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Five Novels: The House of Mirth, Ethan Frome, The Custom of the Country, Summer, and The Age of Innocence
Edith Wharton wrote at the turn of the twentieth century, but her tales of individuals who compromise their best interests for the sake of acceptance by family and society are timeless. The titles collected in this literary omnibus - IThe House of Mirth/I IEthan Frome/I, IThe Custom of the Country/I, ISummer/I, and IThe Age of Innocence/I - represent the best of her novel-length fiction.
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Wharton wrote with empathy for her characters, endowing them with a dignity that makes their moral dilemmas worthy of our attention. Each of these novels speaks to the reader with elegance and clarity that was her unique gift.
P
IEdith Wharton: Five Novels/I is part of Barnes Noble's Library of Essential Writers. Each title in the series presents the finest works - complete and unabridged - from one of the greatest writers in literature in magnificent, elegantly designed hard-back editions. Every volume also includes an original introduction that provides the reader with enlightening information on the writer's life and works.
p
Wharton wrote with empathy for her characters, endowing them with a dignity that makes their moral dilemmas worthy of our attention. Each of these novels speaks to the reader with elegance and clarity that was her unique gift.
P
IEdith Wharton: Five Novels/I is part of Barnes Noble's Library of Essential Writers. Each title in the series presents the finest works - complete and unabridged - from one of the greatest writers in literature in magnificent, elegantly designed hard-back editions. Every volume also includes an original introduction that provides the reader with enlightening information on the writer's life and works.
1034 pages, Unknown Binding
First published January 1, 1920
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About the author
Edith Wharton
1,504 books5,368 followersEdith Wharton emerged as one of America’s most insightful novelists, deftly exposing the tensions between societal expectation and personal desire through her vivid portrayals of upper-class life. Drawing from her deep familiarity with New York’s privileged “aristocracy,” she offered readers a keenly observed and piercingly honest vision of Gilded Age society.
Her work reached a milestone when she became the first woman to receive the Pulitzer Prize for Fiction, awarded for The Age of Innocence. This novel highlights the constraining rituals of 1870s New York society and remains a defining portrait of elegance laced with regret.
Wharton’s literary achievements span a wide canvas. The House of Mirth presents a tragic, vividly drawn character study of Lily Bart, navigating social expectations and the perils of genteel poverty in 1890s New York. In Ethan Frome, she explores rural hardship and emotional repression, contrasting sharply with her urban social dramas.
Her novella collection Old New York revisits the moral terrain of upper-class society, spanning decades and combining character studies with social commentary. Through these stories, she inevitably points back to themes and settings familiar from The Age of Innocence. Continuing her exploration of class and desire, The Glimpses of the Moon addresses marriage and social mobility in early 20th-century America. And in Summer, Wharton challenges societal norms with its rural setting and themes of sexual awakening and social inequality.
Beyond fiction, Wharton contributed compelling nonfiction and travel writing. The Decoration of Houses reflects her eye for design and architecture; Fighting France: From Dunkerque to Belfort presents a compelling account of her wartime observations. As editor of The Book of the Homeless, she curated a moving, international collaboration in support of war refugees.
Wharton’s influence extended beyond writing. She designed her own country estate, The Mount, a testament to her architectural sensibility and aesthetic vision. The Mount now stands as an educational museum celebrating her legacy.
Throughout her career, Wharton maintained friendships and artistic exchanges with luminaries such as Henry James, Sinclair Lewis, Jean Cocteau, André Gide, and Theodore Roosevelt—reflecting her status as a respected and connected cultural figure.
Her literary legacy also includes multiple Nobel Prize nominations, underscoring her international recognition. She was nominated for the Nobel Prize in Literature more than once.
In sum, Edith Wharton remains celebrated for her unflinching, elegant prose, her psychological acuity, and her capacity to illuminate the unspoken constraints of society—from the glittering ballrooms of New York to quieter, more remote settings. Her wide-ranging work—novels, novellas, short stories, poetry, travel writing, essays—offers cultural insight, enduring emotional depth, and a piercing critique of the customs she both inhabited and dissected.
Her work reached a milestone when she became the first woman to receive the Pulitzer Prize for Fiction, awarded for The Age of Innocence. This novel highlights the constraining rituals of 1870s New York society and remains a defining portrait of elegance laced with regret.
