In the 17th century, enamelled-miniature portraiture became fashionable amongst Europe's elite. Despite their small size they were treasured for their rich coloring and astonishingly detailed portrayal of some lucky or important individual. Mr Yoch, with his own deft and subtle brush-strokes has painted a picture of George Washington that is both readable and compelling, and adds a rich foundational undertone of humanity to this near-deific figure in American history.
"Becoming George Washington" is an historical novelization of the early years of Mr Washington, long before his storied Generalship of American forces in the Revolutionary War, and before his role as the first President of the fledgling Republic.
To dramatize such a life is challenging on many levels: first, this is a real person whose actions and history are more or less documented (and in the case of a figure as prominent as Washington, “more” is probably an understatement). The facts, as far as they’re known, have to be rigorously correct. To this end, Mr. Yoch has thoughtfully provided us insight into his exhaustive research - nearly 30 pages of bibliography, author’s notes, maps, and endnote contextual explanations.
At the same time, while a recitation of such facts may be authoritative, such works often fail to capture the subject as a living, breathing person. Becoming George Washington is above all an engaging work of historical fiction; letters, using the actual words of the people involved, tell much of the story. Conversations and scenes, dialogues and internal monologues – while obviously not verbatim – are as much as possible constructed by inferring the subject and nature of the conversation from third-party references, journals, or letters, implying a staggering amount of research to put disparate evidence together. Nevertheless, weaving it all into a narrative whole does take some authorial license. This is where the end-notes are most useful. Mr. Yoch’s sensitivity to his subject and a natural inclination toward scholarship supply honest commentary about what is clearly documented in the historical record, what is crafted by the author’s common-sense understanding of the events portrayed, or what is simply driven by narrative exigency.
Finally, dramatizing George Washington is, in the American context, practically as dangerous as dramatizing Jesus. This is no hagiography and that will likely make some people uncomfortable. Told from a semi-first-person view, Mr Yoch has drawn a picture of a young George certain of his own importance (aren’t all young men so convinced?) but frustrated by his own situation. Bereft of both opportunity and guidance by the early death of his father, and desperate to escape a domineering mother, George looks up to his oldest half-brother, the much-admired Lawrence. Lawrence’s early death to consumption is both great tragedy and opportunity for George: Lawrence’s personal contacts, and not least his now-available officer’s commission, really launch the young Washington’s military/political career.
Personally brave and competent, he was nevertheless the sort of climbing opportunist who didn’t let his own complete ignorance of military affairs dissuade him from seeking command and glory in the field. This led to Fort Necessity, related here in unflinching detail. George managed to avoid criticism for the colossal and needless blunder, instead gaining recognition and sympathy for his leadership through the ordeal. After a short interlude, he joined General Braddock’s forces for another disastrous expedition. The Battle of Monongahela is meticulously recounted, from which again the young officer Washington somehow emerges with a measure of glory.
Unfortunately George didn’t live up to the windfall of his reputation. This perhaps reflected his lack of education (or even interest) in the field in which he was suddenly famous. He struggled with political infighting in Virginia, the dull necessities of military administration in a frontier colony, and the ongoing low-grade conflict against the French and Indians. He was skilled at none of them, actually spending the greater portion of his time away pursuing his personal goal of a crown commission. While the reader knows better, this rings a petty, venal final note to what appears to be the twilight of a young man’s promising career.
Interwoven through the narrative is George’s growing relationship with Sally Fairfax, the wife of his best friend. Their feelings for each other are generally accepted by historians (young Mr. Washington’s correspondence – remember, these are the real letters, not fictional - to Mrs. Fairfax is charmingly gooberish, exactly what one might expect from a typical, smitten young man), but their physical relationship is debated, clouded seemingly by a natural reticence to suggest that the eventual “Father of Our Country” might have had an improper relationship with his best-friend’s wife. Mr. Yoch take on this is subtle and sympathetic, with their growing fondness providing some of the most emotional scenes in the book.
Martha Custis, who would later become Martha Washington, is likewise portrayed minimally, but sympathetically. Her appearance near the end of this story is no accident; their relationship signals the close of his early life, and the start of his maturation into the man he would later become.
Washington was not a stupid man; implicit throughout the book (as suggested by the title) we see in negative the man who was Becoming George Washington. The vain young man pursuing his best-friend’s wife set his infatuations aside and instead married a woman he respected, and whose sober honest friendship made him a better person. The impetuous soldier who was humiliated at Fort Necessity would never again underestimate his opponents, fail to scout carefully, or let his forces get trapped. The young officer who watched the disaster at Monongahela would find that his later absolute attention to logistics and discipline would allow a ragtag Colonial Army to hold off the best military in the world. Probably most importantly for his legacy and our country, this position-obsessed, self-absorbed younger Washington became a more-seasoned older man capable at, but disillusioned by politics.
This is as far as I can tell Mr Yoch’s first novel. The polish and readability of this short (340-ish pages) work suggest otherwise. That Washington is not an immediately likable character may prove difficult for some readers. I believe this speaks to the veracity of the portrait: all people – even historical icons – are a complex host of motivations. While of course this is one man’s interpretation of the historical record, Mr Yoch’s portrayal of George is both credible and ultimately convincing. With a cinematic eye for relevant detail and a focus on the story he means to tell, the narrative moves swiftly. I binge-read it in one evening. Certainly, a Michener or Clavell might have ballooned this same tale to several thousand pages. I doubt ultimately that they could have told the story any better. I look forward to Mr Yoch’s next work.