An internationally noted master of intrigue is at his best in this new novel, its theme the malignant influence of professional Intelligence upon private lives. Beginning with the attempted suicide of Sister Luiza, born Sarah Branton, and her rescue by the man destined to become her lover, the narrative is first set in Portugal, then moves to the Cotswolds of England and back again and, finally, into the very center of the Intelligence web. A poignant love story as well as a thriller, it builds to a climax as beautifully prepared for as it is devastating.
Victor Canning was a prolific writer of novels and thrillers who flourished in the 1950s, '60s and '70s, but whose reputation has faded since his death in 1986. He was personally reticent, writing no memoirs and giving relatively few newspaper interviews.
Canning was born in Plymouth, Devon, the eldest child of a coach builder, Fred Canning, and his wife May, née Goold. During World War I his father served as an ambulance driver in France and Flanders, while he with his two sisters went to live in the village of Calstock ten miles north of Plymouth, where his uncle Cecil Goold worked for the railways and later became station master. After the war the family returned to Plymouth. In the mid 1920s they moved to Oxford where his father had found work, and Victor attended the Oxford Central School. Here he was encouraged to stay on at school and go to university by a classical scholar, Dr. Henderson, but the family could not afford it and instead Victor went to work as a clerk in the education office at age 16.
Within three years he had started selling short stories to boys’ magazines and in 1934, his first novel. Mr. Finchley Discovers his England, was accepted by Hodder and Stoughton and became a runaway best seller. He gave up his job and started writing full time, producing thirteen more novels in the next six years under three different names. Lord Rothermere engaged him to write for the Daily Mail, and a number of his travel articles for the Daily Mail were collected as a book with illustrations by Leslie Stead under the title Everyman's England in 1936. He also continued to write short stories.
He married Phyllis McEwen in 1935, a girl from a theatrical family whom he met while she was working with a touring vaudeville production at Weston-super-Mare. They had three daughters, Lindel born in 1939, Hilary born in 1940, and Virginia who was born in 1942, but died in infancy. In 1940 he enlisted in the Army, and was sent for training with the Royal Artillery in Llandrindod Wells in mid-Wales, where he trained alongside his friend Eric Ambler. Both were commissioned as second lieutenants in 1941. Canning worked in anti-aircraft batteries in the south of England until early 1943, when he was sent to North Africa and took part in the Allied invasion of Sicily and the Italian campaigns. At the end of the war he was assigned to an Anglo-American unit doing experimental work with radar range-finding. It was top secret work but nothing to do with espionage, though Canning never discouraged the assumption of publishers and reviewers that his espionage stories were partly based on experience. He was discharged in 1946 with the rank of major. He resumed writing with The Chasm (1947), a novel about identifying a Nazi collaborator who has hidden himself in a remote Italian village. A film of this was planned but never finished. Canning’s next book, Panther’s Moon, was filmed as Spy Hunt, and from now on Canning was established as someone who could write a book a year in the suspense genre, have them reliably appear in book club and paperback editions on both sides of the Atlantic, be translated into the main European languages, and in many cases get filmed. He himself spent a year in Hollywood working on scripts for movies of his own books and on TV shows. The money earned from the film of The Golden Salamander (filmed with Trevor Howard) meant that Canning could buy a substantial country house with some land in Kent, Marle Place, where he lived for nearly twenty years and where his daughter continues to live now. From the mid 1950s onwards his books became more conventional, full of exotic settings, stirring action sequences and stock characters. In 1965 he began a series of four books featuring a private detective called Rex Carver, and these were among his most successful in sales terms.
More nastiness from the Birdcage, that shadowy government department that does the bad stuff so that we can carry on worrying about global warming. This time the innocent who becomes enmeshed in the machinations of state is the hapless Richard Farley, a popular regular guy who drifts around the late 1970s Algarve minding his own business until he rescues Sarah, an ex-nun from drowning in the sea. She turns out to be irritatingly grateful for his intervention and upsets Farley’s equilibrium to the extent that she wishes to give him more wealth than he needs or feels he deserves. From an indiscrete diary bequeathed by Sarah’s late mother Farley angrily discovers enough about her own shady past to put a spanner in the works of Sarah’s father, who was a top man at Birdcage and now has ambitions to be our man in Washington. This won’t happen if the truth of his past is publicised but his department, in the form of Quint and new boy Kerslake (who we last met as a policeman at Barnstaple in Canning’s The Mask of Memory), retains the ruthlessness to make Farley wish he’d not fallen in love. Once again far too much whisky and too many cigars are consumed. Victor Canning wrote some outstanding thrillers and he really is my favourite author.
Originally published on my blog here in June 1999.
With the name of the main villain in this novel, Lord Bellmaster, irresistibly making me feel that he must have escaped from Mervyn Peake's Gormenghast, is was difficult for me to take Birdcage seriously. A pity, for it is rather good as minor seventies thrillers go.
Birdcage is about the activities of a shadowy British intelligence agency, nicknamed "Birdcage" because its offices are in Birdcage Walk in London. Lord Bellmaster was at one time the head of Birdcage, and engaged in many morally dubious practices to increase the profile of the agency in Whitehall and increase his personal power within the government at the time. These included using his mistress Lady Jean Branton as an agent to seduce those in whom he was interested, as well as murder and general corruption.
The novel itself concentrates on Jean's daughter Sarah, who believes her father to be the complaisant Colonel Branton when in fact it is Lord Bellmaster himself. She has taken vows to become a nun, but her psychological inability to cope with this way of life leads her to experience a phantom pregnancy, then to run away and attempt to drown herself. Falling in love with the man who rescues her, she follows the instructions given her by her now dead mother in case she should ever wish to return to the world. She seeks out her mother's beloved maid, who has a parcel for her. This contains some precious jewellery and a book, apparently the devotional Dialogues of the Soul and Body by St Catherine of Genoa, but actually a diary recording with embarrassing honesty Lady Jean's activities on behalf of Lord Bellmaster.
Clearly, such a diary is of immense importance to Lord Bellmaster, and he devotes his own time, and calls in favours to be able to use Birdcage's resources, to discovering whether it exists and neutralising it if it does. "Neutralising" may mean, and Bellmaster is prepared for it to mean, the murder of all those who know of the diary.
The best thing about this novel is that a happy ending is not guaranteed; Canning really loads the dice against the "good guys". Another virtue is that the characters are not all black and white; some are rather stuck in between, victims mainly by their association with Bellmaster.
An angler saves a would-be suicide victim from drowning, unwittingly and unknowingly making himself a person of interest among agents of the British intelligence agency known as Birdcage. Birdcage operatives monitor, manipulate, and deceive innocent people and themselves.. This is my first experience with Canning. He wrote over 60 books, and I'm sure I'll get around to a few more.
While it wasn’t a happy ending, it gripped me literally to the very end. You are not absolutely sure of the fate of the hero until the very last page. I thought the novel was well written with all the dots connected.
This entire review has been hidden because of spoilers.