Cumulus These are the carriers. Their large, mild bodies make us think of domesticity, of milk. Mammalian they hold the rain in their bellies, a generous temperament. They too are susceptible to time, but more graceful than us. Unafraid, they will let go when they must. They breathe more deeply and know something of sadness. Their bodies are sympathetic. Rain is what they know best and least.
Sue Sinclair's poems speak from that precise place where our perception of the world and our capacity for language meet and embrace, where our sense of experience goes to get sharpened and refreshed. That experience might involve the inner lives of clouds, the flourishing and passing of a tulip, the evocative scent of wolf willow, or the intricate arts of Bach and Virginia Woolf. These poems are deft, musical, and quick in the moment, alive to the sensuous surface and the meditative depth, their antennae fully extended.
It is winter. The room is white. Do not strain your voice. We can make do.
Light is hard and clean but not unsparing as we had thought.
The angels have not forgotten. Close your eyes. You have gotten used to silence.
- Bone, pg. 28
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Nothing to cast a shadow up there, building pale and glittering, fascinated by themselves and a little ashamed. Far back in their minds they know they have arrived empty-handed but pretend they're not yet where they want to be, wherever that is. Sometimes, watching a pair of starlings swoop and duck, they almost admit it, give in to doubt. A kind of vertigo. It's the heat, we say, that makes them waver, and they ignore it too, wait for it to pass. Be taller, they say to themselves, be taller, because that is the only way they know how to think.
- Toronto Skyline, pg. 49
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Too small to worry. Asking not why but when. A garden of underdeveloped shapes. Hydroponics in the sky, vegetables in their first flower: white: albino squash, starry-eyed cucumbers, pea blossoms. They form in regular rows, peer down from the sky wondering what they will do when the time comes.