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The Story of the Widow's Son

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Do your students enjoy a good laugh? Do they like to be scared? Or do they just like a book with a happy ending? No matter what their taste, our Creative Short Stories series has the answer.We've taken some of the world's best stories from dark, musty anthologies and brought them into the light, giving them the individual attention they deserve. Each book in the series has been designed with today's young reader in mind. As the words come to life, students will develop a lasting appreciation for great literature.

The humor of Mark Twain...the suspense of Edgar Allan Poe...the danger of Jack London...the sensitivity of Katherine Mansfield. Creative Short Stories has it all and will prove to be a welcome addition to any library.

32 pages, Library Binding

First published October 1, 1992

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About the author

Mary Josephine Lavin

43 books32 followers
Mary Josephine Lavin (10 June 1912 – 25 March 1996) was a noted Irish short story writer and novelist. She is regarded as a pioneering female author in the traditionally male-dominated world of Irish letters. Her subject matter often dealt explicitly with feminist issues and concerns at a time when the primacy of the Roman Catholic Church and its abuses (e.g. the Magdalene Laundries) impinged extensively on Irish society.

Mary Lavin was born in East Walpole, Massachusetts in 1912, the only child of Tom and Nora Lavin, an immigrant Irish couple. She attended primary school in East Walpole until the age of ten, when her mother decided to go back to Ireland. Initially, Mary and Nora lived with Nora's family in Athenry in County Galway. Afterwards, they bought a house in Dublin, and Mary's father, too, came back from America to join them.

Mary attended Loreto College, a convent school in Dublin, before going on to study English and French at University College Dublin (UCD). She taught French at Loreto College for a while. As a postgraduate student, she published her first short story, 'Miss Holland', which appeared in the Dublin Magazine in 1938. Tom Lavin then approached Lord Dunsany, the well-known Irish writer, on behalf of his daughter and asked him to read some of Mary's unpublished work. Suitably impressed, Lord Dunsany became Mary's literary mentor.

In 1943, Mary Lavin published her first book. Tales from Bective Bridge, a volume of ten short stories about life in rural Ireland, was a critical success and went on to win the James Tait Black Memorial Prize for fiction. That same year, Lavin married William Walsh, a Dublin lawyer. Over the next decade, the couple had three daughters and moved to "abbey farm" which they purchased in County Meath which included the land around Bective Abbey. Lavin's literary career flourished; she published several novels and collections of short stories during this period. Her first novel The House in Clewe Street was serialised in the Atlantic Monthly before its publication in book form in 1945.

In 1954, William Walsh died. Lavin, her reputation as a major writer already well-established, was left to confront her responsibilities alone. She raised her three daughters and kept the family farm going at the same time. She also managed to keep her literary career on track, continuing to publish short stories and winning several awards for her work, including the Katherine Mansfield Prize in 1961, Guggenheim Fellowships in 1959 and 1961, and an honorary doctorate from UCD in 1968. Some of her stories written during this period, dealing with the topic of widowhood, are acknowledged to be among her finest.

Lavin remarried in 1969. Michael Scott was an old friend from Mary's student days in University College. He had been a Jesuit priest in Australia, but had obtained release from his vows from Rome and returned to Ireland. The two remained together until Scott's death in 1991.

In 1992, Lavin, by now retired, was elected Saoi by the members of Aosdána for achieving 'singular and sustained distinction' in literature. Aosdána is an affiliation of creative artists in Ireland, and the title of Saoi one of the highest honours in Irish culture.

(from Wikipedia)

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Displaying 1 - 2 of 2 reviews
500 reviews1 follower
October 25, 2020
My second Lavin story and again, I am impressed. She tells the story of a widow who sacrifices everything for her son so he can study and go to college. He dies when he brakes his bike hard to avoid one of his mother's hens. She spends the rest of her life wondering why he put the price of a six shilling hen above the price of his life. Then, Lavin invites her reader to consider an alternative ending where the boy does not brake hard and kills the hen. The widow is angry and berates him in front of the neighbors even when he tells her he has finally won the scholarship. Well, who is going to have to work to buy your clothes she taunts? The next day he runs away. Letters arrive telling her he has gone to sea. He sends money to repay her. She put the price of the hen above him. Which ending is worse?

"Perhaps all of actions have this double quality about them; this possibility of alternatives, and that it is only by careful watching and absolute sincerity , that we follow the path that is destined for us, and no matter how tragic that may be, it is better than the tragedy we bring upon ourselves."
Displaying 1 - 2 of 2 reviews