Divided into eight scenes, which span their years at Martin Van Buren High School, the play chronicles the coming of age of two teenaged couples during the turbulent sixties. The language is frank, but unfailingly funny, as the four struggle with impending adulthood and their awakening sexuality. The action ranges from summer camp, to dormitory bedrooms, to senior prom, with the popular music of the period-Bob Dylan, The Beatles, The Beach Boys-ever present as a telling counterpoint to, and emotional anchor for, the lives of its young foursome. As the years spin deftly by it is also apparent that maturity will bring differing perils and problems for each of them, although all will continue to recall the special excitement-and poignancy-of these last few carefree years together.
As I read this, my first thought is: "Wow, this play is dated."
I really liked the idea of incorporating popular music into the life of these youngsters. It reminds me greatly of my youth -- the days when we'd sit around and talk about the new songs, or the latest album by a favorite musician, and even the arguments about when band is better. In this sense, I was pulled in to the play. But as the characters got older, I cared about them less.
Again, I believe that this is more a result of the period of the play. This play is very characteristic of plays from this era, with lives changing for the worse at every turn. But dropouts and runaways don't pull at the heart strings the way they used to.
There are some great acting scenes and monologues here, but if I saw this on the season subscription for a local theatre, I wouldn't be running out to get tickets.