This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.
One of a very few books about writing opera librettos, and therefore valuable for this alone. Contains some useful remarks of a general nature, but is not so useful to contemporary opera writing (post 2000).
With the exception of all the Wagner dick sucking and some old fashioned ideas, this is a fairly useful book. That being said, we need a new book on the subject, ASAP