In Julie Weston’s Moonshadows, Nellie Burns, fired from her job as a photographer’s assistant in prohibition-era Chicago, has headed west to try to support herself in her chosen profession. While photographing moon shadows on snow near a deserted cabin, she discovers a dead body, and so begins a mystery that takes us right into the heart of small town Idaho.
With Weston’s novel, the setting is as much a character as the people who inhabit it. Once a mining town, most of the miners have moved on, along with the Chinese population. Stores are closed and rural life, with sheepherding, is slowly returning. Right on the first page of Chapter One, Weston marks the difference between Chicago and a town virtually untouched by the outside world, a town with its own concerns: “Prohibition had seriously affected people’s drinking habits in Chicago by the time Nellie left; everyone talked about how to get liquor. In Idaho, no one even mentioned Prohibition.” This is not a page-turning mystery/thriller. Rather it takes you to a time and place other than our own, and immerses you so steeply in its different affairs and prejudices, you’ll be surprised to find where you are when you look up from the book.
The town is peopled by a cast of characters, individual and well drawn, playing out their bit parts in Nellie’s life. As Nellie tries to start her business and unravel the mystery of the eventually-discovered two dead bodies, she encounters Chinese, Basque, Scot, and native Idahoans. As pieces of the puzzle come together, Nellie becomes a confidant or ‘sounding board’. At times, I felt this caused Nellie herself to be somewhat one-dimensional, but it is a small complaint for the enjoyment of what is a most excellent read.