Poetry. African American Studies. "Reading theses poems, you'll think the stereo is on--their music is that sure and rich, exuberant and sorrowful in turns, full of a sexual sway. Terrance Hayes takes us through a living library of cultural icons, from Shaft and Fat Albert to Coltrane and Miles Davis, but we always end up at the heart, where damage and tenderness mix, where lonliness becomes a blood tie. His generous vision finds beauty in our most flawed gestures"--Betsy Sholl, author of THE RED LINE and DON'T EXPLAIN. Terrance Hayes is a native of South Carolina. He received his MFA from the University of Pittsburgh in 1997 and has published in a range of literary journals and anthologies. MUSCULAR MUSIC is his first book.
Terrance Hayes is the author of six poetry collections, including American Sonnets for My Past and Future Assassin, How to Be Drawn, and Lighthead, which won the National Book Award. He is a MacArthur Fellow and teaches at the University of Pittsburgh.
undoubtedly one of the best alive, a banger of a debut.... right thru from At Pegasus, immediately . An amazing poem & over twenty years old but lives and breathes now. everything in here worth the time but special commendation to the last section, Davis & Coltrane, the heartbreak there, that letdown, Boxcar
"Now that my afro’s as big as Shaft’s I feel a little better about myself. How it warms my bullet-head in Winter..."
Terrance Hayes is such an important poet for Black America, and he gets the community's experiences with systemic racism, pop culture, gang warfare pat down. Watch for the section 'Yummy Suite' - a collection of poems on the devastating shooing of 14 year-old Shavon at the hands of 11 year-old Yummy. Shafro, Yummy Suite, Late, HowYouBeens, Pittsburgh, and Poet Dying At The Window are all incredible poems worthy of applause.
The first book by a poet I've followed closely since his second book. Much of what I love about Hayes is fully present here and there's a rough edge that fits with the experiences he's drawing on. Love his sense of music--Donny Hathaway, Billie Holiday, Roberta Flack, the ambiguities/contradictions of listening to Miles Davis knowing he didn't live the life his music summons us to live.
The opening poem, What I Am, is a classic and Woman Walking on the Road comes closer.
From "Salami (A Manifesto)," this line nearly ruined the whole collection for me: "...I think I'd like to be (a) a prison guard. I'd carry a dozen clattering silver keys and where striped pants.
From "Noir: Orpheus," this stanza stuck with me: Love should be a tow truck-- What rescues our stalled, abandoned hearts; What leads us back to repair. Love should save us, But it won't.
This entire review has been hidden because of spoilers.
creative, powerful, funny poems hayes always has great lines his pems always have a little bit of music in them he has some poems about jazz and pittsburgh and love its a solid first collection
These poems are full of life— they call to be spoken out-loud from the page. Hayes writes as if singing, as if his words were caught mid-conversation. Some of these poems are an excellent study in how to use rhythm, syntax, and cadence to make the reader want to bring your words to life with her own mouth. “At Pegasus,” Tenderness,” and “When The Neighbors Fight” are especially honest and unexpected poems.
A great collection with many poems that are moving, funny, and provocative in meaningful ways. "Yummy Suite," "Late; for My Mother," "Derrick Poem (the Lost World)" and "Goliath Poem" were some of my favorites.
An incredibly interesting melange of sights, sounds, memories & pop culture iconography. I don't quite understand the arrangement and the overall collectedness of this volume. Good, but often not cohesive.
Hayes' poems moved me into complete love for him a a poet. He has a talent beyond the average mind, and a sensitivity to human nature that makes be desirous to speak with such a mind.