Few people are familiar with the name William Sydney Porter (1862-1910), but, just as many remember Mark Twain and not Samuel L. Clemens, Porter is well known by the pen name O. Henry. And O. Henry became known as a master of surprise, with witty short stories that trade on wordplay and surprise twist endings that have become standard fare in the century following his death. O. Henry was living the routine life of a young pharmacist who dazzled people with his artistic drawing ability, creativity that successfully translated into literature. At first, O. Henry combined his writing and drawing for satire in The Rolling Stone, a failed venture, but his work helped him get notice around Texas. From there, his witty short stories were nearly as creative as his life, which saw him flee the country before getting arrested and imprisoned for embezzlement, leading to stories being written in settings as different as Honduras and a federal penitentiary. Using a pseudonym to hide the fact he was a prisoner, O. Henry became his best known name, and he used it for hundreds of short stories written between 1902-1910, when he died of cirrhosis of the liver due to heavy drinking.
Such volumes as Cabbages and Kings (1904) and The Four Million (1906) collect short stories, noted for their often surprising endings, of American writer William Sydney Porter, who used the pen name O. Henry.
His biography shows where he found inspiration for his characters. His era produced their voices and his language.
Mother of three-year-old Porter died from tuberculosis. He left school at fifteen years of age and worked for five years in drugstore of his uncle and then for two years at a Texas sheep ranch.
In 1884, he went to Austin, where he worked in a real estate office and a church choir and spent four years as a draftsman in the general land office. His wife and firstborn died, but daughter Margaret survived him.
He failed to establish a small humorous weekly and afterward worked in poorly-run bank. When its accounts balanced not, people blamed and fired him.
In Houston, he worked for a few years until, ordered to stand trial for embezzlement, he fled to New Orleans and thence Honduras.
Two years later, he returned on account of illness of his wife. Apprehended, Porter served a few months more than three years in a penitentiary in Columbus, Ohio. During his incarceration, he composed ten short stories, including A Blackjack Bargainer, The Enchanted Kiss, and The Duplicity of Hargraves.
In Pittsburgh, Pennsylvania, he sent manuscripts to New York editors. In the spring of 1902, Ainslee's Magazine offered him a regular income if he moved to New York.
People rewarded other persons financially more. A Retrieved Reformation about the safe-cracker Jimmy Valentine got $250; six years later, $500 for dramatic rights, which gave over $100,000 royalties for playwright Paul Armstrong. Many stories have been made into films.
O. Henry's "Cherchez la Femme" is a short story is a detective where is it mystery. Cherchez la Femme that line I remember from a Flinstone's episode where Wilma and Betty are labeled such.
➖➖➖➖➖➖➖➖➖➖➖➖➖➖➖➖➖➖➖➖➖➖➖➖➖➖➖➖➖➖➖➖➖➖➖ Highlight (Yellow) | Location 16430 ROBBINS, REPORTER FOR the Picayune, and Dumars, of L’Abeille — the old French newspaper that has buzzed for nearly a century — were good friends, well proven by years of ups and downs together. They were seated where they had a habit of meeting — in the little, Creole-haunted café of Madame Tibault, in Dumaine Street. If you know the place, you will experience a thrill of Highlight (Yellow) | Location 16434 pleasure in recalling it to mind. It is small and dark, with six little polished tables, at which you may sit and drink the best coffee in New Orleans, and concoctions of absinthe equal to Sazerac’s best. Madame Tibault, fat and indulgent, presides at the desk, and takes your money. Nicolette and Mémé, madame’s nieces, in charming bib aprons, bring the desirable beverages. Dumars, with true Creole luxury, was sipping his absinthe, with half- closed eyes, in a swirl of cigarette smoke. Robbins was looking over the morning Pic., detecting, as young reporters will, the gross blunders in the make-up, and the envious blue-pencilling his own stuff had received. This item, in the advertising columns, caught his eye, and with an exclamation of sudden interest he read it aloud to his friend. Public Auction. — At three o’clock this afternoon there will be sold to the highest bidder all the common property of the Little Sisters of Samaria, at the home of the Sisterhood, in Bonhomme Street. The sale Highlight (Yellow) | Location 16441 will dispose of the building, ground, and the complete furnishings of the house and chapel, without reserve. This notice stirred the two friends to a reminiscent talk concerning an episode in their journalistic career that had occurred about two years before. They recalled the incidents, went over the old theories, and discussed it anew from the different perspective time had brought. There were no other customers in the café. Madame’s fine ear had caught the line of their talk, and
Highlight (Yellow) | Location 16445 she came over to their table — for had it not been her lost money — her vanished twenty thousand dollars — that had set the whole matter going? The three took up the long-abandoned mystery, threshing over the old, dry chaff of it. It was in the chapel of this house of the Little Sisters of Samaria that Robbins and Dumars had stood during that eager, fruitless news search of theirs, and looked upon the gilded statue of the Virgin. Highlight (Yellow) | Location 16448 “Thass so, boys,” said madame, summing up. “Thass ver’ wicked man, M’sieur Morin. Everybody shall be cert’ he steal those money I plaze in his hand for keep safe. Yes. He’s boun’ spend that money, somehow.” Madame turned a broad and contemplative smile upon Dumars. “I ond’stand you, M’sieur Dumars, those day you come ask fo’ tell ev’ything I know ‘bout M’sieur Morin. Ah! yes, I know most time when those men lose money you say ‘Cherchez la femme’ — there is somewhere the woman. But not for Highlight (Yellow) | Location 16453 M’sieur Morin. No, boys. Before he shall die, he is like one saint. You might’s well, M’sieur Dumars, go try find those money in those statue of Virgin Mary that M’sieur Morin present at those p’tite sœurs, as try find one femme.” At Madame Tibault’s last words, Robbins started slightly and cast a keen, sidelong glance at Dumars. The Creole sat, unmoved, dreamily watching the spirals of his cigarette smoke. It was then nine o’clock in the morning and, a few minutes later, Highlight (Yellow) | Location 16457 the two friends separated, going different ways to their day’s duties. And now follows the brief story of Madame Tibault’s vanished thousands: New Orleans will readily recall to mind the circumstances attendant upon the death of Mr. Gaspard Morin, in that city. Mr. Morin was an artistic goldsmith and jeweller in the old French Quarter, and a man held in the highest esteem. He belonged to one of the oldest French families, and was of some distinction as an antiquary and historian.
Two reporters wonder what happened to Mr. Morin's legacy that was given to Madame Tibault. They investigate without success and finally exasperated they go to Madame's special room and find the gold bonds used as wall paper. The thought a woman was behind it, Cherchez la Femme.
Two reporters, Robbins and Dumars investigate the disappearance of Madame Tibault's money, a mysterious case that had occurred two years prior, involving twenty thousand dollars entrusted to a respected man named Gaspard Morin, now deceased. Morin was a very religious goldsmith and jeweler by Madame Tibault, who now feels he deceived her and took her money.
Two reporters decide to follow up on an old case where $20,000 has gone missing from the owner of a cafe, with the possible blame falling on a well-respected man who was supposed to invest it. Of course it doesn't end as expected. This was an entertaining read.