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画集ベルセルク [Gashū Berserk]
Including the cover and large poster, I record the illustrations drawn up to all 18 points. Berserk World of true nobody has ever seen spread, favorite book gorgeous art book.
Paperback
First published January 1, 1997
About the author
Kentaro Miura
398 books2,837 followersKentarou Miura (三浦建太郎) was born in Chiba City, Chiba Prefecture, Japan, in 1966. He is left-handed. In 1976, at the early age of 10, Miura made his first Manga, entitled "Miuranger", that was published for his classmates in a school publication; the manga ended up spanning 40 volumes. In 1977, Miura created his second manga called Ken e no michi (剣への道 The Way to the Sword), using Indian ink for the first time. When he was in middle school in 1979, Miura's drawing techniques improved greatly as he started using professional drawing techniques. His first dōjinshi was published, with the help of friends, in a magazine in 1982.
That same year, in 1982, Miura enrolled in an artistic curriculum in high school, where he and his classmates started publishing their works in school booklets, as well as having his first dōjinshi published in a fan-produced magazine. In 1985, Miura applied for the entrance examination of an art college in Nihon University. He submitted Futanabi for examination and was granted admission. This project was later nominated Best New Author work in Weekly Shōnen Magazine. Another Miura manga Noa was published in Weekly Shōnen Magazine the very same year. Due to a disagreement with one of the editors, the manga was stalled and eventually dropped altogether. This is approximately where Miura's career hit a slump.
In 1988, Miura bounced back with a 48-page manga known as Berserk Prototype, as an introduction to the current Berserk fantasy world. It went on to win Miura a prize from the Comi Manga School. In 1989, after receiving a doctorate degree, Kentarou started a project titled King of Wolves (王狼, ōrō?) based on a script by Buronson, writer of Hokuto no Ken. It was published in the monthly Japanese Animal House magazine in issues 5 and 7 of that year.
In 1990, a sequel is made to Ourou entitled Ourou Den (王狼伝 ōrō den, The Legend of the Wolf King) that was published as a prequel to the original in Young Animal Magazine. In the same year, the 10th issue of Animal House witnesses the first volume of the solo project Berserk was released with a relatively limited success. Miura again collaborated with Buronson on manga titled Japan, that was published in Young Animal House from the 1st issue to the 8th of 1992, and was later released as a stand-alone tankōbon. Miura's fame grew after Berserk was serialized in Young Animal in 1992 with the release of "The Golden Age" story arc and the huge success of his masterpiece made of him one of the most prominent contemporary mangakas. At this time Miura dedicates himself solely to be working on Berserk. He has indicated, however, that he intends to publish more manga in the future.
In 1997, Miura supervised the production of 25 anime episodes of Berserk that aired in the same year on NTV. Various art books and supplemental materials by Miura based on Berserk are also released. In 1999, Miura made minor contributions to the Dreamcast video game Sword of the Berserk: Guts' Rage. 2004 saw the release of yet another video game adaptation entitled Berserk Millennium Falcon Arc: Chapter of the Record of the Holy Demon War.
Since that time, the Berserk manga has spanned 34 tankōbon with no end in sight. The series has also spawned a whole host of merchandise, both official and fan-made, ranging from statues, action figures to key rings, video games, and a trading card game. In 2002, Kentarou Miura received the second place in the Osamu Tezuka Culture Award of Excellence for Berserk.[1]
Miura provided the design for the Vocaloid Kamui Gakupo, whose voice is taken from the Japanese singer and actor, Gackt.
Miura passed away on May 6, 2021 at 2:48 p.m. due to acute aortic dissection.
That same year, in 1982, Miura enrolled in an artistic curriculum in high school, where he and his classmates started publishing their works in school booklets, as well as having his first dōjinshi published in a fan-produced magazine. In 1985, Miura applied for the entrance examination of an art college in Nihon University. He submitted Futanabi for examination and was granted admission. This project was later nominated Best New Author work in Weekly Shōnen Magazine. Another Miura manga Noa was published in Weekly Shōnen Magazine the very same year. Due to a disagreement with one of the editors, the manga was stalled and eventually dropped altogether. This is approximately where Miura's career hit a slump.