Wharton’s literary achievements span a wide canvas. The House of Mirth presents a tragic, vividly drawn character study of Lily Bart, navigating social expectations and the perils of genteel poverty in 1890s New York. In Ethan Frome, she explores rural hardship and emotional repression, contrasting sharply with her urban social dramas.
Her novella collection Old New York revisits the moral terrain of upper-class society, spanning decades and combining character studies with social commentary. Through these stories, she inevitably points back to themes and settings familiar from The Age of Innocence. Continuing her exploration of class and desire, The Glimpses of the Moon addresses marriage and social mobility in early 20th-century America. And in Summer, Wharton challenges societal norms with its rural setting and themes of sexual awakening and social inequality.
Beyond fiction, Wharton contributed compelling nonfiction and travel writing. The Decoration of Houses reflects her eye for design and architecture; Fighting France: From Dunkerque to Belfort presents a compelling account of her wartime observations. As editor of The Book of the Homeless, she curated a moving, international collaboration in support of war refugees.
Wharton’s influence extended beyond writing. She designed her own country estate, The Mount, a testament to her architectural sensibility and aesthetic vision. The Mount now stands as an educational museum celebrating her legacy.
Throughout her career, Wharton maintained friendships and artistic exchanges with luminaries such as Henry James, Sinclair Lewis, Jean Cocteau, André Gide, and Theodore Roosevelt—reflecting her status as a respected and connected cultural figure.
Her literary legacy also includes multiple Nobel Prize nominations, underscoring her international recognition. She was nominated for the Nobel Prize in Literature more than once.
In sum, Edith Wharton remains celebrated for her unflinching, elegant prose, her psychological acuity, and her capacity to illuminate the unspoken constraints of society—from the glittering ballrooms of New York to quieter, more remote settings. Her wide-ranging work—novels, novellas, short stories, poetry, travel writing, essays—offers cultural insight, enduring emotional depth, and a piercing critique of the customs she both inhabited and dissected.
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Displaying 1 - 2 of 2 reviews
May 7, 2015
America and Europe of the 1800s were stiff, gilded, formal place, full of "old" families, rigid customs and social transgressions.
And nobody chronicled them better than Edith Wharton, who spun exquisitely barbed novels out of the social clashes of the late nineteenth century. "Edith Wharton: Five Novels" brings together three of her best novels and two novellas, exploring the nature of infidelity, passion, social-climbing and a woman's place in an unfriendly world.
"Age of Innocence" is a pretty ironic title. Newland Archer, of a wealthy old New York family, has become engaged to pretty, naive May. But during his engagement, he becomes acquainted with May's exotic cousin, Countess Olenska -- and after his marriage, his attraction to the mysterious Countess and her unconventional ways becomes even stronger. Will he become an outcast and leave with her, or stick with a life of conformity and safety?
"The Custom of the Country" takes whatever is biting about "Age of Innocence" and magnifies it. Undine Spragg is a mesmerizing beauty from a tiny town, who wants the best of everything, more than her family can afford. She begins marrying "old money", leaving divorce, death and broken hearts in her wake -- and hiding a then-shameful secret. The only way to succeed lies in the one man who sees her for what she is.
But the mockery in "House of Mirth" is not meant to be funny, but saddening and eye-opening instead -- because an impoverished single woman's lot in the 1800s was a sad one. Lily Bart is on the prowl for a marriage to keep her in luxury and affluent circles. But her schemes and plans start to collapse, as she rejects all her adoring suitors, and a nasty society matron decides to deflect attention from her adultery by accusing Lily falsely. Her life rapidly descends into a spiral of wretched unemployment and poverty, with only one way out.
"Ethan Frome" is the male half of a loveless marriage, with the fretful, fussy Zeena. Then Zeena's lovely cousin Mattie Silver comes to live with them, and she brings out a happier, more passionate side of Ethan. But when Mattie is sent away, Ethan must make a decision. He knows he can't stay in his horrible marriage, so will he run away with Mattie? The choice they make will affect all three lives.
"Summer" shocked the 1917 public, with its frank-for-its-time look at a young woman's sexual awakening. It takes place in the New England village of North Dormer, where the young librarian Charity lives. But when Charity falls in love with an upper-class young rake named Lucius, she finds herself pregnant and unmarried -- a destructive combination in the 1900s. There's only one respectable way out.
