Ace Records: Labels Unlimited

by David Stubbs, Rob Young (Editor)

To read Ace Records is to explore the history of modern music and to discover the stories of the people that made it. Visually stunning and hugely entertaining, the book chronicles this fascinating label and profiles a diverse range of artists including BB King, John Fahey, Lee Hazlewood and Art Blakey & The Jazz Messengers.

From humble beginnings at a London market stall, Ace Records has gone on to change the face of popular music. Now the world’s foremost blues, rockabilly, soul and rock 'n' roll reissue label, Ace Records has been responsible for unearthing lost classics and neglected pioneers for over three decades, and provided some of the finest and most influential records of the post-war era. The first comprehensive history of this fascinating label, Ace Records takes in some of the finest and most enduring modern music, rock 'n' roll, soul, funk, blues, jazz, R&B, garage rock and punk.

Based on the core values of reclamation, restoration and research, Ace Records has travelled far and wide—resurrecting the forgotten giants of the American music scene. From the earliest pre-war blues and Cajun recordings made in the Deep South, to the explosion of rock 'n' roll, to the soaring soul sounds of the 1960s and 70s, the label has rescued a rich cultural legacy and preserved this music for generations to come. Signing some of the most exciting young rock 'n' roll bands to come out of the UK, Ace Records christened the burgeoning psychobilly genre as it championed bands like The Meteors and The Cramps.

Illustrated with many unseen archive photographs dating back to the 1920s, rare artwork and newspaper clippings, and written by established music journalist and author David Stubbs, Ace Records is a highly entertaining and visually stunning guide to a pioneering alternative to the mainstream UK music scene.

Genres: Music

190 pages, Paperback

First published January 2, 2008

About the author

David Stubbs is a British journalist and author, covering music, film, TV and sport. He is known for his work on the Maker’s "Talk Talk Talk" column, converting it from a two-page gossip spread into a satirical and surreal take on the rock and pop world and those characters who stalked it, both the heroes and the hapless.

Among his creations were Pepe Le Punk, a Belgian music journalist (author of Hi, I’m Mr Grunge – An Unauthorised Autobiography Of Kurt Cobain); Derek Kent, MM staff writer since 1926, wit, raconteur and pervert, and Diary Of A Manic Street Preachers Fan (who admired the group for their “intense intensitude”); The Nod Corner, the fictional journals of the Fields Of The Nephilim drummer whose scheming bandmates continually got him into hot water with lead singer Carl McCoy, who would administer him the punishment of ten press-ups. The likes of Sinead O’ Connor, Morrissey, The Mission, Andrew Eldritch, Bono and Blur were also sent up on a regular basis.

However, his most famous and beloved creation was Mr Agreeable (formerly Mr Abusing), whose weekly column was a terse exercise in unmitigated, asterisk-strafed invective scattered at all and sundry, especially the sundry, in the rock world – the various c***s, streaks of piss, f***wits, arseholes and twotmongers who raised his blood pressure often by their mere existence. Although Stubbs left Melody Maker in 1998 to work for a cross range of titles including NME, Vox and Uncut, Mr Agreeable remains an occasionally active commentator, occasionally dropping in at The Quietus to vent his ire.

- excerpted from his website: http://www.mr-agreeable.net

Librarian note: There is more than one author in the Goodreads database with this name.

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