Locates Blake firmly with his nonconformist contemporaries,in the 1790's onward,showing how his later 'Prophecies' drew from a range of radical millennarians ( such as Richard Brothers).
Shows how Blake's response to the French and American revolutions, in poems such as 'Europe' 'America' and his own reworkings of mythography (such as the'Great Albion',the fallen 'Giant' ,and 'Orc') was situated in the cultural politics of his time,by using 'bricolage' to reinterpret traditional Biblical texts and stories to challenge its cultural hegemony.