Of the ten thousand letters that Aldous Huxley wrote, only a fraction have been published. Those that were once considered too sensitive for publication can now be included in a wholly new collection. James Sexton's thoughtful selection opens new perspectives on one of the giants of prose. Huxley's letters movingly depict his courageous battle with almost total blindness. Later letters to his patroness demonstrate the brilliance that would soon gain Huxley an international reputation as one of his generation's major satirists. Gradually the letters reveal a shift from cynical satirist to a committed critic of fascism. The letters also provide plentiful insights into the London and New York theater scenes, and vivid discussions of Hollywood's film industry.
Aldous Leonard Huxley was an English writer and philosopher. His bibliography spans nearly 50 books, including non-fiction works, as well as essays, narratives, and poems. Born into the prominent Huxley family, he graduated from Balliol College, Oxford, with a degree in English literature. Early in his career, he published short stories and poetry and edited the literary magazine Oxford Poetry, before going on to publish travel writing, satire, and screenplays. He spent the latter part of his life in the United States, living in Los Angeles from 1937 until his death. By the end of his life, Huxley was widely acknowledged as one of the foremost intellectuals of his time. He was nominated for the Nobel Prize in Literature nine times, and was elected Companion of Literature by the Royal Society of Literature in 1962. Huxley was a pacifist. He grew interested in philosophical mysticism, as well as universalism, addressing these subjects in his works such as The Perennial Philosophy (1945), which illustrates commonalities between Western and Eastern mysticism, and The Doors of Perception (1954), which interprets his own psychedelic experience with mescaline. In his most famous novel Brave New World (1932) and his final novel Island (1962), he presented his visions of dystopia and utopia, respectively.