From the cover, I hadn't expected this manga to be good. The art did promise to be excellent, but the storyline was the point worrying me, for this isn't a period I'm used to seeing good HF for.
And, to be honest, the beginning didn't assuage my fears at all. On the contrary, the mysticism surrounding the birth of Hannibal Barca and the story of how he was saved just in time from being made a sacrifice to Baal was close to putting me off the book for good. But I persisted, even though the incident in which little Hannibal causes an uproar at the meeting of the Carthaginian senate and the Roman ambassadors (amongst which was Scipio, father of Scipio Africanus) was very much cementing my ambivalent first impression. But, as this volume collects half a dozen "chapters" (episodes), there was still more to come, so I went on to the next and it finally got me interested and kept my interest throughout.
The plot is basically the whole Second Punic War between the powerful city-states of Rome and Carthage that lasted near two decades, from 218 B.C. to 201 B.C. But instead of an abstract conflict with several protagonists per episode, author Mihachi Kagano opted for making this the story of two men destined to either save or destroy their respective republics: Carthaginian nobleman Hannibal Barca, son of general Hamilcar Barca of First Punic War fame, and Roman patrician Publius Cornelius Scipio, son of the consul with the same name and to be known forever as Scipio Africanus. Both youngsters are determined to lead their countries to victory over the other, and fortunately for each side, both are equally superb leaders and evenly-matched genius strategists like we don't often see in history, which makes the war last longer, be harder fought and more unpredictable.
Despite the wee sprinkling of a bit of mysticism, which in the end does fit in a world so attached to believing in supernatural influences and omens, and a few liberties here and there, Kagano has stayed within what's supported by historical sources. I appreciated that at the end of each episode the author included the sources, with quotes and excerpts, for the readers to see where the story is true to facts and where the artistic deviations are. From these, we learn that the plot of Ad Astra follows the accounts of Polybius of Megalopolis in his Histories and Titus Livius (a.k.a. Livy) in his History of Rome, which are the primary sources we have for the Second Punic War, because unfortunately there are no surviving Carthaginian records since the chronicles of Hannibal's secretary Silenus disappeared and Scipio's memories were either destroyed or lost as well, and neither has the biography of Scipio Africanus by Plutarch that was part of his Lives survived for our benefit. For those familiar with the history of the Punic Wars, this level of accuracy will surely be welcome even if it may read a bit too familiar, although the little artistic licences might help in making this not so predictable, not to mention it's always interesting to see these known facts illustrated.
The art is beautiful, too. It's all in black in white save for the lovely covers, and follows a somewhat Westernised manga style, not realistic exactly but not too cartoonish either. The artist deserves praise for making sure the armour and weaponry of the Romans are true to the period, because there's too many out there that simply go for the more known uniforms and weaponry of the late republic/early empire regardless, which is very different to the ones from the Punic Wars. Same for the Carthaginians, who followed a Hellenistic style at the time. As for how the characters are drawn, Hannibal is pretty much as he should've been, a bearded brunet. I smiled in recognition at seeing that Kagano had gone for depicting Scipio as an Hellenised boy, with long flowing hair, a no-no for Romans, which is accurate because one of the things Scipio was criticised for by his opponents in his lifetime was his Greek ways and following Greek fashions in his appearance, and that was seen as unmanly and un-Roman by his enemies at home.
As would be, the storytelling is heavily action-centric and most of the plot revolves round battles and skirmishes, so don't expect a slow pace and not many non-political/non-fighting scenes for now. The story in the first volume concludes with these two men seeing each other for the first time at the Battle of Ticinus, when the troops commanded by Scipio Sr. came face to face with Hannibal's men just coming out of their harrowing crossing of the Alps. In that battle, Hannibal once more demonstrates his genius, but the scene is also the time when Scipio Jr. can demonstrate to Daddy what he's worth, and the way the last scene is laid out is like a silent promise that next time these two find each other, the world will come down in flames. A nice way to make the reader wish to read more; I, for one, definitely will despite knowing how this ends.