These nineteen essays introduce the rich and until now largely unexplored tradition of women's experimental fiction in the twentieth century. The writers discussed here range from Gertrude Stein to Christine Brooke-Rose and include, among others, Virginia Woolf, Jean Rhys, Jane Bowles, Marguerite Young, Eva Figes, Joyce Carol Oates, and Marguerite Duras. "Friedman and Fuchs demonstrate the breadth of their research, first in their introduction to the volume, in which they outline the history of the reception of women's experimental fiction, and analyze and categorize the work not only of the writers to whom essays are devoted but of a number of others, too; and second in an extensive and wonderfully useful bibliography."--Emma Kafalenos, The International Fiction Review "After an introduction that is practically itself a monograph, eighteen essayists (too many of them distinguished to allow an equitable sampling) take up three generations of post-modernists."--American Literature "The editors see this volume as part of the continuing feminist project of the recovery and foregrounding of women writers.' Friedman and Fuchs's substantive introduction excellently synthesizes the issues presented in the rest of the volume."--Patrick D. Murphy, Studies in the Humanities Originally published in 1989. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
A PreView ; or, List me a List, Most Kindly. Now Addend’d ; Cb’low (future occasional Floats caused by further such addend’ing ; always at Review’s Bottom). [Float Re: add'l authors by Ali, beginning with del Valle]
Recommended reading/reference for an overview of a not frequently acknowledged literary tradition. Women. Writing. Experimental. Fiction. That’s a Four=Fold.
Q :: ------------? A :: No. Of the third gen above listed, not=all get attention in the essays collected herein.
Q :: ----------------? A :: Yes. Each name above is accompanied by a select=bibliography through 1989.
Q :: ----? A :: Indeed. A great deal has occurred since 1989. Basically an entire Wall fell, Egg-&-All.
Q :: -------? A :: True. The gr db is a wreck. For instance, Ms. Richardson has at least three author profiles. If there exist better profile=links for any of the above authors, please to inform.
Q :: -------ToC-----? A :: Look™Inside™Abel™ @amazon☂
_________________ NOW Addend’ing ; AKA, a Peanut’s Gallery see threads below for more ausführlichen forms of these Addend’s.
Add’ bye Ali :: LInKS HErE (auch, this list’s anna=tations). Kay Boyle George Egerton Eimear McBride June Arnold Carol Emshwiller Daphne Marlatt's France Daigle Janet Frame Christine Schutt Olive Moore Gail Scott's Sue Thomas Hilda Hilst Lucy Corin Cathy Stonehouse Stacey Levine Ivy Compton-Burnett Can Xue Silvina Ocampo Grace Krilanovich Bev Jafek Anne Germanacos Maude Hutchins Amelia Gray Emily Holmes Coleman Julieta Campos Gisela Elsner Ingeborg Bachmann Hélène Cixous Ewa Kuryluk Erin Mouré (or Erin Moure) Leonora Carrington Gellu Naum Elfriede Jelinek Jan Ramjerdi Theresa Hak Kyung Cha Mina Loy Rosamel del Valle Nelly Kaplan Ilse Aichinger Danute Kalinauskaite Giedra Radvilaviciute Mercè Rodoreda Gisèle Prassinos Inga Abele Christine Montalbetti Penny Simpson Ornela Vorpsi Noëlle Revaz Christina Hesselholdt Tiina Raevaara Susana Medina
Add’end by MJ :: ’is links ‘ere. Cris Mazza Rikki Ducornet Rosalind Belben Janice Galloway Marie Redonnet Irmtraud Morgner
A valuable reference book and mini-manifesto on all things female and experimental up to 1989. The editors’ impassioned essay that opens the volume is the finest thing here, alongside Brooke-Rose’s ‘Illiterations’ and Larry McAffrey’s ‘The Artists of Hell’ on Kathy Acker. The rest is of varying interest and tends towards the tediously academic, and some of the authors chosen for discussion are eye-rolling (Joyce Carol Oh-Noates and Marguerite Drearass), otherwise the choices are to be commended.