Hard-Boiled: Working Class Readers and Pulp Magazines

by Erin A. Smith

In the 1920s a distinctively American detective fiction emerged from the pages of pulp magazines. The "hard-boiled" stories published in Black Mask, Dime Detective, Detective Fiction Weekly, and Clues featured a new kind of hero and soon challenged the popularity of the British mysteries that held readers in thrall on both sides of the Atlantic. In Hard-Boiled Erin A. Smith examines the culture that produced and supported this form of detective story through the 1940s.Relying on pulp magazine advertising, the memoirs of writers and publishers, Depression-era studies of adult reading habits, social and labor history, Smith offers an innovative account of how these popular stories were generated and read. She shows that although the work of pulp fiction authors like Dashiell Hammett, Raymond Chandler, and Erle Stanley Gardner have become "classics" of popular culture, the hard-boiled genre was dominated by hack writers paid by the word, not self-styled artists. Pulp magazine editors and writers emphasized a gritty realism in the new genre. Unlike the highly rational and respectable British protagonists (Miss Marple and Hercule Poirot, for instance), tough-talking American private eyes relied as much on their fists as their brains as they made their way through tangled plot lines..

Casting working-class readers of pulp fiction as "poachers", Smith argues that they understood these stories as parables about Taylorism, work and manhood; as guides to navigating consumer culture; as sites for managing anxieties about working women. Engaged in re-creating white, male privilege for the modern, heterosocial world, pulp detective fiction shaped readers into consumers by selling them what theywanted to hear -- stories about manly artisan-heroes who resisted encroaching commodity culture and the female consumers who came with it. Commenting on the genre's staying power, Smith considers contemporary detective fiction by women, minority and gay and lesbian writers.

Genres: Nonfiction, Crime

215 pages, Paperback

First published May 1, 2000

Reviews

[Bruce · Rating 4 out of 5]

This is an intriguing literary criticism of the detective stories that appeared in pulp magazines between the wars and morphed into the paperback novels appearing shortly after World War II. While discussing several of the stories and recurring characters the author also describes what was happening in society at the time. Thus,I place it in a few shelves because it points out that the stories in many respects are an indication of society's attitudes and reflect the attitudes of those purchasing and reading the works.

[Rogue Reader · Rating 4 out of 5]

The origins of hard boiled detective fiction and details about the writers and magazines that brought this genre to the public and eventually, respectability.

[Renaud Germain · Rating 4 out of 5]

https://www.youtube.com/watch?v=7-eJB...
( Hard-boiled versus détective classique : une lectrice nous en parle.)