An(other) laudable attempt to make Derrida accessible, in this case obviously via a presentation of one of his early and less obscure - as well as most influential - publications. Those adjectives all go together in a non-coincidental way - very roughly, his writing became more obscure as he became more influential, at which point the substance of the writing, as distinct from the often-atrociously-imitated style, became less influential, because, in a word, nobody could be bothered to work out what he was on about. And by nobody I mean me (or not-me, depending how you parse the negations).
Anyway, Arthur Bradley makes a brave stab at helping intellectual fainthearts get to grips with "Of Grammatology". He gets somewhere, but it has to be said that there's a lot of bluffing and what my analytical philosophy professors used to call hand-waving involved: that is, he moves from the JD text to the alleged implications or significance via chunks of bald assertion and waffle posing as explication and argument. This is par for the course in the field, though I think Peter Salmon's "An Event, Perhaps" does a better job of legitimately teasing things out. But on the plus side, this book does give some sense of what OG is all about, which seems to be close to the most one can expect in this sector.
Bradley's own writing is often shaky, with words and phrases misused, a tic of beginning a sentence with "quite simply" and "to put it simply" - especially striking in a book where the dangers of putting things simply are so foregrounded - and a habit of writing things like "to Derrida's way of thinking" and "for Rousseau" as if the subjects under discussion were the mental quirks of the writers. And so on. Minor points in a way, but it continues to surprise that writers supposedly interested in writing don't even read themselves carefully before publishing their books.