In 1988, Miura bounced back with a 48-page manga known as Berserk Prototype, as an introduction to the current Berserk fantasy world. It went on to win Miura a prize from the Comi Manga School. In 1989, after receiving a doctorate degree, Kentarou started a project titled King of Wolves (王狼, ōrō?) based on a script by Buronson, writer of Hokuto no Ken. It was published in the monthly Japanese Animal House magazine in issues 5 and 7 of that year.
In 1990, a sequel is made to Ourou entitled Ourou Den (王狼伝 ōrō den, The Legend of the Wolf King) that was published as a prequel to the original in Young Animal Magazine. In the same year, the 10th issue of Animal House witnesses the first volume of the solo project Berserk was released with a relatively limited success. Miura again collaborated with Buronson on manga titled Japan, that was published in Young Animal House from the 1st issue to the 8th of 1992, and was later released as a stand-alone tankōbon. Miura's fame grew after Berserk was serialized in Young Animal in 1992 with the release of "The Golden Age" story arc and the huge success of his masterpiece made of him one of the most prominent contemporary mangakas. At this time Miura dedicates himself solely to be working on Berserk. He has indicated, however, that he intends to publish more manga in the future.
In 1997, Miura supervised the production of 25 anime episodes of Berserk that aired in the same year on NTV. Various art books and supplemental materials by Miura based on Berserk are also released. In 1999, Miura made minor contributions to the Dreamcast video game Sword of the Berserk: Guts' Rage. 2004 saw the release of yet another video game adaptation entitled Berserk Millennium Falcon Arc: Chapter of the Record of the Holy Demon War.
Since that time, the Berserk manga has spanned 34 tankōbon with no end in sight. The series has also spawned a whole host of merchandise, both official and fan-made, ranging from statues, action figures to key rings, video games, and a trading card game. In 2002, Kentarou Miura received the second place in the Osamu Tezuka Culture Award of Excellence for Berserk.[1]
Miura provided the design for the Vocaloid Kamui Gakupo, whose voice is taken from the Japanese singer and actor, Gackt.
Miura passed away on May 6, 2021 at 2:48 p.m. due to acute aortic dissection.
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Displaying 1 - 4 of 4 reviews
May 2, 2020
L'édition française ne comporte pas la même couverture. Et s'intitule berserk illustrations files. Je viens d'en terminer le tome 40 et j'étais un peu frustrée de ne pas avoir de " nouvelles " à me mettre sous la dent. Seulement il faut souligner le travail éditorial de Glénat et les planches sublimées en grand format. Je déplore seulement que les dessins et l'interview date de l'époque où Miura écrivait seulement les tomes après sabbat.
February 24, 2023
I could say with all my confidence that THIS IS THE MOST EXTRAORDINARY ARTBOOK I'VE EVER SEEN, not like anything else I've ever contacted with.
It's representation of the manga itself is quite unique, when you flip across the pages you don't feel but the perfection of the work itself, how the artist (R.I.P) himself is a devil level perfectionist.
At that time berserk was at it's peak storytelling (the golden age arc) so how could you make a artbook that represents the original work in a unique way?
Easy spend 6 months working on the artbook.
When you flip the pages you could feel the power of the work itself.
The dairy artworks art really amazing, the summary of the story is just great, and oh boy oh boy the interview is something else.
Just great.
It's representation of the manga itself is quite unique, when you flip across the pages you don't feel but the perfection of the work itself, how the artist (R.I.P) himself is a devil level perfectionist.
At that time berserk was at it's peak storytelling (the golden age arc) so how could you make a artbook that represents the original work in a unique way?
Easy spend 6 months working on the artbook.
When you flip the pages you could feel the power of the work itself.
The dairy artworks art really amazing, the summary of the story is just great, and oh boy oh boy the interview is something else.
Just great.
August 5, 2020
The art was so detailed and amazing but the series is so long that I often neglect to pay more attention to it. So this was a nice opportunity to slow down.
It still boggles me whenever I think about the entirety of Berserk's scope. Wilddd. It's amazing how Kentaro Miura managed to keep at this single series for decades and to still be continuing.
It still boggles me whenever I think about the entirety of Berserk's scope. Wilddd. It's amazing how Kentaro Miura managed to keep at this single series for decades and to still be continuing.
December 25, 2012
Great book
Displaying 1 - 4 of 4 reviews