Excerpt from Tennyson Guinevere: With Introduction and Notes
Coming of Arthur and The Passing' of Arthur, by Mr. F. J. Rowe of the Presidency College, Calcutta, and with my own editions of Gareth and iaynetie, The Marriage of Gemini, Gemini and Enid, and The Holy Grail. For a general account of Tennyson's poetry, and especially of the Idylls of the King, I may be permitted to refer to Mr. Rowe's Introductions.
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Works, including In Memoriam in 1850 and "The Charge of the Light Brigade" in 1854, of Alfred Tennyson, first baron, known as lord, appointed British poet laureate in 1850, reflect Victorian sentiments and aesthetics.
Elizabeth Tennyson, wife, bore Alfred Tennyson, the fourth of twelve children, to George Tennyson, clergyman; he inevitably wrote his books. In 1816, parents sent Tennyson was sent to grammar school of Louth.
Alfred Tennyson disliked school so intensely that from 1820, home educated him. At the age of 18 years in 1827, Alfred joined his two brothers at Trinity College, Cambridge and with Charles Tennyson, his brother, published Poems by Two Brothers, his book, in the same year.
Alfred Tennyson continued throughout his life and in the 1870s also to write a number of plays.
In 1884, the queen raised Alfred Tennyson, a great favorite of Albert, prince, thereafter to the peerage of Aldworth. She granted such a high rank for solely literary distinction to this only Englishman.
Alfred Tennyson died at the age of 83 years, and people buried his body in abbey of Westminster.
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A NAPOLÉON III EMPEREUR DES FRANÇAIS CE LIVRE ŒUVRE DU GÉNIE COMBINÉ DE L'ANGLETERRE ET DE LA FRANCE ET PRODUIT D'UNE AMITIÉ ENTRE LES DEUX PEUPLES QUI DOIT SURTOUT SA FORCE A UNE AUGUSTE IMPULSION EST DÉDIÉ PAR SON TRÈS-HUMBLE ET TRÈS-OBÉISSANT SERVITEUR
It's a little hard to read the deep blame (and shame) placed on Guinevere by a young maid in the convent, by Arthur, and by Guinevere herself, without seeing it through modern eyes as at least borderline misogynistic. It's partly the extraordinarily one-sided blame, as if she alone is single-handedly responsible for the downfall of the near-paradise of Arthur's reign notwithstanding other independent actors, including Modred, Lancelot, and perhaps even Arthur himself (seen as improperly passive in some tellings). There's one point where Lancelot gallantly attempts to assume responsibility, but she notes that she was the one who made and broke marriage vows and that's the end of that. And it's partly the language used to characterize her fault, including words and phrases such as "false voluptuous pride" which have come to seem coded as misogynist.
But I fought against this anachronistic perspective (which smacks of 'chronological snobbery') because I don't think that's a fair reading of the poem. It is necessary for her and and us to fully understand and accept the gravity of her sin (blindly selfish disloyalty) and its horrific consequences to appreciate the enormity of her husband's love, forgiveness and blessing which provides the fertile ground for her own redemption. Arthur does not 'save' her, of course; but his generosity offers a significant glimmer of hope which inspires her to turn away from sin and despair. Her heart has truly changed by the end, and it's quite moving.
I loved Tennyson's garrulous young maid, an innocent mirror to Guinevere's conscience.
There's probably more to say, especially by those who know other versions of the Arthur story a lot better than I do. But I did notice one place where Tennyson differs from Malory: Arthur tells Guinevere "I was ever virgin save for thee," and describes Modred as "the man they call / My sister's son--no kin of mine."