From the award-winning creator of the international bestseller 'The Monkey's Mask' ('Banjo' winner and Age Book of the Year) comes an extraordinary work of the imagination. 'Crete' is a heady mix of dark humour, archaeology, breathtaking eroticism, risk-taking and effortless economy.
Eminent Australian poet. A rare proponent of the verse novel. Winner of The Age Book of the Year for poetry, and the National Book Council Award, for her verse novel The Monkey's Mask. She was awarded the Christopher Brennan Award for lifetime achievement in poetry in 2001. Died of breast cancer, 2008.
As previously mentioned, I've started a one man Porter fan club. While Crete is not a novel in verse, it is very much in Porter's voice, and one reason for that is that the book involves an overall persona, pretty much throughout. While there are a couple of sexually heated poems, oddly enough, one will find more of that ilk in Akhenaten and Monkey's Paw. Roughly half the book's poems center around Crete and the Minoan civilization, other sections include odes to cigarette and love addiction, and a fine section entitled "Bone-burning Tunes," which I take to be introspectively of love, life, art, and selfhood. My advice? Read one or two of her novels first, and this collection will resonate even more. "My decaying lyre/glows green/under the rubbish mounds//dumped/it lies in wait/for someone's fossicking fingers//what bone-burning tunes/it will play/through that stray hand!
4 & a half stars! The only reason it's not 5 is just bc I didn't love some sections as much as the others.
Truly, truly, truly wonderful writing with a distinct & unique voice, with gorgeous & sometimes strange imagery, beautiful and sometimes blunt, evocative language, which explores life & love & relationships & sex & death & art & mythology & all sorts of things. Really brilliant. I don't have words but it's just. So good.
What makes our hands smoke? What makes our fingers tigers? We'd know each other in cinders We'd know each other in stalk and spring We'd know each other underwater absent or present We'd know We'd always know. But for now perfume and drowse perfume and drowse for unreal and fabulous hours hoarding each other like fragrant narcotics.
Sapphic imagery, sapphic imagery, pagan-flavoured sapphic imagery, all-too-real fatalism, all-too-real fatalism personified through sapphic imagery. Would recommend to people who love fatalism and breasts.