the Revolution--once the center of a vast photo mural, is now a fragment on a ruined wall. Ageism tears down the structures that all humans need to age well; to end it, a symbol of resilience offers us all brisk blue-sky energy. “Leda Antonia Machado” from “Wrinkles of the City, 2012.” Piotr Trybalski / Trybalski.com. Courtesy of the artist. A Declaration of Grievances "A Declaration of Grievances" was written by Margaret Morganroth Gullette and is excerpted from her book Ending Ageism, or How Not to Shoot Old People (2017, Rutgers University Press). The poster was designed by Carolyn Kerchof.
Margaret Gullette is one of the leading experts in age studies, and this latest book of her only further supports that designation. The title seems odd at first ("shoot"ing old people??), but it is a very clever pun in that one chapter is on photography of older people--so the "shooting" is a reference to camera work--but another chapter discusses the glorification of suicide (and even murder) in films and literature when a character has any mental infirmity. Her quest? Stop ageism in all of its insidious forms that tacitly makes society think people with declining memories or physical strength have lives that are not worth sustaining. This is not a book with a neutral perspective, but Gullette is forthright in calling for more anger and protestation for the idea that "people of a certain are #StillHuman" and "art that is compassionate, knowledgeable or merely instinctively resistent to decline culture steps up the pace of change." I happen to agree with her that "age studies promises to be the enlightening intellectual revolution of this century," and her critical study that includes always penetrating analysis of films, novels, photography, agriculture and so much more makes that case better than anyone.
From the jacket of Ending Ageism, or How Not to Shoot Old People: When the term “ageism” was coined in 1969, many problems of exclusion seemed resolved by government programs like Social Security and Medicare. As people live longer lives, today’s great demotions of older people cut deeper into their self-worth and human relations, beyond the reach of law or public policy. In Ending Ageism, or How Not to Shoot Old People, award-winning writer and cultural critic Margaret Morganroth Gullette confronts the offenders: the ways people aging past midlife are portrayed in the media, by adult offspring; the esthetics and politics of representation in photography, film, and theater; and the incitement to commit suicide for those with early signs of “dementia.”
In this original and important book, Gullette presents evidence of pervasive age-related assaults in contemporary societies and their chronic affects. The sudden onset of age-related shaming can occur anywhere—the shove in the street, the cold shoulder at the party, the deaf ear at the meeting, the shut-out by the personnel office or the obtuseness of a government. Turning intimate suffering into public grievances, Ending Ageism, Or How Not to Shoot Old People effectively and beautifully argues that overcoming ageism is the next imperative social movement of our time. ______________________ Early Praise. "As one of the world's leading authorities on ageing and ageism, any new book from Margaret Gullette is always exciting. Here she highlights the emotional wisdom and moral imagination of old age, so very different from the narrow, demeaning public rhetorics of ageing. An essential book for our times."--Lynne Segal, author of Out of Time: The Pleasures & Perils of Ageing
“Margaret Morganroth Gullette is one of the shining lights of age studies. For decades she has been sweeping her bright searchlight across the landscape of American social, political and popular culture to identify and analyze ageism wherever it lurks.”--Alix Kates Shulman, author of Memoirs of an Ex-Prom Queen and Ménage
"Margaret Morganroth Gullette's take-no-prisoners book is as scathing as its subtitle, which refers both to cameras (the power of portrayal) and to guns (the very real risks of growing old in an ageist world). Wide-ranging and erudite, Ending Ageism, or How Not to Shoot Old People frames the struggle for age equity in the most human and compelling of terms."--Ashton Applewhite, author of This Chair Rocks: A Manifesto Against Ageism
The author, a renowned scholar of age studies professor at Brandeis University, has produced a powerful indictment against American society’s decline ideology. Her far-reaching examples of our uglification of aging range include sociological studies, interviews, and even popular films.
Ok. I found the book boring at times. The author is skillful in blending facts and humor about overcoming ageism. At 72 y.o. I identify with much of what is written.