Three Guesses by Chris McClain Johnson is a unique and charming novella, a contemporary take on the time-honored epistolary format. Three very different strangers, loosely connected by a painting, exchange letters over a period of seven years, from July 1998 through July 2005. Their unlikely connection starts out on tentative footing, but gradually, over time, they develop an unexpected closeness.
Sam Brooks sends the first letter. Sam is a young woman living at the time in Memphis, Tennessee, temping at the artists’ collective that auctioned the painting, Three Guesses, as part of a fundraiser. Sam’s reaching out to the others at their home addresses is, by her own admission, inappropriate, but her curiosity (and boredom with her job) has won out.
The second letter is from Richard Mabry, who now owns the painting and lives in Phoenix, Arizona.
The third letter is from the painting’s artist, Pete Wren, who lives in New York City. Pete donated the painting to the organization several years earlier.
Though by 1998, email had become a popular means of social communication, with the advent of America Online (AOL) and Yahoo, the trio chose to exchange letters via “snail mail” only. Their adherence to tradition seems to heighten the thoughtfulness and humor of their interactions.
Each letter writer lives a very separate and different lifestyle from the others, but their exchanges provide them each with an outlet that allows a separation from their everyday concerns and interactions. It allows them to explore friendship without the impediments that the mundane distractions and irritations of ordinary life can sometimes bring.
In their letters, they find that they can reveal themselves as little or as much as they wish, but as time passes, their lives become more entwined. They share anecdotes from their professional and personal lives, their challenges and struggles. They come to count upon and trust one another as sounding boards, and for insights on how to cope with their intimate and family relationships. In many ways, their letters are far more revealing than even a face-to-face conversation might be. Along the way, they add exchanges of short stories and poems, even gifts, and eventually, finally, plan to all meet in person.
The author makes her characters come alive through these letters. They feel vivid and real. She examines the frustrations of the artist, Pete, in his creative work. She articulates the hesitation that Richard feels in revealing to strangers that he is gay, fearing their judgment or rejection. She allows Sam to bare all when she explains how she became a single mother.
The author is also skilled in description. When Sam moves to the Outer Banks, the area’s islands and shoreline features will make readers want to plan a vacation, despite the dangers of the hurricanes that often batter the area. When Pete mentions the state of New York City following 9/11, we are reminded of the horrors that day and what followed, though it is now more than 20 years ago; I was immediately taken back to my own experience there.
All in all, this is a highly imaginative and appealing work, cleverly written. I will be looking forward to seeing what the author does next. In addition, the cover design is very attractive and appropriate, and would catch my attention in a bookstore from among the sea of new books.
This book is for adults who value the enduring friendships in their lives, but are also open to making new ones, recognizing that we find our relationships vary with the people we meet at different points in life. Sometimes friendships develop from proximity, from shared values, or interests, but the way we meet our friends is often serendipitous.
It is also for anyone who has fond memories of a pen pal. During junior high, I participated in a pen pal exchange with German kids in my age group. My pen friend Christine and I wrote to each other for several years, though our letters eventually petered out in our later teens. Nearly sixty years later, however, I remember that it was Christine who introduced me to the songs of the late Leonard Cohen, especially “Suzanne,” which was popularized by Judy Collins around that time. I remain a fan of both artists and silently thank Christine whenever I hear their music. Three Guesses reminded me of that.