A new collection of essays grappling with identity and memory, from a master of the form.
The author of the New York Times bestselling novel The Gates of the Alamo, the sweeping Texas history Big Wonderful Thing, and decades of incisive journalism, Stephen Harrigan is an adept writer skilled in crafting memorable characters. From this singular voice now comes a collection of essays tackling the most personal, and yet most expansive, themes of identity, memory, and time itself.
An Anchor in the Sea of Time unfolds individual stories but also a larger narrative about the development and distortions of history. In one essay, a painting on his grandparents’ wall is seared in Harrigan’s young mind. In another, a group trip to Vietnam stirs up a sobering confrontation with class privilege among Americans who fought there and others, like Harrigan, who did their best not to. The award-winning essay “Off Course” reflects on the father Harrigan never met. And Harrigan’s reporting about the Karankawas, an Indigenous group from the Texas coast once thought to be extinct, takes readers deep into the recesses of collective forgetting and offers glimpses of the possibility of recovery. A vivid encounter with lost selves, vanished worlds, and futures yet unrealized, An Anchor in the Sea of Time is perhaps the most personal book yet from this beloved writer.
Stephen Harrigan was born in Oklahoma City in 1948 and has lived in Texas since the age of five, growing up in Abilene and Corpus Christi. He is a longtime writer for Texas Monthly, and his articles and essays have appeared in a wide range of other publications as well, including The Atlantic, Outside, The New York Times Magazine, Conde Nast Traveler, Audubon, Travel Holiday, Life, American History, National Geographic and Slate. His film column for Texas Monthly was a finalist for the 2015 National Magazine Awards. Harrigan is the author of nine books of fiction and non-fiction, including The Gates of the Alamo, which became a New York Times bestseller and Notable Book, and received a number of awards, including the TCU Texas Book Award, the Western Heritage Award from the National Cowboy and Western Heritage Museum, and the Spur Award for Best Novel of the West.Remember Ben Clayton was published by Knopf in 2011 and praised by Booklist as a "stunning work of art" and by The Wall Street Journal as a "a poignantly human monument to our history." Remember Ben Clayton also won a Spur Award, as well as the Jesse H. Jones Award from the Texas Institute of Letters and the James Fenimore Cooper Prize, given by the Society of American Historians for the best work of historical fiction. In the Spring of 2013, the University of Texas Press published a career-spanning volume of his essays, The Eye of the Mammoth, which reviewers called “masterful” (from a starred review in Publishers Weekly), “enchanting and irresistible” (the Dallas Morning News) and written with “acuity and matchless prose.”(Booklist). His latest novel is A Friend of Mr. Lincoln. Among the many movies Harrigan has written for television are HBO’s award-winning The Last of His Tribe, starring Jon Voight and Graham Greene, and King of Texas, a western retelling of Shakespeare’s King Lear for TNT, which starred Patrick Stewart, Marcia Gay Harden, and Roy Scheider. His most recent television production was The Colt, an adaptation of a short story by the Nobel-prize winning author Mikhail Sholokhov, which aired on The Hallmark Channel. For his screenplay of The Colt, Harrigan was nominated for a Writers Guild Award and the Humanitas Prize. Young Caesar, a feature adaptation of Conn Iggulden’s Emperor novels, which he co-wrote with William Broyles, Jr., is currently in development with Exclusive Media. A 1971 graduate of the University of Texas, Harrigan lives in Austin, where he is a faculty fellow at UT’s James A. Michener Center for Writers and a writer-at-large for Texas Monthly. He is also a founding member of CAST (Capital Area Statues, Inc.) an organization in Austin that commissions monumental works of art as gifts to the city. He is the recipient of the Texas Book Festival’s Texas Writers Award, the Lon Tinkle Award for lifetime achievement from the Texas Institute of Letters, and was recently inducted into the Texas Literary Hall of Fame. Stephen Harrigan and his wife Sue Ellen have three daughters and four grandchildren.
Having just finished Susan Orlean's latest which features The New Yorker voice, it was fun to read Stephen Harrigan who very much has a Texas Monthly writing style. Isn't it great when a magazine has a specific feel to it? Even though articles are written by a variety of people and cover a diverse range of topics, there is a DNA to the pieces. An Anchor in the Sea of Time was a wonderful read, although I admit I have lived in Texas for many years and am able to see in my mind's eye many of the places and if not the exact people, then people like those discussed in the book. If you've ever wondered what it would be like to live somewhere different, this gives the reader a taste of growing up and living in Texas. If you are from here, you will nod your head in recognition throughout. The essays and personal stories were interesting - I've already told the Leatherface story to several people. This gave me everything I want from an essay collection: slice of life narratives and big topic opinions, personal stories and interesting details, a peek into a life I will never have but am happy to spend a couple hours browsing the contents. Thank you to HighBridge and NetGalley for the audioARC.
It would be impossible not to appreciate this collection of essays as a Texan and reader of Texas Monthly. A pleasure to read and I learned a few things too.
An Anchor in the Sea of Time by Stephen Harrigan Narrator, Gary Noon I remember this author from many years of reading Texas Monthly. Because I am within spitting distance of his age these essays brought recognition and remembrance to me about my own life. Some of them were poignant or downright sad but several made me laugh out loud. Some were educational but all were meaningful to one degree or another. He even made some aspects of the Covid era into something to laugh about in retrospect. The narrator was okay except for some place name mispronunciations but it was not so annoying as to interfere with the enjoyment of the essays. Thanks to NetGalley.
Stephen Harrigan is an elegant writer, but also a relatable writer. Every word, every nuance, sit there waiting to be devoured like peanuts on a platter. It's books like this one that me thankful I can read. Highly recommended.