The Best Australian Essays 2014
I don’t read Australian authors. There—I said it. I claim to be this well-read person who feels the books I’ve read are responsible for the person I am, and yet—aside from binging on Aussie fiction as a kid—I hardly go near the writers bred from this big flat, sunny island I was born on. And we’ve produced some damn good writers who have contributed to my literary education and the development of literature globally. So why’d I turn a blind eye?
I have what’s called a “cultural cringe”. Far as I know there aren’t any creams/pills for it, but I’m working on getting rid of it. A cultural cringe is when you treat look at your nation in the same way you’d view your dad, after a few too many at the family BBQ, lashing out and getting into a fight with the in-laws. You turn away and hide your face because you feel that deep, special kind of shame only your family can conjure up. As a young adult I started to feel as if Australia were this uncultured bunch of bogans who couldn’t care less about what the rest of the civilised world were up to. I surrounded myself with European films and American writers while pining to be taken away somewhere more central, where the arts mattered and were taken seriously.
I picked up The Best Australian Essays 2014 because I figured if there was one way to get back in touch the voices on my land it’d be through the best picked writings of last year.
This collection, edited and introduced by public intellectual Robert Manne, is an amalgam of conversation from Australian writers. The book isn’t split up into sections, though the essays almost seem to be divided up into categories.
The collection kicks off with personal essays and dealing with the death difficult parents. Jessie Cole’s essay “The Breaking Point” is about her sister’s suicide and father’s subsequent decent into madness. Cole’s tale sweats emotion, as if she’s digging difficult memories out of herself and dumping them on the page—it’s absolutely marvellous. Helen Garner’s somewhat embittered account of the death of her mother like a series of painful snapshots, each rendered lucidly by her sharp prose. I felt my cultural cringe lift as I realised, nobody writes about family drama like Australians.
Politics comes midway when Rachel Nolan discusses the Liberal party’s cabinet dominated by old, white males and David Marr muses on the different personalities of our current Prime Minister, Tony Abbott (nation-wide shudder). He settles, despairingly, on Abbott as a "blowhard on the campaign trail."
There’s a bit of literary criticism from Clive James on poetry and J.M. Coetzee wondering if it was right to publish Patrick White’s last manuscript when he specifically stated it should be destroyed.
There are a few essays on the natives, including Aboriginal lawyer Noel Pearson’s exhaustive examination of the mass genocide of the natives in Tasmania, and Neil Murray’s tumultuous travels with the Warumpi Band.
Tim Winton caps off the collection (of course) with a breathtakingly beautiful account on the Australian land and why its writers are so reluctant to stop writing about its beaches, deserts and long, barren highways like the Nullarbor. Or why our painters are still trying to capture that bright, blinding sun. He addresses something that spoke to me and my affliction directly:
"Most Asian or European countries can be defined in human terms … I don’t mean to imply that Australia has no culture or that its cultural life is inconsiderable. I seek only to acknowledge the fact that the continent’s natural forms remain its most distinguishing features."
I’ve still a long way to go to gain a better appreciation of my birth land and everything it has to offer. And to anyone who has no trace of a cultural cringe, my issue probably seems pointless. Why not just read whatever I want? Well, when I realised how snobbish I was towards Australia, I suddenly felt that a connection I’d taken for granted, the connection to my own home, had been severed. If I didn’t want Australia, then it didn’t want me. It was a chilling feeling. The Best Australian Essays hasn’t fixed everything, but it felt good putting my ear to the ground again.