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The Burden of Rhyme: Victorian Poetry, Formalism, and the Feeling of Literary History

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A major new account of Victorian poetry and its place in the field of literary studies.



The Burden of Rhyme shows how the nineteenth-century search for the origin of rhyme shaped the theory and practice of poetry. For Victorians, rhyme was not (as it was for the New Critics, and as it still is for us) a mere technique or ahistorical form. Instead, it carried vivid historical fantasies derived from early studies of world literature. Naomi Levine argues that rhyme’s association with the advent of literary modernity and with a repertoire of medievalist, Italophilic, and orientalist myths about love, loss, and poetic longing made it a sensitive historiographic instrument. Victorian poets used rhyme to theorize both literary history and the most elusive effects of aesthetic form. This Victorian formalism, which insisted on the significance of origins, was a precursor to and a challenge for twentieth-century methods. In uncovering the rich relationship between Victorian poetic forms and a forgotten style of literary-historical thought, The Burden of Rhyme reveals the unacknowledged influence of Victorian poetics—and its repudiation—on the development of modern literary criticism.

263 pages, Paperback

Published October 28, 2024

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Naomi Levine

10 books

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Profile Image for Savannah Chorn.
37 reviews1 follower
December 11, 2025
Highly readable and convincing — Victorian poetry might not be as aesthetically compelling/may seem too preachy or sentimental to us because the Victorians thought of form and rhyme in different ways than we do. Our history of the development literary theory depicts a battle between the completely separate camps of new criticism and historicism, but the Victorians thought of poetic form as deeply historically rooted. Loved the EBB chapter.
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