STONE HOTEL is a collection of poems by a man who was sentenced to eight years in prison.
The first poem details the crime. Nowhere in the book did I find any attempt to excuse, minimize, or deny the crime. The poems simply tell us what happened, how he was apprehended--by dogs, "their nostrils full of my fear"--and what followed as he served his time:
I am surrounded
by men who live
in cages
and blink in the sun
like psychotic moles
connoisseurs of
hatred
disguised as racial pride
the tattooed husbands
of battered wives
who think
love is a clenched fist
Disclaimer: As one who reads and writes fiction almost exclusively, I am not a sophisticated reader of poetry. I am a visual person who reacts to poetry in a way that unsophisticated listeners respond to music. That is, the words in poetry, or the notes in a musical composition, bring to mind a scene or a series of events that I can hear or see.
Certain passages in T. S. Eliot's "The Waste Land," for example, summon vast, empty stretches of desert sweeping out to the horizon. Poe's "The Bells" tinkle silvery in a little Christmas shop I visited as a child. Wagner's "Tannhauser" is background music for elephants slowly marching in to perform in a circus.
The following are among the images that came to mind as I read the poems in Raegan Butcher's STONE HOTEL:
1. Attack scenes in JAWS
2. The plane crash in Nelson DeMille's MAYDAY
3. The chase in the opening scene of the James Bond film "Casino Royale"
4. WWII documentary film footage of the bombing of Hiroshima
5. "The Scream," a painting by Edvard Munch, National Gallery, Oslo, Norway
In STONE HOTEL, the poetry is understated. The scream lies beneath the words as the author finds himself "strangled by the hands of a clock" in a cage where "privacy is a thing of the past," and "even fear has gone stale with time."
In a poem titled "96 months" there is a rape scene, five lines long. One of the lines is only one word. The rape is described almost casually, a calm report slotted in among mundane images of rapists of another sort:
- a lawyer "bored and preoccupied/not even working for his money"
- a prosecutor "thundering doom/and calling for the max"
- and a judge "pinch-eyed and displeased/working on getting re-elected"
And then the rape--the real one--itself deceptively mundane. (You have to close your eyes to hear the scream. The scream lies below the words.)
Butcher tells us about the snitch, and how he was found:
hanging from
the light fixture
a bedsheet
around his neck
face purple
eyes filled with blood
like bright red eggs
STONE HOTEL is not for the faint of heart. Raegan Butcher's writing is brilliant, raw and powerful. And as he writes, Butcher does my favorite thing for an artist to do--he never looks away. He confronts his subject with hard, cold objectivity and conveys it to us in the simplest way imaginable. This isn't poetry to make you smile or warm your soul. It isn't meant to entertain you--but then, neither is a plane crash or Edvard Munch's picture of a scream.