This introductory volume presents an overview of the philosophy of film, a burgeoning sub-discipline of Aesthetics. It offers a sampling of paradigmatic instances of philosophers and philosophical film theorists discussing the movies in a fashion that takes cinema as seriously as any other Fine Art, leaving little doubt that doing philosophy of film is a serious intellectual enterprise.
I'm not sure why the listing for this book says that it is written by James Hogg. The author is actually Daniel Shaw, the editor of the journal Film and Philosophy.
This book gives a good overview of some of the writing that is central to the field of film and philosophy. It is well worth reading as an introduction, as it gives a sort of road map to the important authors and issues that are part of the scholarly dialogue in this emerging area of aesthetics.