On the back of his best stories here (or my favorites, rather), which are certainly the best (favorite) things I've ever read from the weighty Welch, I'm loading up our good man with five stars. I say weighty because all his minutiae (details about socks and skin and decor and everything else that's tangible and usually meaningless) is mostly a light and airy breeze when ordinarily it would most likely probably be a sloggy burden stuck on our asses. And also because I'm just jabberin'.
Okay, my highlights of Denden's short fiction (which might well be "sleepers," not sure) are .......... "The Trout Stream" and "The Diamond Badge," both of which I laughed the whole way through and thought "holy Hell!!!" during most of them. They kept driving, driving, driving it in, pouring it on ... and I even broke down and had to wipe my face/brain a couple times! Ridiculous!!! Welch had already got me leaning in those directions with the first story in the book, "When I was Thirteen," where "Denton" likes smelling Archer's anything while also claiming it's impossible to get really dirty in Switzerland. Denton would deliver a wide but slow-developing grin if I asked him to describe the sweet aroma of Archer's farts.
Then in the very next set up, Flora Pinkston takes in/on the young GERMAN via "The Hateful Word." "You like the English countryside?" "Oh I like---I like VERY much." Jesus!
Surely this can't be serious.
But then, "I thought of the dead faces; the eyes, the nose, the mouth eaten away by fishes. But they were still able to weep from the holes where their eyes had been, and cries locked in bubbles escaped from the shapeless mouths." ..... his fantastic fixation with coffins in "The Coffin on the Hill."
And ... "They were holding one another's shoulders, patting one another's backs, wishing good wishes, saying good-byes, joking and chaffing as they knew they should from the pages of Esquire. It was painful to watch, because you felt that they really had no love for one another at all." --- from "Memories of a Vanished Period"
By The Trout Stream, lines like "Everything was hard and ugly and beautifully kept" shine like Welchian lipstick, with ol' Denton pulling out the little dark demon in him ala Raymond Chandler. "Now that she had told her story she was a like a bird waiting for crumbs."
And then the invalids start coming...as well as speculation about their legs. (If he'd started smelling the crippled's feet I don't think I would have made it out of my little spot in the mud Saturday.)
In addition to those I've already mentioned, "Leaves from a Young Person's Notebook" and "The Earth's Crust" were also very good. But "The Trout Stream" and "The Diamond Badge," oh yeah ... those are some favorite pastimes.
I'd love to hear others call in to report on which were their favorite stories ...
You (I) have to hand it to Denton Welch: the editor and writer of the preface (Robert Phillips, who does a fine, fine job by the way, and is, almost shockingly, an American) states that narcissism, minutiae, suffering, homoeroticism, hedonism, and nostalgia were Welch's obsessions, and other than nostalgia, I rarely have the faintest interest (or even patience!) in the other matters, quite often turned off in fact. But Denton Welch pulls it off. Pulls me in. I keep reading him. Probably it's because he's got that honesty about him, or a purity. At the same time he's a lovely con artist: a mind that's encompassing and deep, all the while making us feel he's stuck on little butterscotch candies and bicycles; a man bedridden with holes in his spine pushing us forward in curiosity and what I'd consider, ultimately, a skulking joie de vivre.