In fourth grade, in Gusher, Utah, I won four dollars in a school district essay contest on “Why We Should Eat a Better Breakfast.” And yes, this morning I had a bowl of my own excellent granola, followed by a hike in the hills near my home in Walnut Creek, California.
In high school I began writing in earnest. I have now in my files a folder marked “Poetry, Very Bad,” and another, “Poetry, Not Quite So Bad.” Writing served a good purpose for that very dramatic, insecure adolescent. Also at that time I began to keep a diary, which I still maintain and which has been indescribably useful to me both as a writer and as a pilgrim on the earth.
After graduating from Brigham Young University with an MA in theatre, teaching for a year in Utah at Snow College, and traveling for a year, I taught part-time at BYU in the English department and was then hired by the motion picture studio on campus to write educational and religious screenplays.
While performing at the university as Mrs. Antrobus in Thornton Wilder’s “The Skin of Our Teeth,” I met and fell in love with Gerald Pearson, a shining, blond, enthusiastic young man, who fell in love with me and my poems.
“We’ve got to get them published,” he said on our honeymoon, and soon dragged me up to the big city, Salt Lake City, to see who would be first in line to publish them. “Poetry doesn’t sell,” insisted everyone we spoke to, and I, somewhat relieved, put publishing on the list of things to do posthumously.
But not Gerald. “Then I’ll publish them,” he said. Borrowing two thousand dollars, he created a company called “Trilogy Arts” and published two thousand copies of a book called Beginnings, a slim, hard-back volume with a white cover that featured a stunning illustration, “God in Embryo,” by our good friend Trevor Southey, now an internationally known artist. On the day in autumn of 1967 that Gerald delivered the books by truck to our little apartment in Provo, I was terrified. I really had wanted to do this posthumously.
Beginnings
Today You came running With a small specked egg Warm in your hand. You could barely understand, I know, As I told you of Beginnings– Of egg and bird.
Told, too, That years ago you began, Smaller than sight. And then, As egg yearns for sky And seed stretches to tree, You became– Like me.
Oh, But there’s so much more. You and I, child, Have just begun.
Think: Worlds from now What might we be?– We, who are seed Of Deity.
We toted a package of books up to the BYU bookstore, and asked to see the book buyer. “Well,” she said, “nobody ever buys poetry, but since you’re a local person, let me take four on consignment.” As they came in packages of twenty, we persuaded her to take twenty--on consignment. Next day she called and asked, “Those books you brought up here. Do you have any more of them?”
I had anticipated that the two thousand books, now stacked in our little closet and under our bed and in my Daddy’s garage, would last us years and years as wedding presents. But immediately we ordered a second printing. Beginnings sold over 150,000 copies before we gave it to Doubleday and then to Bookcraft.
Beginnings was followed by other volumes of poetry: The Search, The Growing Season, A Widening View, I Can’t Stop Smiling, and Women I Have Known and Been. Most of the poems from the earlier books now appear in a compilation, Beginnings and Beyond. The poems have been widely reprinted in such places as Ann Landers’ column, the second volume of Chicken Soup for the Soul, and college textbooks such as Houghton Mifflin’s Structure and Meaning: an Introduction to Literature. That first little volume of verse, and my husband’s determination, laid the foundation for my entire career.
Another characteristic of my husband was to have a profound effect on both
Most poetry collections have some that resonate with me and others that don't, but this was overwhelmingly filled with poems that spoke to me. I am familiar with some of Pearson's other work, but I wasn't aware of her poetry. I'm glad I found it.
Pearson is a prolific writer having composed plays, poetry, and non-fiction that I'm aware off, perhaps even more. This collection of poems are told from a woman's perspective and many are simple clear stories of experiences and relationships. They are solid and meaningful and are a window into a Mormon woman's life. Definitely worthwhile reading.
Poetry isn’t my favorite but I found several gems in this book that I quite enjoyed and relates to. I think my favorite one was “Flaws.” A good reminder to work on ourselves and not search for flaws in others.
Poetry about the female experience. In spite of the weird cover, the poetry expresses many of my feelings about my life. I felt very vulnerable while reading it, as if the author was showing things that I meant to hide. Gift from my friend Megan. I keep reading it over and over!
This is a book of poetry by a Mormon woman. Some of the poems made me laugh, some made me cry, some made me ANGRY, some just confused me. But there were a lot of them that I really loved. The whole time I was reading it (took about 2 hours), I kept wanting to discuss it with someone (like at a Book club). My sister (who lives in Provo) owned the book, so I don't know how hard it is to find in the real world.
Another book of Carol Lynne Pearson poems, which I liked, but not as much as the one I bought at a garage sale last month. It makes sense. This book was from the library, so it was free. The one from the garage sale cost me $1. It should've been better. It cost me a buck.
Probably every woman (especially every Mormon woman) can find something to relate to in this book. It is full of wonderful poems about the lives of women. I really appreciate Carol Lynn Pearson.
I just love Pearson's poetry. She tackles some pretty serious issues in this volume as well. She is really able to use poetry to tell a compelling story in addition to expressing emotion.