Paul Finch is a former cop and journalist, now full-time writer. Having originally written for the television series THE BILL plus children's animation and DOCTOR WHO audio dramas, he went on to write horror, but is now best known for his crime / thriller fiction.
He won the British Fantasy Award twice and the International Horror Guild Award, but since then has written two parallel series of hard-hitting crime novels, the Heck and the Lucy Clayburn novels, of which three titles have become best-sellers.
Paul lives in Wigan, Lancashire, UK with his wife and children.
The Christmas Toys - Two Christmas burglars get, what else, more than they bargained for when they rob the wrong house. Fun.
Midnight Service - A man stranded in a snowed-in town stumbles upon an old church where a strange priest compels him to perform in a midnight show. Creepy.
The Faerie - A henpecked hubby absconds from his biatch of a wife with his daughter. When a blizzard forces them out of their car they find what appears to be a Yuletide oasis: the ideal holiday home and a perfect woman. Too perfect? Fun and creepy.
The Mummers - It’s the office Christmas party from hell as a couple of boomers exploit a ghostly legend to get revenge on the millennial upstarts who have mercilessly put them out to pasture. Satisfying.
The Killing Ground - A not so thinly veiled Tom Cruise and Penelope Cruz hire a husband-wife PI team to prove their new English country house isn’t cursed by a limey La Llorona. Blimey!
The last, a novella, is a real stand out. I enjoyed the unpredictability of it. I thought I was in for a twist but I wasn’t, which is in itself a twist. If only every Simon Ark/Scooby Doo collection could start with a story like The Killing Ground.
Finch doesn’t get enough credit. The horror communities online all seem to recommend the same overhyped names over and over, and maybe I’m looking in the wrong places but I very rarely see Finch’s name pop up. But he’s wicked good at what he does. His writing is smooth, his characters recognizable, his acuity for creating interesting details—like character names—is impressive, and everything in the stories, from geography to history, is extremely well-researched (or at least written that way, which is a different kudos but a kudos nonetheless.) For example, in The Mummers, a story about local newspapermen at Christmastime, he works lyrics from carols into his prose, as well as the phrase “And a good time was had by all,” which, as it turns out, originated in local newspapers.
I’m really surprised there aren’t blogs or podcasts yet dedicated to poring over his horror fiction. There’s more here than meets the eye. I can’t wait to come back to these stories for many Christmastimes to come. Particularly the final three stories, they’re top notch.