Edith Wharton gave unvarnished looks at social conventions throughout her career -- she doesn't judge, she just tells it how it was, whether she's talking about the Roaring 20s or the uptight Victorian era. Divorce was almost unthinkable, affairs scandalous if revealed, and women had the cards stacked against them in matters of love, marriage and sex.
So her works are even better when you set them in context, full of characters who were totally unlike her. Some were male, some timid and naive, some disgraced (she herself was divorced, though this didn't hurt her socially), and some completely broken by society's dictates. Few of her characters are much like Wharton, but she gets inside their heads and makes them entirely believable.
Wharton's formal, often poetic writing style makes these stories all the richer. They're rich with light, smells, sounds and the swirl of nature, even in a city. But it's offset by the starkness of her stories -- if she took a hard look at hypocrises and social conventions, she didn't flinch from showing what happened to those that transgressed. It's realistic, but a bit depressing.
Doomed love and personal reflection are what makes up a lot of "Edith Wharton: Five Novels," a magnificent collection of her best-known books. Sad and beautiful, gripping and classic.
And nobody chronicled them better than Edith Wharton, who spun exquisitely barbed novels out of the social clashes of the late nineteenth century. "Edith Wharton: Five Novels" brings together three of her best novels and two novellas, exploring the nature of infidelity, passion, social-climbing and a woman's place in an unfriendly world.
"Age of Innocence" is a pretty ironic title. Newland Archer, of a wealthy old New York family, has become engaged to pretty, naive May. But during his engagement, he becomes acquainted with May's exotic cousin, Countess Olenska -- and after his marriage, his attraction to the mysterious Countess and her unconventional ways becomes even stronger. Will he become an outcast and leave with her, or stick with a life of conformity and safety?
"The Custom of the Country" takes whatever is biting about "Age of Innocence" and magnifies it. Undine Spragg is a mesmerizing beauty from a tiny town, who wants the best of everything, more than her family can afford. She begins marrying "old money", leaving divorce, death and broken hearts in her wake -- and hiding a then-shameful secret. The only way to succeed lies in the one man who sees her for what she is.
But the mockery in "House of Mirth" is not meant to be funny, but saddening and eye-opening instead -- because an impoverished single woman's lot in the 1800s was a sad one. Lily Bart is on the prowl for a marriage to keep her in luxury and affluent circles. But her schemes and plans start to collapse, as she rejects all her adoring suitors, and a nasty society matron decides to deflect attention from her adultery by accusing Lily falsely. Her life rapidly descends into a spiral of wretched unemployment and poverty, with only one way out.
"Ethan Frome" is the male half of a loveless marriage, with the fretful, fussy Zeena. Then Zeena's lovely cousin Mattie Silver comes to live with them, and she brings out a happier, more passionate side of Ethan. But when Mattie is sent away, Ethan must make a decision. He knows he can't stay in his horrible marriage, so will he run away with Mattie? The choice they make will affect all three lives.
"Summer" shocked the 1917 public, with its frank-for-its-time look at a young woman's sexual awakening. It takes place in the New England village of North Dormer, where the young librarian Charity lives. But when Charity falls in love with an upper-class young rake named Lucius, she finds herself pregnant and unmarried -- a destructive combination in the 1900s. There's only one respectable way out.
Edith Wharton gave unvarnished looks at social conventions throughout her career -- she doesn't judge, she just tells it how it was, whether she's talking about the Roaring 20s or the uptight Victorian era. Divorce was almost unthinkable, affairs scandalous if revealed, and women had the cards stacked against them in matters of love, marriage and sex.
So her works are even better when you set them in context, full of characters who were totally unlike her. Some were male, some timid and naive, some disgraced (she herself was divorced, though this didn't hurt her socially), and some completely broken by society's dictates. Few of her characters are much like Wharton, but she gets inside their heads and makes them entirely believable.
Wharton's formal, often poetic writing style makes these stories all the richer. They're rich with light, smells, sounds and the swirl of nature, even in a city. But it's offset by the starkness of her stories -- if she took a hard look at hypocrises and social conventions, she didn't flinch from showing what happened to those that transgressed. It's realistic, but a bit depressing.
Doomed love and personal reflection are what makes up a lot of "Edith Wharton: Five Novels," a magnificent collection of her best-known books. Sad and beautiful, gripping and classic.
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January 5, 2019House of mirth was excellent. said to be her best novel. don't plan to read others but will recommend to friends.
Displaying 1 - 2 of 2 reviews