Set around World War II, the three hilarious stories in the collection are linked by the presence of one Philander Cosmo Rexroat, B.S., M.S., "Pee Aitch Dee," resurrected here from McClanahan's bestselling book The Natural Man, where he appeared as "the Cecil B. De Mille of Sex Hygiene Entertainment." In these stories, Rexroat turns up in several new preacher, sideshow spieler, and bogus physician. "Juanita and the Frog Prince" tells of a pregnant jailhouse laundress whose ill fate is transformed by a magical encounter with Luther "Two-Nose" Jukes, an inmate awaiting trial for murder. The title story walks us down the carnival midway and a step beyond, as the ubiquitous Rexroat, his consort Wanda Pearl, and a clairvoyant hermaphrodite - "It's that old morphadyke again!" - provide the way station for a boy's journey into the grown-up world of love, loss, and hocus-pocus. "Finch's Song," the tale of Needmore's most beleaguered denizen, a school bus driver endlessly tormented by his ruthless half brother, is both a love story and a story of retribution.
Edward Poage McClanahan was born in Brooksville, Kentucky in 1932 to Edward Leroy and Jesse (Poage) McClanahan. He attended school there and later in nearby Maysville, Kentucky where the family relocated in 1948. McClanahan graduated from Miami University with a B.A. in English in 1955 and from the University of Kentucky in 1958 with a M.A. in English. McClanahan taught English at Oregon State University, 1958-1962.
He received a Wallace Stegner Fellowship in 1962 and remained at Stanford University as E. H. Jones Lecturer in Creative Writing until 1972. During his time at Stanford, while also known by his hippie moniker "Captain Kentucky," McClanahan became good friends with author and fellow Stanford attendee Ken Kesey. McClanahan was an active member of Kesey's band of Merry Pranksters.
McClanahan currently resides in Lexington, Kentucky with his third wife, Hilda. He is active in Kentucky literary circles and can occasionally be seen, in full "Captain Kentucky" regalia, guest-lecturing to University of Kentucky creative writing workshops.
I feel bad for giving Congress of Wonders a low rating. I think the writing is good, but I think the short story format, the rather absurdist, atmospheric descriptions, and unique tone are not going to be for everyone. The writing was reminiscent of Mark Twain to me and the stories reminded me a bit of reading Gogol and absurdist Russian literature. For most of each story, you have no idea why what's going on or why the characters are important, but then there's a moment near the endings that makes you think and takes you deeper. I'm glad I read this book, but I'm not quite sure that I liked it.
Colorful loquacious narrative that won me over as a lad. Makes me proud to be a Kentuckian. As the ninth anniversary of my reading it looms and the tenth anniversary of its publication has arrived, perhaps I'll revisit it.
McClanahan is a master of his trade. His language and pacing so absolutely perfect The characters are at once outrageous and ordinary. His story telling is delightful.