Three from Dunsterville

by P.G. Wodehouse

ONCE upon a time there was erected in Longacre Square, New York, a large white statue, labelled 'Our City', the figure of a woman in Grecian robes holding aloft a shield. Critical citizens objected to it for various reasons, but its real fault was that its symbolism was faulty. The sculptor should have represented New York as a conjuror in evening dress, smiling blandly as he changed a rabbit into a bowl of goldfish. For that, above all else, is New York's speciality. It changes. Between 1 May, when she stepped off the train, and 16 May, when she received Eddy Moore's letter containing the information that he had found her a post as stenographer in the office of Joe Rendal, it had changed Mary Hill quite remarkably.

26 pages, Paperback

First published December 18, 2012

About the author

Sir Pelham Grenville Wodehouse, KBE, was a comic writer who enjoyed enormous popular success during a career of more than seventy years and continues to be widely read over 40 years after his death. Despite the political and social upheavals that occurred during his life, much of which was spent in France and the United States, Wodehouse's main canvas remained that of prewar English upper-class society, reflecting his birth, education, and youthful writing career.

An acknowledged master of English prose, Wodehouse has been admired both by contemporaries such as Hilaire Belloc, Evelyn Waugh and Rudyard Kipling and by more recent writers such as Douglas Adams, Salman Rushdie and Terry Pratchett. Sean O'Casey famously called him "English literature's performing flea", a description that Wodehouse used as the title of a collection of his letters to a friend, Bill Townend.

Best known today for the Jeeves and Blandings Castle novels and short stories, Wodehouse was also a talented playwright and lyricist who was part author and writer of fifteen plays and of 250 lyrics for some thirty musical comedies. He worked with Cole Porter on the musical Anything Goes (1934) and frequently collaborated with Jerome Kern and Guy Bolton. He wrote the lyrics for the hit song Bill in Kern's Show Boat (1927), wrote the lyrics for the Gershwin/Romberg musical Rosalie (1928), and collaborated with Rudolf Friml on a musical version of The Three Musketeers (1928).

Reviews

[Amrita · Rating 3 out of 5]

A fine read. Just fine.