Dreams of Bread and Fire

by Nancy Kricorian

Ani Silver is a young American woman whose half-Jewish, half-Armenian heritage seems a mere footnote to her own identity. But when the dark shadows of history insinuate themselves into her otherwise peaceful life, she is propelled into a profound and passionate series of journeys - a quest for a long-dead father, a search for the clues of a nearly forgotten genocide, and a love threatened by a quietly gathering storm of murder and retribution.
Ani is desperately in love with a New England boy with a trust fund as big as his appetites, and the farthest thing possible from the Old World accents and superstitions that filled the childhood home she shared with her widowed mother and Armenian grandparents. After college, Ani leaves for a year in Paris, taking along her boyfriend's pledge of fidelity and the promise of their future together. When she receives a letter from him ending their relationship, she falls into a series of romantic misadventures. It is not long before Ani reconnects with a childhood friend, an elusive and intriguing character whose preoccupation with the Armenian heritage they share provides Ani with a new connection to her identity - even as she begins to suspect that he has a secret, and dangerous, identity himself.

Genres: Fiction

233 pages, Hardcover

First published January 1, 2003

About the author

Nancy Kricorian, who was born and raised in the Armenian community of Watertown, Massachusetts, is the author of four novels about post-genocide Armenian diaspora experience, including Zabelle, which was translated into seven languages, was adapted as a play, and has been continuously in print since 1998. Her latest novel, The Burning Heart of the World, is about Armenians in Beirut during the Lebanese Civil War. Her essays and poems have appeared in The Los Angeles Review of Books Quarterly, Guernica, Parnassus, Minnesota Review, The Mississippi Review, and other journals. She has taught at Barnard, Columbia, Yale, and New York University, as well as with Teachers & Writers Collaborative in the New York City Public Schools, and has been a mentor with We Are Not Numbers since 2015. She has been the recipient of a New York Foundation for the Arts Fellowship, a Gold Medal from the Writers Union of Armenia, and the Anahid Literary Award, among other honors. She lives in New York City.

Reviews

[Karen Armo · Rating 5 out of 5]

A story about what it means to be an American-born Armenian (answer: conflicted).

[Meltem · Rating 2 out of 5]

Aslında çok zor ama ilginç bir konuyu anlatan bir kitap olacakken nedense baştaki konuda çok zaman kaybederek bu şansını kaybetmiş. Paris’te geçtiği ve tanıdık mekanlarda geçen kitapları okumayı sevdiğim için almıştım, kadın karakter Ani’yi de sevip merak etmiştim ama bir yarım ve yüzeysel kaldı.

#bizimbuyukchallengeimiz madde 31: Kahramanı kadın karakter olan bir kitap

[Eric · Rating 2 out of 5]

Randomly picked up this volume just to try something different and an author I did not know. It is the story of a young adult woman who grew up in a home with one parent Armenian and one Jewish. Her Jewish father died young, and she is left being raised by her mother and grandparents who have close ties to their Armenian heritage. They expect her to adapt those same cultural values as well, but she resists. Her main challenge - boys and lovers. One eventually dumps her, the other is engaged in a terrorist organization.

This is a winding story of a young woman trying to find her way and identity. The story was somewhat choppy - chapters often jumping rather abruptly and randomly. Oddly, statements by characters are not in quotes, which makes it a bit difficult to read.

The conclusion of the book is incomplete, leaving the reader hanging and unsatisfied.

This was an okay read, but not one that I would necessarily recommend or encourage others to pick up for themselves.

[ásya p · Rating 4 out of 5]

Honestly, Dreams of Bread and Fire is such a bittersweet read. Nancy Kricorian’s writing is beautiful, but the structure is a total rollercoaster. It’s a good book, but it’s hard not to compare it to All the Light There Was, and with all due respect, this one just doesn't quite reach that level.

The biggest frustration is the pacing. The real "hook" of the story feels like it doesn't even arrive until the very end, and just when things should be getting resolved, it just... stops. There’s no closure at all. We’re left wondering what on earth happened to Van, which feels like a bit of a snub to the reader after following his elusive character for so long.

Instead of a satisfying wrap-up, the final part of the book takes a weird turn. Ani starts to come across as someone struggling with serious mental health issues and paranoid thoughts. It feels less like a character coming into her own and more like an unfinished portrait of a breakdown. It leaves the whole journey feeling a bit hollow.

That said, the dialogue and the atmosphere are where Kricorian really shines. The quotes are easily the highlight of the experience. The bluntness of the family history is so grounded, like when Ani asks where the Hunchaks go and her baba says, "straight to hell." Or that heavy internal conflict: "I am half Jewish, half Armenian. Do you feel twice blessed or doubly cursed?"
Kricorian’s take on nostalgia—the Greek nostalgos—as an "itching in the heart for the homeland" because you know what it is and what it isn't, is probably one of the best descriptions of the diaspora experience out there.

It was funny and deeply sad at the same time to read this part “Ani didn’t think she’d be the right kind of wife for an Armenian dentist anymore than she was a proper partner for an Armenian revolutionary. Van needed a woman with an assault rifle in one hand and the Armenian flag in the other—an Armenian version of the girl in the Delacroix painting leading the battle charge”.


The ending might have been a letdown, but the imagery stays with you.

“Ani kissed her grandmother‘s cheek, which was as smooth and soft as an apricot.”

“But then Ani heard her grandmother’s voice, barely above a whisper: 'Jesus says, love your enemy.' A pause. 'What they did to us I never can forgive.'"

It’s a solid book with some incredible prose, but that lack of closure and Ani’s sudden shift at the end makes it feel like it needed just a few more chapters to really land. Good job to the author on the atmosphere, but I'm still waiting for that missing ending!

[Michael Norwitz · Rating 3 out of 5]

Averagely-clever female youth-to-adulthood novel with the slightest touch of Armenian history, touching on the genocide in one chapter.

[Lisa Savage · Rating 4 out of 5]

Loved this youthful account of rebellion and politics amid the intellectual life of Paris. The revealed horrors of the Armenian genocide and various responses of its survivors are skillfully woven into a tale with an appealing main character, Ani, the grandchild of immigrants and the product of a mixed marriage that disappeared one whole side of her family.

The tension between the working class and upper class, and the push-pull between living the revolution and the ordinary domesticity most humans yearn for is skillfully portrayed.

The observation that Anni and her girlfriend discussing relationships was code for bad boyfriends cracked me up.

[Rosemarie · Rating 1 out of 5]

Bleh. The inside flap described a different story - one that was intriguing and interesting. The actual story was a dumbed down version. I was disappointed. It didn't get interesting until the very end (with Van's involvement in ASALA and her father's family) and then it just ended. Just like that.