Poetry. "If Frank Stanford got up from the dead to slam (and slammed to win), what he would say might well resemble the poems in WHIM MAN MAMMON. That said, Abe Smith's got his own lizard thing going on No resurrection required. This is deft work--and hefty work (as in big and as in bag)--that squeezes gallon after gallon of the 21st century's natural and cultural detritus into one marvelous sack of song. To my mind, it's the most useful writing from a Wisconsinite since Joe Garden's window signs at Badger Liquor. There is no higher compliment"--Graham Foust.
First, I noticed the incredible title. The whim man, whose mammon is what? Poetry? Hoodoo? Madness? I have no idea what, exactly, the title means, nor am I sure how its components work together. It's mystery. These poems are sonic. On the page they seem merely complete, yet the sense one gets is they need real voice, they need actual lung. This book is a musical score, so read these poems aloud, read them to your friends. A rural, agrarian landscape is hinted at, but more rural than agrarian. Imagine a wild drunk prophet in a saloon, all dusty light and jukebox blare, as he pours forth his ecstatic furies, sorrows, lusts, weird associations, revelations for your blistered palms. Here is a feedcap Ezekiel just off the interstate, traveling through Oklahoma or Texas, or Iowa, bringing barbed wire and news that the spinning plates are up there, spinning our way.
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Addendum: I'd very much like to hear these poems accompanied by music written by Tom Waits. Also, I'm really not impressed by the interior design, the font in particular; and while the cover presents an interesting design, I really don't like the mustard color. But such complaints are trivial compared to all that makes this a highly recommended first book.
Considering all the positive press this has received, I was a bit disappointed early on. Then I kept reading. After finishing this collection, I'm sure of a few things:
1. I'd like to meet Abraham Smith, or at least hear him read. 2. I prefer Abraham Smith working with longer lines in longer poems("I Am Famous in China," "Let's After Dark...," "My Dear Sweet Insane Rabbit," etc.) 3. Dude has a much better ear than I do, and I think I have a pretty good ear. 4. I'll have to read this again. 5. I'm psyched to read whatever comes next from Mr. Smith.
I almost feel bad giving this only 3 stars. Unfortunately, the poems I liked I REALLY liked, and the poems I didn't, well...
And the lyric is not dead. It is on a gargle- throated bender through Black Hawk Island's shadow, getting it's ass kicked by jesus and some roadkill. If you can't hear Smith warble these lines with the intensity of a backwoods only matched by Faulkner's tormented demons, then by all means, down this book like a bottle of Southern Comfort and snort the diction till your head spins clean off.
I find myself just saying the title, "Whim Man Mammon" to myself, but my mouth wants to say otherwise. This title has baffled my mouth. The pieces inside win me over in being at once so close a heart and, yet a heart wrapped in some dew-dropped veil where the language itself sings (yodels, hums, bumps, rips, shreds) deep into night--night that feels the fresh of morning. Yes, this is a collection to savor.
Abe's debut collection, which was nothing like hearing him read live, at least for me.
In my favorite poems, there are odd narrative turns buried under the propulsive language, and phrases sort of drift and then come together, like words in alphabet soup, in ways I haven't noticed before when hearing Abe read. Good stuff.
One of my favorites on my bookshelf. Has really inspired some of my writing. Also has been the choice of some impromptu poetry readings by friends when they find it in my purse, which is always amusing.
I WEEP WITH JOY i weep more thorn porn i draw out the milk from the fridge and pour it all over my wrists alone my wrist is alone my wrist is tree climbing through my window my waste my waste is sometimes a glass blower in wisconsin who weeps joy with me while we listen to dead songs.