What do you think?
Rate this book
Women at Work: 153 Photographs
This volume by one of the fathers of social-documentary photography contains an outstanding collection of over 150 photographs of women in all sectors of labor and industry -- as telephone operators, garment workers, homemakers, rural workers, and more. Its stark images and powerful, dramatic expression constitute a superb historical document of working women from 1907 to 1938.
- GenresPhotographyHistory
117 pages, Paperback
First published May 1, 1981
About the author
Lewis Wickes Hine
41 books7 followersLewis Hine studied sociology at the University of Chicago, Columbia University and New York University. He became a teacher in New York City at the Ethical Culture School, where he encouraged his students to use photography as an educational medium.
In 1907, he became the staff photographer of the Russell Sage Foundation; he photographed life in the steel-making districts and people of Pittsburgh, Pennsylvania, for the influential sociological study called The Pittsburgh Survey.
In 1908, he became the photographer for the National Child Labour Committee (NCLC), leaving his teaching position. Over the next decade, he documented child labour, with focus on the use of child labour in the Carolina Piedmont, to aid the NCLC's lobbying efforts to end the practice. In 1913, he documented child laborers among cotton mill workers with a series of Francis Galton's composite portraits.
During and after World War I, he photographed American Red Cross relief work in Europe. In the 1920s and early 1930s, he made a series of "work portraits," which emphasized the human contribution to modern industry. In 1930, he was commissioned to document the construction of the Empire State Building. He photographed the workers in precarious positions while they secured the steel framework of the structure, taking many of the same risks that the workers endured. To obtain the best vantage points, he was swung out in a specially-designed basket 1,000ft above Fifth Avenue. At times, he remembered, he hung above the city with nothing below but "a sheer drop of nearly a quarter-mile."
During the Great Depression he again worked for the Red Cross, photographing drought relief in the American South, and for the Tennessee Valley Authority (TVA), documenting life in the mountains of eastern Tennessee. He also served as chief photographer for the Works Progress Administration's National Research Project, which studied changes in industry and their effect on employment. He was also a faculty member of the Ethical Culture Fieldston School.
In 1936, Hine was selected as the photographer for the National Research Project of the Works Projects Administration, but his work there was not completed.
The last years of his life were filled with professional struggles by loss of government and corporate patronage. He hoped to join the Farm Security Administration photography project, but despite writing repeatedly to Roy Stryker, Stryker always refused. Few people were interested in his work, past or present, and Hine lost his house and applied for welfare. He died on November 3, 1940, at Dobbs Ferry Hospital in Dobbs Ferry, New York, after an operation. He was 66 years old.
In 1907, he became the staff photographer of the Russell Sage Foundation; he photographed life in the steel-making districts and people of Pittsburgh, Pennsylvania, for the influential sociological study called The Pittsburgh Survey.
In 1908, he became the photographer for the National Child Labour Committee (NCLC), leaving his teaching position. Over the next decade, he documented child labour, with focus on the use of child labour in the Carolina Piedmont, to aid the NCLC's lobbying efforts to end the practice. In 1913, he documented child laborers among cotton mill workers with a series of Francis Galton's composite portraits.
During and after World War I, he photographed American Red Cross relief work in Europe. In the 1920s and early 1930s, he made a series of "work portraits," which emphasized the human contribution to modern industry. In 1930, he was commissioned to document the construction of the Empire State Building. He photographed the workers in precarious positions while they secured the steel framework of the structure, taking many of the same risks that the workers endured. To obtain the best vantage points, he was swung out in a specially-designed basket 1,000ft above Fifth Avenue. At times, he remembered, he hung above the city with nothing below but "a sheer drop of nearly a quarter-mile."
During the Great Depression he again worked for the Red Cross, photographing drought relief in the American South, and for the Tennessee Valley Authority (TVA), documenting life in the mountains of eastern Tennessee. He also served as chief photographer for the Works Progress Administration's National Research Project, which studied changes in industry and their effect on employment. He was also a faculty member of the Ethical Culture Fieldston School.
In 1936, Hine was selected as the photographer for the National Research Project of the Works Projects Administration, but his work there was not completed.
The last years of his life were filled with professional struggles by loss of government and corporate patronage. He hoped to join the Farm Security Administration photography project, but despite writing repeatedly to Roy Stryker, Stryker always refused. Few people were interested in his work, past or present, and Hine lost his house and applied for welfare. He died on November 3, 1940, at Dobbs Ferry Hospital in Dobbs Ferry, New York, after an operation. He was 66 years old.
Ratings & Reviews
Friends & Following
Create a free account to discover what your friends think of this book!
Community Reviews
Displaying 1 - 3 of 3 reviews
May 4, 2020
Excellent large photographs (chronologically following Hines career) of women working. Brief introduction and explanatory text, wonderful captions.
October 12, 2018
Had just read one of the journals in the Deat America series about an Italian shirtwaist worker. Mentioned how her mother and every available hand made the artificial flowers. Talked about the horrible conditions in the factories. These pictures put to my mind what I’d read. (Wisconsin born artist)
October 20, 2014
Wonderful look back at the American work force and all that women sacrificed for us then so that we women now could have what we do. I thank them.
Displaying 1 - 3 of 3 reviews