This new collection deals with how the language of imagination shapes histories and lives. The Fiction-Makers confirms Stevenson's reputation as a poet of intelligence, brilliant technique and penetrating insight. From reviews of Minute by Glass Minute : "Poems which are so good, so flawlessly pure, that beside them most other contemporary poetry looks patched, clumsy or stuffed."-- New Statesman
I loved this book and some of the poems will be re-visited many times - particular favourites: "Re-reading Jane" (Austen), "A Prayer to Live with Real People", "A Legacy on My Fiftieth Birthday", "Red Rock Fault", "Willow Song", "Household Gods" and many more...
Gannets Diving: plain speaking but an ambiguous theology and vivid imagery. Forgotten of the Foot: a longer poem, but sums up so much of the ethos of Co Durham, with “the hills pillaged and cored...rows of stunted houses;” and having taught in “prim Esh,” a poem that speaks directly to me. Spring Song of the Poet Housewife, where “the dust motes and the dust mice/are dancing,” the reason I opened this the other day while reshelving books - and maybe why I am writing this review instead of cleaning the porch. There are lots of points at which this collection resonates personally, but this is local poetry that sings to a wider audience, with its jewel-clear language and images: after a gale, the shining wet town is picked up as “no roof that is not between light and light.” Poems for people, poems for places: poems of weight, and a simple quatrain as an Epitaph for a Good Mouser, which would count as a spoiler if I quoted it.